In the course of the nineteenth century, Jamaica transformed itself from a pestilence-ridden "white man's graveyard" to a sun-drenched tourist paradise. Deftly combining economics with political and cultural history, Frank Fonda Taylor examines this puzzling about-face and explores the growth of the tourist industry into the 1990s. He argues that the transformations in image and reality were not accidental or due simply to nature's bounty. They were the result of a conscious decision to develop this aspect of Jamaica's economy.Jamaican tourism emerged formally at an international exhibition held on the island in 1891. The international tourist industry, based on the need to take a break from stressful labor and recuperate in healthful and luxurious surroundings, was a newly awakened economic giant. A group of Jamaican entrepreneurs saw its potential and began to cultivate a tourism psychology which has led, more than one hundred years later, to an economy dependent upon the tourist industry.The steamships that carried North American tourists to Jamaican resorts also carried U.S. prejudices against people of color. "To Hell with Paradise" illustrates the problems of founding a tourist industry for a European or U.S. clientele in a society where the mass of the population is poor, black, and with a historical experience of slavery and colonialism. By the 1990s, tourism had become the lifeblood of the Jamaican economy, but at an enormous cost: enclaves of privilege and ostentation that exclude the bulk of the local population, drug trafficking and prostitution, soaring prices, and environmental degradation. No wonder some Jamaicans regard tourism as a new kind of sugar.Taylor explores timely issues that have not been previously addressed. Along the way, he offers a series of valuable micro histories of the Jamaican planter class, the origins of agricultural dependency (on bananas), the growth of shipping and communications links, the process of race relations, and the linking of infrastructural development to tourism. The text is illustrated with period photographs of steamships and Jamaican tourist hotels.
Environmental challenges are defining the twenty-first century. To fully understand ongoing debates about our current crises—climate change, loss of biological diversity, pollution, extinction, resource woes—means revisiting their origins, in all their complexity. With this ambitious, highly original contribution to the environmental history of global modernity, Frank Uekötter considers the many ways humans have had an impact on their physical environment throughout history. Ours is not a one-way trajectory to sudden collapse, he argues, but rather death by a thousand cuts. The many paths we’ve forged to arrive in our current predicament, from agriculture to industry to infrastructure, must be considered collectively if we are to stay afloat in what Uekötter describes as a vortex: a powerful metaphor for the flow of history, capturing the momentum and the many crosscurrents that swept people and environments along. His book invites us to look at environmental challenges from multiple perspectives, including all the twists and turns that have helped to create the mess we find ourselves in. Uekötter has written a world history for an age where things are falling apart: where we know what lies ahead and are equipped with the right tools—technological and otherwise—and plenty of experience to deal with environmental challenges, but somehow fail to get our affairs in order.
Taking issue with many orthodox views of Film Noir, Frank Krutnik argues for a reorientation of this compulsively engaging area of Hollywood cultural production. Krutnik recasts the films within a generic framework and draws on recent historical and theoretical research to examine both the diversity of film noir and its significance within American popular culture of the 1940s. He considers classical Hollywood cinema, debates on genre, and the history of the emergence of character in film noir, focusing on the hard-boiled' crime fiction of Dashiell Hammett, Raymond Chandler and James M. Cain as well as the popularisationof Freudian psychoanalysis; and the social and cultural upheavals of the 1940s. The core of this book however concerns the complex representationof masculinity in the noir tough' thriller, and where and how gender interlocks with questions of genre. Analysing in detail major thrillers like The Maltese Falcon, Double Indemnity, Out of the Past and The Killers , alongside lesser known but nonetheless crucial films as Stranger on the Third Floor, Pitfall and Dead Reckoning Krutnik has produced a provocative and highly readable study of one of Hollywood most perennially fascinating groups of films.
