Frank McCourt's glorious childhood memoir, Angela's Ashes, has been loved and celebrated by readers everywhere for its spirit, its wit and its profound humanity. A tale of redemption, in which storytelling itself is the source of salvation, it won the National Book Critics Circle Award, the Los Angeles Times Book Award and the Pulitzer Prize. Rarely has a book so swiftly found its place on the literary landscape. And now we have 'Tis, the story of Frank's American journey from impoverished immigrant to brilliant teacher and raconteur. Frank lands in New York at age nineteen, in the company of a priest he meets on the boat. He gets a job at the Biltmore Hotel, where he immediately encounters the vivid hierarchies of this "classless country," and then is drafted into the army and is sent to Germany to train dogs and type reports. It is Frank's incomparable voice -- his uncanny humor and his astonishing ear for dialogue -- that renders these experiences spellbinding. When Frank returns to America in 1953, he works on the docks, always resisting what everyone tells him, that men and women who have dreamed and toiled for years to get to America should "stick to their own kind" once they arrive. Somehow, Frank knows that he should be getting an education, and though he left school at fourteen, he talks his way into New York University. There, he falls in love with the quintessential Yankee, long-legged and blonde, and tries to live his dream. But it is not until he starts to teach -- and to write -- that Frank finds his place in the world. The same vulnerable but invincible spirit that captured the hearts of readers in Angela's Ashes comes of age. As Malcolm Jones said in his Newsweek review of Angela's Ashes, "It is only the best storyteller who can so beguile his readers that he leaves them wanting more when he is done...and McCourt proves himself one of the very best." Frank McCourt's 'Tis is one of the most eagerly awaited books of our time, and it is a masterpiece.
En cada pagina abunda el incomparable sentido del humor y la compasion de Frank McCourt. Con todas las cualidades de una obra clasica, "Las cenizas de Angela" esta ahora disponible en edicion rustica en español. Esta autobiografia ganadora del Premio Pulitzer y de gran exito de ventas internatcional trasciende las fronteras culturales y linguisticas con su narracion sobre la infancia, la pobreza y las relaciones familiares.
The Spanish edition of the #1 New York Times bestseller, TIS is the story of Frank's American journey from impoverished immigrant with rotten teeth, infected eyes, and no formal education to brilliant raconteur and schoolteacher. Saved first by a straying priest, then by the Democratic party, then by the United States Army, then by New York University-- which admitted him on a trial basis, though he had no high school diploma-- Frank had the same vulnerable but invincible spirit at nineteen that he had at eight, and still has today. And TIS is a tale of survival as vivid, harrowing, and often hilarious as ANGELA'S ASHES. Yet again, it is through the power of storytelling that Frank finds a life for himself. TIS blesses readers with another chapter of McCourt's story, but as it closes, they will want still more.
Los millones de lectores que amaron la memoria increíble de la obra "las cenizas de Ángela", amarán también el presente libro. A través de sus páginas, el autor nos presenta esta historia sobre el viaje, físico y sicológico, de un improvisado inmigrante a brillante narrador y maestro de escuela. Salvado primero por un sacerdote perdido, pasando por el partido democrático, por la Armada de Estados Unidos, hasta la universidad de Nueva York; el autor del presente texto demuestra que, a los diecinueve años, sigue manteniendo el mismo espíritu invencible que tenía a los ocho... y que todavía mantiene. El presente libro es un cuento acerca de la sobrevivencia y tan vívido y entretenido como fue el texto anterior de este mismo autor.
The author describes his coming of age as a teacher, storyteller, and writer, a personal journey during which he spent fifteen years finding his voice in the classroom, and came to terms with the undervalued importance of teaching.
A Pulitzer Prize–winning, #1 New York Times bestseller, Angela’s Ashes is Frank McCourt’s masterful memoir of his childhood in Ireland. “When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.” So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible, and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank’s survival. Wearing rags for diapers, begging a pig’s head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance, and remarkable forgiveness. Angela’s Ashes, imbued on every page with Frank McCourt’s astounding humor and compassion, is a glorious book that bears all the marks of a classic.
