Master Antique Styles Painlessly &break;&break;Not sure how to tell Chippendale from Queen Anne, or Art Deco from Art Nouveau? Learn the easy way with the author's entertaining style. Frank Farmer Loomis IV is an expert communicator who knows how to engage students with anecdotes and humor. If you're looking for clear, simple explanations rather than unpronounceable terms like corbeille a fleurs (flower basket) or sang de boeuf (red glaze), you've come to the right place, as he will "demystify all the perplexing twaddle" for you. And while you're learning, discover your antiquing personality and how antiquing can reduce stress. &break;&break;A User-Friendly Reference for Antiquers &break;&break;Master 16 major antique furniture styles and the six main woods &break;&break;Use furniture styles to identify and date other antiques &break;&break;Learn the various types of china, silver, pewter, and their marks
Master Antique Styles Painlessly Not sure how to tell Chippendale from Queen Anne, or Art Deco from Art Nouveau? Learn the easy way with the author's entertaining style. Frank Farmer Loomis IV is an expert communicator who knows how to engage students with anecdotes and humor. If you're looking for clear, simple explanations rather than unpronounceable terms like corbeille a fleurs (flower basket) or sang de boeuf (red glaze), you've come to the right place, as he will "demystify all the perplexing twaddle" for you. And while you're learning, discover your antiquing personality and how antiquing can reduce stress. A User-Friendly Reference for Antiquers • Master 16 major antique furniture styles and the six main woods • Use furniture styles to identify and date other antiques • Learn the various types of china, silver, pewter, and their marks
A highly useful, practical guide to what's antique and what's not. Legendary artisans are brought to life by wonderful anecdotes. It's all here from furniture styles to dating china, identifying woods, getting the most antiques for your buck, and how to avoid getting ripped off. Beginner or old hand, you'll enjoy and learn from a down to earth, plain-speaking antiques and collectibles expert.
Written from the perspective of the light-hearted popular radio personality, Frank Farmer Loomis IV, Affordable Antiques is an entertaining, informative down-to-earth guide to a wide range of antiques and collectibles. A professional antiques appraiser for more than 25 years, Loomis serves as the readers "antique coach," weaving through issues on where to hunt for bargains; how to let your fingers do the walking to unbeatable antique deals. Each chapter also offers the unique selling point of the "antiques ceiling" - the top amount that should be paid for a select item, allowing shoppers to purchase with complete peace of mind. Antiques collectors and enthusiasts are provided with hearty information they can actually use whether on serious bargain hunts, or just window shopping.
In 1939 Frank Luther Mott received a Pulitzer Prize for Volumes II and III of his History of American Magazines. In 1958 he was awarded the Bancroft Prize for Volume IV. He was at work on Volume V of the projected six-volume history when he died in October 1964. He had, at that time, written the sketches of the twenty-one magazines that appear in this volume. These magazines flourished during the period 1905-1930, but their "biographies" are continued throughout their entire lifespan--in the case of the ten still published, to recent years. Mott's daughter, Mildred Mott Wedel, has prepared this volume for publication and provided notes on changes since her father's death. No one has attempted to write the general historical chapters the author provided in the earlier volumes but which were not yet written for this last volume. A delightful autobiographical essay by the author has been included, and there is a detailed cumulative index to the entire set of this monumental work. The period 1905-1930 witnessed the most flamboyant and fruitful literary activity that had yet occurred in America. In his sketches, Mott traces the editorial partnership of H. L. Mencken and George Jean Nathan, first on The Smart Set and then in the pages of The American Mercury. He treats The New Republic, the liberal magazine founded in 1914 by Herbert Croly and Willard Straight; the conservative Freeman; and Better Homes and Gardens, the first magazine to achieve a circulation of one million "without the aid of fiction or fashions." Other giants of magazine history are here: we see "serious, shaggy...solid, pragmatic, self-contained" Henry Luce propel a national magazine called Time toward its remarkable prosperity. In addition to those already mentioned, the reader will find accounts of The Midland, The South Atlantic Quarterly, The Little Review, Poetry, The Fugitive, Everybody's, Appleton's Booklovers Magazine, Current History, Editor & Publisher, The Golden Book Magazine, Good Housekeeping, Hampton's Broadway Magazine, House Beautiful, Success, and The Yale Review.
The hero of the novel, CLEAN AND SOBER, is a representative figure in his southern California world (Santa Barbara), an artist and a teacher, i.e., his teaching supports his art. He is very much a citizen of his time and place, a middle-class white male struggling to keep his head above water in a competitive world (he has found that there is always a competition, whether it be allowed or avowed or underground and cutthroat). He enjoys many advantages--but his life is not an easy one which nonetheless he vastly enjoys. He is a happy man, doing what he wants to do. He is not conflicted about what he does or should do. He likes the place and the weather and even some of the people, and he enjoys doing his work--his art; but alas, he is at last unable to do this as his life succumbs to the burden of addiction and denial. The story is about how from the beginning of the story to the end, the comic is shading over into the tragic mode, and back, flashingly back and forth, as the fundamental direness of the situation asserts itself. But of course it is the direness that produces the story, and produces the happy outcome, and the ultimate product, the idea of such an outcome; and it is the direness that gives the dramatic kick to this thing. The story rushes along, and the hero with it, helter-skelter. He and his friends are put to the test, and it is a terrible testing, some find out how terrible. There is in this story a net gain for the hero--he is better and stronger after than before, and the story itself explains how that might be.
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