The poems were inspiration to write after using the phonic exercise program. With many years of not spelling correctly, heart wood house in Ottawa Ontario [School for Adults] give me a second chance in spelling. I thank them very very much in doing great work in teaching others. The poems were written through the experiences of life, peoples love for others, birthdays and the experience that my parents had raising eight children. I THANK EVERY ONE THAT INSPIRES ME.
The acclaimed author of The Barbary Wars offers a critical analysis of the often uneasy relationship between religion and politics in the United States from the Founding Fathers to the twenty-first century.
This book is a history of an astounding transatlantic phenomenon, a popular evangelical revival known in America as the first Great Awakening (1735-1745). Beginning in the mid-1730s, supporters and opponents of the revival commented on the extraordinary nature of what one observer called the "great ado," with its extemporaneous outdoor preaching, newspaper publicity, and rallies of up to 20,000 participants. Frank Lambert, biographer of Great Awakening leader George Whitefield, offers an overview of this important episode and proposes a new explanation of its origins. The Great Awakening, however dramatic, was nevertheless unnamed until after its occurrence, and its leaders created no doctrine nor organizational structure that would result in a historical record. That lack of documentation has allowed recent scholars to suggest that the movement was "invented" by nineteenth-century historians. Some specialists even think that it was wholly constructed by succeeding generations, who retroactively linked sporadic happenings to fabricate an alleged historic development. Challenging these interpretations, Lambert nevertheless demonstrates that the Great Awakening was invented--not by historians but by eighteenth-century evangelicals who were skillful and enthusiastic religious promoters. Reporting a dramatic meeting in one location in order to encourage gatherings in other places, these men used commercial strategies and newly popular print media to build a revival--one that they also believed to be an "extraordinary work of God." They saw a special meaning in contemporary events, looking for a transatlantic pattern of revival and finding a motive for spiritual rebirth in what they viewed as a moral decline in colonial America and abroad. By examining the texts that these preachers skillfully put together, Lambert shows how they told and retold their revival account to themselves, their followers, and their opponents. His inquiries depict revivals as cultural productions and yield fresh understandings of how believers "spread the word" with whatever technical and social methods seem the most effective.
A pioneer in the commercialization of religion, George Whitefield (1714-1770) is seen by many as the most powerful leader of the Great Awakening in America: through his passionate ministry he united local religious revivals into a national movement before there was a nation. An itinerant British preacher who spent much of his adult life in the American colonies, Whitefield was an immensely popular speaker. Crossing national boundaries and ignoring ecclesiastical controls, he preached outdoors or in public houses and guild halls. In London, crowds of more than thirty thousand gathered to hear him, and his audiences exceeded twenty thousand in Philadelphia and Boston. In this fresh interpretation of Whitefield and his age, Frank Lambert focuses not so much on the evangelist's oratorical skills as on the marketing techniques that he borrowed from his contemporaries in the commercial world. What emerges is a fascinating account of the birth of consumer culture in the eighteenth century, especially the new advertising methods available to those selling goods and services--or salvation. Whitefield faced a problem similar to that of the new Atlantic merchants: how to reach an ever-expanding audience of anonymous strangers, most of whom he would never see face-to-face. To contact this mass "congregation," Whitefield exploited popular print, especially newspapers. In addition, he turned to a technique later imitated by other evangelists such as Dwight L. Moody, Billy Sunday, and Billy Graham: the deployment of advance publicity teams to advertise his coming presentations. Immersed in commerce themselves, Whitefield's auditors appropriated him as a well-publicized English import. He preached against the excesses and luxuries of the spreading consumer society, but he drew heavily on the new commercialism to explain his mission to himself and to his transatlantic audience.