Frank McCourt’s glorious childhood memoir, Angela’s Ashes, has been loved and celebrated by readers everywhere for its spirit, its wit and its profound humanity. A tale of redemption, in which storytelling itself is the source of salvation, it won the National Book Critics Circle Award, the Los Angeles Times Book Award and the Pulitzer Prize. Rarely has a book so swiftly found its place on the literary landscape. And now we have ’Tis, the story of Frank’s American journey from impoverished immigrant to brilliant teacher and raconteur. Frank lands in New York at age nineteen, in the company of a priest he meets on the boat. He gets a job at the Biltmore Hotel, where he immediately encounters the vivid hierarchies of this “classless country,” and then is drafted into the army and is sent to Germany to train dogs and type reports. It is Frank’s incomparable voice—his uncanny humor and his astonishing ear for dialogue—that renders these experiences spellbinding. When Frank returns to America in 1953, he works on the docks, always resisting what everyone tells him, that men and women who have dreamed and toiled for years to get to America should “stick to their own kind” once they arrive. Somehow, Frank knows that he should be getting an education, and though he left school at fourteen, he talks his way into New York University. There, he falls in love with the quintessential Yankee, long-legged and blonde, and tries to live his dream. But it is not until he starts to teach—and to write—that Frank finds his place in the world. The same vulnerable but invincible spirit that captured the hearts of readers in Angela’s Ashes comes of age. As Malcolm Jones said in his Newsweek review of Angela’s Ashes, “It is only the best storyteller who can so beguile his readers that he leaves them wanting more when he is done...and McCourt proves himself one of the very best.” Frank McCourt's ’Tis is one of the most eagerly awaited books of our time, and it is a masterpiece.
En este libro, Frank McCourt narra sus experiencias como inmigrante, cuando, a los diecinueve años, cumpliendo un sueño largamente alimentado, llega a Nueva York. Durante su primer trabajo en un hotel entra muy pronto en contacto con las estrictas jerarquías de una sociedad «supuestamente» sin clases sociales. Más tarde, tras superar toda clase de obstáculos, tiene por fin la oportunidad de acceder a la Universidad de Nueva York, donde completará sus estudios, abandonados a los catorce años, y se preparará para su futuro trabajo como profesor.Frank McCourt nos obsequia con unos extraordinarios capítulos de su vida adulta y con unas memorables lecciones de humanidad y de supervivencia, en el mismo tono entrañable y lleno de humor con el que consiguió cautivar a millones de lectores en Las cenizas de Ángela.
The internet as we know it is broken. Here’s how we can seize back control of our lives from the corporate algorithms and create a better internet—before it’s too late. “In the spirit of Thomas Paine’s Revolution-era Common Sense, this manifesto challenges us to create new digital architectures to safeguard democracy.”—Walter Isaacson, #1 New York Times bestselling author of Elon Musk It was once a utopian dream. But today’s internet, despite its conveniences and connectivity, is the primary cause of a pervasive unease that has taken hold in the U.S. and other democratic societies. It’s why youth suicide rates are rising, why politics has become toxic, and why our most important institutions are faltering. Information is the lifeblood of any society, and our current system for distributing it is corrupted at its heart. Everything comes down to our ability to communicate openly and trustfully with each other. But, thanks to the dominant digital platforms and the ways they distort human behavior, we have lost that ability—while, at the same time, we’ve been robbed of the data that is rightfully ours. The roots of this crisis, argue Frank McCourt and Michael Casey, lie in the prevailing order of the internet. In plain but forceful language, the authors—a civic entrepreneur and an acclaimed journalist—show how a centralized system controlled by a small group of for-profit entities has set this catastrophe in motion and eroded our personhood. And then they describe a groundbreaking solution to reclaim it: rather than superficial, patchwork regulations, we must reimagine the very architecture of the internet. The resulting “third-generation internet” would replace the status quo with a new model marked by digital property rights, autonomy, and ownership. Inspired by historical calls to action like Thomas Paine’s Common Sense, Our Biggest Fight argues that we must act now to embed the core values of a free, democratic society in the internet of tomorrow. Do it right and we will finally, properly, unlock its immense potential.
Frank McCourt returned to America when he was nineteen. For many years, he was an English teacher at Stuyvesant High School in New York City. The sequel to "Angela's Ashes, 'Tis, " will be published in the fall of 1999. McCourt lives in Connecticut.
