Travel 2,500 years back in time to find out where many of our modern holiday traditions originated. • Charming full-color ink and watercolor illustrations throughout. • This valuable resource for teachers and parents uses hands-on activities, natural science facts, and observations to explore the concepts of measuring time, making calendars, and marking seasonal celebrations. • Shows how our popular holiday traditions are rooted in nature, beginning as the seasonal festivals of an ancient society. Children love holiday celebrations but most don't know why they wear masks on Halloween or watch for the groundhog on February 2. Now they can discover that many of our modern traditions started with the festivals of the ancient Celts. The Celts were farming people, so their festivals marked the important events of the agricultural year. Imbolc, in very early spring, celebrated the birth of new lambs, while Samhain, in late fall, celebrated the end of the growing season and the beginning of winter. If we look at our modern calendar, we'll find Groundhog Day falling where Imbolc did, Halloween where the Celts celebrated Samhain, and a host of other holiday correspondences. That's because descendants of the Celts were among the first Europeans to settle in the New World, bringing their holiday traditions with them. In a world of electric lights and store-bought foods, The Ancient Celtic Festivals can help children make the connections to nature that their ancestors did. Whimsically illustrated activity pages invite them to bake a harvest corn bread, stage a spring festival, or warm up the cold depths of winter with hot spiced cider. Teachers, librarians, parents, and children alike will welcome this book as a fun-filled resource.
This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.
In a region of southern Italy that is known as Calabria, far south of Naples, there is a remote town by the name of Ardore. It's history dates back to ancient Greece; and, in over 2,800 years, a succession of conquerors did little to improve the lives of its people. In the mid-1600's, Antonio Bova saw the sale of the town as a feudal estate with an absentee landlord. By the mid-1700's his family had grown and acquired productive agricultural lands. Ardore supported the unification of Italy in 1860, but rebelled when a cholera epidemic ravaged the town. Arciprete Giuseppe Bova rose to a leading role in the town as pastor of the "mother church" and eventually became a bishop. And, Joseph Pasquale Bova was one of the earliest of the massive wave of Italian immigrants that came to America. We explore the experiences of seven generations of the Bova Family and learn how their lives were impacted by the history of Ardore and that of Italy.
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