George Orson Welles (1915–1985) is considered to be among the greatest and most influential filmmakers of all time. At just twenty-five years old, he cowrote, produced, directed, and starred in his Academy Award–winning debut film Citizen Kane (1941). His innovative and distinctive directorial style—nonlinear narratives, unusual camera angles, deep focus shots, and long takes—continues to be emulated by directors and cinematographers to this day. The brilliant yet provocative Welles won multiple Grammys, a Golden Globe, and the greatest honor the Directors Guild of America bestowed: the D. W. Griffith Award. His final film, The Other Side of the Wind, was released in 2018, 33 years after his death. In Citizen Welles: A Biography of Orson Welles, author Frank Brady presents a comprehensive and complete picture of the artist and auteur. Painstakingly researched, Brady delves into Welles's creative achievements, from his critically acclaimed film Citizen Kane and controversial radio broadcast "The War of the Worlds" (1938) to his starring turn on Broadway in Shaw's Heartbreak House (for which he made the cover of Time). Brady also explores other notable films, including The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1965). This all-encompassing work also details the personal side of Welles's life, including his romances with Rita Hayworth and Dolores Del Rio and the confounding tragedy of his final years. Presented is a captivating and compelling encapsulation of the revered and respected artist.
This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege.
How does a boy learn to be a man? A man learns masculinity primarily from his father. But generations of boys who grow up without caring fathers or male mentors to emulate are left to guess what "men" are really like. They rely on cultural icons--larger-than-life images--as models of masculinity. As a result, they grow up mirroring overblown myths of manhood. Obsessed with being "man enough," they become philanderers, controllers, and competitors--constantly overcompensating for their loss of a true role model, yet sorely unprepared for family life. In Man Enough, psychiatrist and family therapist Frank Pittman explores what it is like to grow up male today. With great poignancy, humor, and candor, he weaves together case studies from his practice, examples from literature and films, plus personal vignettes from his own experiences as a father to examine these hyper-masculine men and to illustrate how they developed and how they can change. Dr. Pittman asserts that men can move past proving their masculinity and start practicing it by striving with the other guys rather than against them, achieving equality and intimacy with their mates--and by fathering. A man raises himself as he raises children and learns to understand and forgive his parents as he becomes one. An important book for men and women, Man Enough offers a new approach to issues of commitment, caring and control and creates a positive model for the fathers of tomorrow's men.
This richly detailed examination of two forms of American entertainment focuses on the various ways that radio stations and air personalities have been depicted in motion pictures, from 1926's The Radio Detective to more recent films like 2022's Halloween Ends. Newly updated and revised chapters cover the cinematic portrayals of various aspects of radio, including disc jockeys, sports broadcasts, religious programs and abnormal personalities on the air. Such films as The Big Broadcast (1932), Reveille with Beverly (1943), Mister Rock and Roll (1957), WUSA (1970), Radio Days (1987), Private Parts (1997), We Are Marshall (2006) and Straight Outta Compton (2015) provide fascinating insights into not only their own times but also the historical eras that some of these films have attempted to recreate.
The long overdue follow-up to Miniter's bestselling The Ultimate Man's Survival Guide: Rediscovering the Lost Art of Manhood, this hilarious and colorful guide to surviving the modern office is an absolute must for any man whose instincts are frequently leading him into saying and doing the absolute wrong thing in the workplace. And yes, we're talking about you.
The art of Mario Sanchez -- showing charming Key West and Ybor City architecture, street vendors, funeral processions, parades, cigar factories, ice-cream trucks, people out for a stroll, traditional Cuban comparsa dancers with bands -- has become symbolic of the pictureque diversity of Key West life in the early-mid 20th century. Sanchez portrayed neighborhood places and events where he grew up, exhibiting his love for Florida's easy island living. His work also depicts Tampa's Latin community, Ybor City, with the same textured, quirky quality.His work brings to life the diversity and charm of colorful neighborhood life. The vendors hawk their wares, the trolleys move and rattle, the people gossip and haggle, the dogs bark, the bells ring, and children run with their kites.
This book tells the stories behind a half dozen events you might not know. The topics include: Cuban Missile Crisis, Negro Baseball, Dust Bowl, MFAA, 1906 Earthquake, The Last Men to Walk on the Moon This is a collection of previous published books, which may also be purchased separately.