The inspiration for the Emmy-nominated film and its companion Angela’s Christmas Wish, now streaming on Netflix! Pulitzer Prize recipient Frank McCourt shares the story of his mother’s childhood Christmas in this tender and heartwarming picture book, previously published as Angela and the Baby Jesus. Angela is six-years-old and worries for the baby Jesus on the altar of St. Joseph’s church in Limerick. December nights are damp and cold, and the church is dark at night. How can the baby Jesus’ mother leave him in the manger without even a blanket to cover him? The baby Jesus surely needs Angela’s help, even if she is not allowed to go on the altar, especially by herself. Filled with the characters, incident, and detail that have made Frank McCourt internationally renowned and beloved, Angela’s Christmas is a timeless story of real life—in all of its joy, innocence, and incongruity. A story for all generations to enjoy and cherish.
Die Asche meiner Mutter' ist so gut - sie verdient eine Fortsetzung.' So schrieb die New York Times über Frank McCourts Bestseller. Mit dem vorliegenden Buch erfüllte der Autor nicht nur den Wunsch seines Rezensenten, sondern auch die Hoffnungen der Millionen von begeisterten Lesern und schrieb seine Geschichte fort. 'Ein rundherum tolles Land' beginnt dort, wo der erste Teil endet: als Frank McCourt mit 19 Jahren an Bord eines irischen Schiffes nach Amerika kommt und nichts hat als die Hoffnung auf eine bessere Zukunft. Arm, mit schlechten Zähnen und entzündeten Augen, ohne jede nennenswerte Ausbildung, erreicht er das Land seiner Träume - und muss feststellen, dass er mit seinem Aussehen und seinem irischen Akzent ein Nichts ist. Wie er sich trotz aller Widrigkeiten einen Platz im Leben erkämpft, einen Platz 'auf dem Bindestrich von Irisch-Amerika', berichtet der große Erzähler McCourt in seiner unnachahmlichen Mischung aus Traurigkeit und Witz. Seine unglaublichen Geschichten über Priester und Jungfrauen, über irische Kneipen, bayrische Bierkeller und die merkwürdigen Sitten der Amerikaner im Allgemeinen verbinden sich zu einer augenzwinkernden Hommage an das Land der unbegrenzten Möglichkeiten, in der 'toll' nicht nur 'großartig' bedeutet.
C'est en 1949, à dix-neuf ans, que Frank McCourt s'embarque pour New York, terre promise, pour fuir la misère de sa jeunesse à Limerick. Pris en charge dès son arrivée par un vieux prêtre irlandais qui le met en garde contre cette ville dépravée, il s'enfuit à toutes jambes pour échapper aux avances du saint homme aviné. L'Amérique, il devra la conquérir seul. Tour à tour balayeur dans un hôtel de luxe, docker et gratte-papier, soldat puis jeune prof déboussolé, il va découvrir un pays très éloigné de celui qu'il a rêvé... Après " Les cendres d'Angela ", " C'est comment l'Amérique ? " raconte l'histoire d'une ascension extraordinaire, celle d'un émigré pauvre qui sera un professeur hors du commun et deviendra l'un des grands écrivains de ce siècle.
Quand je revois mon enfance, le seul fait d'avoir survécu m'étonne. Ce fut, bien sûr, une enfance misérable : l'enfance heureuse vaut rarement qu'on s'y arrête. Pire que l'enfance misérable ordinaire est l'enfance misérable en Irlande. Et pire encore est l'enfance misérable en Irlande catholique. " C'est ce que décrit Frank McCourt dans ce récit autobiographique. Le père, Malachy, est un charmeur irresponsable. Quand, par chance, il trouve du travail, il va boire son salaire dans les pubs et rentre la nuit en braillant des chants patriotiques. Angela, la mère, ravale sa fierté pour mendier. Frankie, l'aîné de la fratrie, surveille les petits, fait les quatre cents coups avec ses copains. Et, surtout, observe le monde des adultes. La magie de Frank McCourt est d'avoir retrouvé son regard d'enfant, pour faire revivre le plus misérable des passés sans aucune amertume.
