Being Ethical among Vezo People analyzes environmental change in reef ecosystems of southwest Madagascar and the impacts of global fishery markets on Vezo people’s well-being. The ethnography describes fishers’ changing perceptions of the physical environment in the context of livelihood and ritual practices and discusses their shared understandings of how Vezo persons should live. Under new marine protected area regulations, each village is responsible for managing its octopus fishery with a temporal closure. Frank Muttenzer argues that locals’ willingness to improve well-being does not commit them to a conservationist ethos. To cope with resource depletion Vezo people migrate to distant resource-rich marine frontiers, target fast growing species, and perform rituals that purport to affect their luck in fishing and marine foraging. But they doubt conservationists’ opinion that coral reef ecosystems can be managed for sustainable yield. The richly documented, elegantly theorized, and fresh ethnographic outlook on the Vezo addresses current issues in marine ecology and conservation, small-scale fisheries, and the semiotics of rural livelihoods and human well-being, particularly its expression in ritual. It will be of strong interest to environmental scientists, Madagascar specialists, and anthropology generalists alike; particularly those who are interested in what the modes of engagement with the environment of foraging peoples can teach us about the human condition at large, and the nature-culture debates in particular.
These stories were written by Frank Weinman over the years 1959 to 2006. They include a memoir of his life compiled from a series of short stories he wrote. Other writings include his reflection on turning age 45, a Yom Kippur speech made in 1993, his account of the "sentimental journey" he made to his birthplace in 1996, and the family cruise that marked his 90th birthday in 2004.
For a half century, Ben Webster, one of the "big three" of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists. Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including "Cotton Tail." Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public. Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists.
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