In 1966, five-year-old Frank Healy was sick and stayed home from school. Bored and too ill to get out of bed, Frank began looking at a calendar and memorized an entire calendar year in a few days. With additional practice, he memorized everything he experienced by making mental notes throughout the day, from decades of Philadelphia weather facts to the history of space flight and a variety of other subjects. Healy, a life coach who specializes in improving memory, documents events that played a part in developing his superior memory skills and provides insight into his ability to recollect. He describes his techniques, how he mastered them, and what others can do, whether the information is for practical use or simply for entertainment. With many humorous episodes entwined within, this intriguing memoir includes puzzles, exercises, and tips for developing memory skills. You may not need to memorize the calendar or the daily weather of the past forty years, but Living with a Phenomenal Memory can help you memorize what you do need to know. Frank Healy is one of approximately twenty people who have been classified as having HSAM Highly Superior Autobiographical Memory. He remembers what happened every day of his life since he was five years old, including the day of the week, weather, news events, and personal experiences. His memory is similar to the character of Carrie Wells, the police detective in the show "Unforgettable". It can be seen on CBS channel 3 on Tuesdays at 10:00 P.M.
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
The endurance of the Frankenstein narrative as a modern cinematic myth is undeniable. Its flexibility has produced classic and contemporary horror film-most notably the Universal films of the thirties-but it has also resulted in unusual hybrids, such as musical horror-comedy (The Rocky Horror Picture Show), hyperbolic parody (Flesh for Frankenstein), and science fiction (the Alien and Terminator series). This sourcebook provides a complete guide to all of the story's filmic incarnations-including essential information such as cast, creative personnel, and plot summaries-and also guides the reader to relevant primary texts such as scripts, posters, production histories, and newspaper clippings. Utilizing an approach that is both popular and scholarly, and including spotlight essays that deal with contemporary academic approaches to the subject, The Frankenstein Film Sourcebook reveals the depth of the cinematic range of interpretations of a classic modern myth. Comprehensive in its scope, The Frankenstein Film Sourcebook provides an alphabetical guide to two hundred films that incorporate the Frankenstein narrative. It also delves into both primary and secondary perspectives and includes discussions of aspects of the films, such as their depiction of women, which is relevant to current scholarly critiques.
Tough, sophisticated, witty, and handsomefrom Rudolph Valentino to Buster Keaton, Cary Grant to Jimmy Stewart, Humphrey Bogart to Steve McQueen, each of the actors featured in this book brought a magnetic presence to the screen and made a powerful and enduring mark on film history. Produced by Turner Classic Movies, this stylish and definitive guide as the inside scoop and off-the-record reveals of fifty unforgettable actors and is also the focus of an on-air film festival on the channel. The lives and accomplishments of each actor are celebrated in an insightful career overview, accompanied by an annotated list of essential films, filmographies, behind the scenes facts, Academy Award wins and nominations. Full of surprising trivia, film stills, posters, and stunning photos, Leading Men pays tribute to the most charismatic, enduring, and elegant actors of the silver screenan essential resource for movie buffs and pop-culture enthusiasts alike.
Brought up in the Depression, Johnny DaSilva is leader of a fun and imaginative gang that lives out their dreams in the Big Tree in which each has a branch that serves as the Lone Ranger's Silver, the race car of Morey Amsterdam, the rocket ship of Buck Rogers, the crow's nest for Black Bart the Pirate. When World War II broke out, they tried every ruse their young imaginations could think of to get into the marines, army, and navy but had to settle for the Boy Scouts. But the faux pas war to end all wars came too soon for the Big Tree Gang. Johnny is best described by an aunt as having the millstone around the neck of having a strict English Episcopalian conscience and bucking bronco Portuguese sexual proclivities. Two girls are in love with him, one wealthy and popular, the other sexually abused and who considered herself a worthless toy, until she met Johnny. Whatever they knew about the facts of life, male and female, were learned pretty much by trial and error.
To paraphrase silent movie queen Norma Desmond in Billy Wilder's classic 1950 film Sunset Boulevard, "The epic miniseries are big! It's television that got small!" This is especially true when one compares such iconic epic miniseries as Rich Man, Poor Man (1976), Roots (1977), Holocaust (1978), Shogun (1980), The Winds of War (1983), War and Remembrance (1988-89) and Angels in America (2003) to today's ordinary television programming. This work traces the historical trajectory of the epic miniseries and delves into the character archetypes and themes that recur in the genre, giving close critical attention to more than 40 miniseries. A filmography is included.
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