The author of On Writing Well presents stories and advice on the writing process from Frank McCourt, Annie Dillard, and many more. For anyone who enjoys reading memoirs—or is thinking about writing one—this collection offers a master class from nine distinguished authors: Russell Baker, Jill Ker Conway, Annie Dillard, Ian Frazier, Henry Louis Gates Jr., Alfred Kazin, Frank McCourt, Toni Morrison, and Eileen Simpson. “Annie Dillard talks of her Pittsburgh childhood and her moment of waking to the world outside. Russell Baker explains why his first draft of Growing Up was so bad that he had to start over again. Alfred Kazin finds that writing about his Brooklyn childhood connected him with the great tradition of Emerson and Whitman. Toni Morrison tells why her fiction uses not only family history but the slave narratives of her people. Lewis Thomas traces the evolution of his singular self from primeval bacteria to contemporary scientist whose drive to be useful is the most fundamental of all biological necessities. . . . Delightful and instructive.” —Library Journal
Après le phénoménal succès des Cendres d'Angela et de C'est comment l'Amérique ?, Frank McCourt clôt la trilogie de ses Mémoires et nous offre un portrait de l'artiste en jeune prof dans le New York des sixties, plein de verve, de passion et d'émotion. Après avoir usé ses talents dans nombre de petits boulots hautement improbables, Frank McCourt se décide à utiliser son diplôme d'enseignant. Premier poste : un lycée technique de Staten Island. Premiers élèves : des fauves. Face à ces jeunes monstres, quelle attitude adopter ? Les punir ou les laisser macérer dans leur bouillon d'inculture ? Au risque de fâcher sa hiérarchie, Frank choisit la ruse. Les élèves font des batailles de sandwichs ? Il les attrape au vol et les mange. Ils n'apportent jamais de mots d'excuses pour leurs retards ? Il y voit une occasion de leur enseigner l'écriture en leur faisant rédiger les excuses d'Eve ou de Judas. Ils n'écoutent pas en cours ? Il les intrigue, les étonne, les subjugue grâce à des anecdotes sur son enfance irlandaise, histoires qui vont captiver les élèves les plus rétifs et bouleverser des générations de lecteurs du monde entier.
Siamo negli anni fra le due guerre e le travagliate vicende coinvolgono una famiglia così misera che può guardare dal basso la povertà , fra un padre perennemente ebbro e vociferante contro il mondo, gli inglesi e i protestanti, e una madre che sbrigativamente trascina la sua tribù verso la sopravvivenza. Tutto ci arriva attraverso gli occhi e la voce del protagonista mentre vive le sue avventure. Questo ragazzino indistruttibile, sfrontato, refrattario a ogni sentimentalismo, implacabile osservatore crea con le sue parole un prodigio di comicità e vitalità contagiose, dove tutte le atrocità diventano episodi e apparizioni di un viaggio battuto dal vento verso la terra promessa. Annotation Supplied by Informazioni Editoriali
Après avoir bouleversé le monde entier avec Les Cendres d'Angela, Frank McCourt poursuit son récit autobiographique dans C'est comment l'Amérique ? Un livre événement dont la parution a soulevé partout un égal enthousiasme. A dix-neuf ans, en 1949, fuyant la misère de sa jeunesse à Limerick, Franck McCourt s'embarque seul pour New York, cette terre promise. Pris en charge dès son arrivée par un vieux prêtre irlandais qui le met en garde contre cette ville dépravée, il s'enfuit à toutes jambes pour échapper aux avances du saint homme aviné. L'Amérique, il devra la conquérir seul. Tour à tour balayeur dans un hôtel de luxe, docker et gratte-papier, soldat puis jeune prof déboussolé, il va cependant découvrir un pays très éloigné de celui qu'il a rêvé... C'est comment l'Amérique ? raconte l'histoire d'une ascension extraordinaire, celle d'un émigré pauvre, sans éducation et marqué par la honte de ses origines, qui va finalement s'imposer comme un professeur hors du commun puis un des grands écrivains de cette fin de siècle. De cette aventure américaine, McCourt fait un récit inoubliable, émaillé de cocasses anecdotes et de personnages pittoresques qu'il croque avec une ironie irrésistible. Son prodigieux talent de conteur est ici intact, sa prose imagée, pleine de verve, teintée de bout en bout d'un humour mordant.
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