How did the United States, founded as colonies with explicitly religious aspirations, come to be the first modern state whose commitment to the separation of church and state was reflected in its constitution? Frank Lambert explains why this happened, offering in the process a synthesis of American history from the first British arrivals through Thomas Jefferson's controversial presidency. Lambert recognizes that two sets of spiritual fathers defined the place of religion in early America: what Lambert calls the Planting Fathers, who brought Old World ideas and dreams of building a "City upon a Hill," and the Founding Fathers, who determined the constitutional arrangement of religion in the new republic. While the former proselytized the "one true faith," the latter emphasized religious freedom over religious purity. Lambert locates this shift in the mid-eighteenth century. In the wake of evangelical revival, immigration by new dissenters, and population expansion, there emerged a marketplace of religion characterized by sectarian competition, pluralism, and widened choice. During the American Revolution, dissenters found sympathetic lawmakers who favored separating church and state, and the free marketplace of religion gained legal status as the Founders began the daunting task of uniting thirteen disparate colonies. To avoid discord in an increasingly pluralistic and contentious society, the Founders left the religious arena free of government intervention save for the guarantee of free exercise for all. Religious people and groups were also free to seek political influence, ensuring that religion's place in America would always be a contested one, but never a state-regulated one. An engaging and highly readable account of early American history, this book shows how religious freedom came to be recognized not merely as toleration of dissent but as a natural right to be enjoyed by all Americans.
The history of America's conflict with the piratical states of the Mediterranean runs through the presidencies of Washington, Adams, Jefferson, and Madison; the adoption of the Constitution; the Quasi-War with France and the War of 1812; the construction of a full-time professional navy; and, most important, the nation's haltering steps toward commercial independence. Frank Lambert's genius is to see in the Barbary Wars the ideal means of capturing the new nation's shaky emergence in the complex context of the Atlantic world. Depicting a time when Britain ruled the seas and France most of Europe, The Barbary Wars proves America's earliest conflict with the Arabic world was always a struggle for economic advantage rather than any clash of cultures or religions.
James Meredith broke the color barrier in 1962 as the first African American student at Ole Miss. The violent riot that followed would be one of the most deadly clashes of the civil rights era, seriously wounding scores of U.S. Marshals and killing two civilians, and forcing the federal government to send thousands of soldiers to restore the peace. In The Battle of Ole Miss: Civil Rights v. States' Rights, Frank Lambert--who was a student at Ole Miss at the time and witnessed many of these events--provides an engaging narrative of the tumultuous period surrounding Meredith's arrival at the University of Mississippi. Written from the unique perspective of a student, Lambert explores the riot and its aftermath, examining why James Meredith deemed it important enough to risk his life in order to enter Ole Miss and why scores of white students resisted Meredith's enrollment. Lambert captures the complex and confused reactions of the students--most of whom had never given race a second thought--and many of whom were not averse to Meredith attending Ole Miss. In examining this single incident, Lambert illuminates the broader themes of social and cultural fault lines, Mississippi race relations, the fight for racial justice, and the political realignment that transformed the south. Part of the Critical Historical Encounters series, The Battle of Ole Miss: Civil Rights v. States' Rights is an ideal supplement for undergraduate U.S. Survey courses and courses in African American History, Civil Rights, the U.S. Since 1945, and the 1960s.
James Habersham was an early American success story. After arriving in Savannah in 1738, he failed in his efforts to wrest a living from the Georgia wilderness and lived his first year at public expense. Then, by dint of his own efforts and through the connections he forged, Habersham emerged as one of the colony's most influential and prosperous citizens, making his name as a planter, merchant, evangelist, and political leader. The third wealthiest person in the colony at the time of his death in 1775, Habersham had a public career that included service as the secretary of Georgia, president of the King's council, and acting Governor. But Habersham's story is more than biography. It also provides a window into colonial Georgia and its transformation from a struggling colony on the brink of collapse in the 1740s to a prosperous province in the 1770s, confident enough to defy the Crown. Ranging over such topics as the rise of Methodist missionary fervor, the development of transatlantic trade, the introduction of slavery, and the escalating debate over American independence, Frank Lambert tells how Habersham's success is inextricably tied to Georgia's fortunes and how he played a major role in helping the colony exploit its abundant resources. Habersham's economic development plan provided a blueprint for attracting new settlers, supplying an abundance of cheap labor, and opening new markets. Habersham's achievements, however, are obscured by his unpopular stance on American independence. While his three sons distinguished themselves as Patriots, Habersham remained loyal to the Crown, though he had opposed Britain's new imperial policies in the 1760's. Nevertheless, it was Habersham's loyal service to colonial Georgia that enabled the colony to separate successfully from the mother country and assume its place in the new republic as a prosperous, vigorous state.
This story has a different kind of hero; a hero with a walking disability. Xyz is the standalone second book in Frank Lambert’s Napoleon Xylophone trilogy, named after his first novel. Isaac Bonnyman doesn’t realise that the rogue changeling he is hunting for the Cult of the Clan will lead him to the secret to immortality. It is not until he is dead that he realises that’s why the Clan employed him. Once he is dead, he doesn’t care about the Clan or changelings; all he cares about is feeding on live prey. Zam doesn’t want to ask Bonnyman for help, but having a doppelganger and a wraith chasing him down means he has little choice but to search for Bonnyman in the City of the Dead beneath Edinburgh. He travels to Scotland with two ghosts following him in his high-tech wheelchair that can morph into an exoskeleton one minute and a flying machine the next. When he eventually finds Bonnyman, who agrees to help Zam, they both learn a valuable lesson. One learns that it is possible to undo death if you betray a friend, while the other learns that even after death, friendships can be formed that will last forever... Xyz is an inspirational fantasy novel that will appeal to young adults.
A changeling padded out from the shadows at the far end of the cavern. It had taken on the form of a lioness, with fur as black as a starless night. It walked towards Ackx and began to lick its master's face. Ackx opened his eyes and something like a smile crossed his face. Something like the smile a crocodile makes while eating its lunch... Napoleon Xylophone hates his name; that’s why his friends call him Zam. He doesn’t know it yet, but he is set to become a hero – a hero with a walking disability. When adventure comes knocking, Zam doesn’t let his disability get in the way of fighting the changelings, wytes and gargoyles that come to life in the underworld beneath Newcastle. Not when he has a wheelchair that can fly, a ghost for a best friend and a grandfather who has created a new life form that allows whoever wears it to speak to Time... Napoleon Xylophone is an inspirational work of fantasy fiction that will appeal to 12-16 year old children. The main aim of the book is to give disabled children a voice to help them express how they fit into society. As Zam, one of the few disabled superheroes in fiction, travels through the pages of his story, he shows the difficulties disabled children encounter every day. Zam is more than a teenager in a wheelchair with an amazing story to tell; he is a hero anyone can look up to.
The poems were inspiration to write after using the phonic exercise program. With many years of not spelling correctly, heart wood house in Ottawa Ontario [School for Adults] give me a second chance in spelling. I thank them very very much in doing great work in teaching others. The poems were written through the experiences of life, peoples love for others, birthdays and the experience that my parents had raising eight children. I THANK EVERY ONE THAT INSPIRES ME.
This is a detailed examination of 58 science fiction television series produced between 1990 and 2004, from the popular The X-Files to the many worlds of Star Trek (The Next Generation onward), as well as Andromeda, Babylon 5, Firefly, Quantum Leap, Stargate Atlantis and SG-I, among others. A chapter on each series includes essential production information; a history of the series; critical commentary; and amusing, often provocative interviews with overall more than 150 of the creators, actors, writers and directors. The book also offers updates on each series' regular cast members, along with several photographs and a bibliography. Fully indexed.
Dale brings us the stories behind each bridge, covering design, engineering, ownership, finances, and politics. He chronicles the life of each, from the original construction, through modifications, and sometimes, through the bridges' multiple destructions and reconstructions... Dozens of rare photos give readers a captivating window back into the past"--from back cover.
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