Mike Mignola's award-winning series Hellboy has earned fans all over the world, among them some of the most respected horror, fantasy, and mystery novelists in the field, and some of Hollywood's most talented writers and directors. Now a who's who list of these writers are drawn together to tell their own tales of Hellboy, to play with the characters and worlds Mignola has created. As part of Dark Horse's celebration of Hellboy in 2004, Christopher Golden (author of the Hellboy novels The Lost Army and The Bones of Giants) has brought together a stellar array of talents including filmmakers Frank Darabont and Hellboy movie director Guillermo del Toro, and novelists Charles de Lint, Graham Joyce, and Sharyn McCrumb, as well as many others. • Lavishly illustrated by creator Mike Mignola! • Filmmakers Frank Darabont (The Shawshank Redemption), Guillermo del Toro (Hellboy), and novelists Charles de Lint, Graham Joyce, Sharyn McCrumb and many others tell their own tales of Hellboy. • This Spring, the Hellboy movie opened to rave reviews and spectacular box office success, making it an instantly recognizable and incredibly popular property.
Frank Darabont, Bentley Little, Benjamin Percy, Billie Sue Mosiman, Kealan Patrick Burke, and Glen Hirshberg share chilling tales of ancient evils and wicked desires in this spooky collection assembled by renowned horror editors Brian James Freeman and Richard Chizmar. WALPUSKI’S TYPEWRITER by Frank Darabont They say that genius is ten percent inspiration and ninety percent perspiration. For Howard Walpuski, it’s an IBM Selectric II typewriter, a nefarious secret, and a whole lot of blood. THE BOY by Bentley Little Christine has found the perfect neighborhood to raise her family: a quaint, quiet, friendly place where everyone gets along. Everyone, that is, except for the boy. TUMOR by Benjamin Percy He dodged death in the nick of time when the golf ball-sized tumor was surgically removed from his head. But the tumor isn’t done with him. TWISTED AND GNARLED by Billie Sue Mosiman He’s smart. Smarter than anyone knows. No one has linked him to the string of bodies he’s left up and down the California coast. Only one woman has ever come close—and she’s no match for his intellect. THE PALAVER by Kealan Patrick Burke It’s time for Oscar Dennihy to close his failing barber shop and retire—until a mysterious customer tells him a truly hair-raising tale . . . and gives Oscar a wonderful and terrible new purpose. INDIA BLUE by Glen Hirshberg Like most Americans, Enrico never gave much thought to the sport of cricket. Not until America’s Rockin’ Professional Cricket game—a spectacle that will live forever in his most horrible nightmares. Praise for Dark Screams: Volume Eight “The Dark Screams series reaches an all-time high with Volume Eight.”— The Crabby Reviewer “Another entry in the . . . excellent Dark Screams series.”—Char’s Horror Corner
Every one of us have watched television shows, movies and listened to our favorite songs but how many of us have wondered how theyve affected and influenced us? Do we still have a fondness for the mediums we enjoyed as a child or do we outgrow the past? As an adult, is it easier or harder to accept the past or embrace the future?
This new, expanded edition draws on the many extras created for the new DVD, including 90 mins of commentary by writer/director Darabont, documentary material on the making of the film, and a tribute parody Nominated for 7 Oscars, including Best Picture and Best Screenplay, The Shawshank Redemption, starring Tim Robbins and Morgan Freeman, is an extraordinary tale of hope and survival inside a maximum security prison. Based on a Stephen King short story, Frank Darabont's screenplay follows the complex 20-year relationship between two convicts who have little in common beyond a will to survive. Darabont has personally written or assembled all of the material, new and old in this expanded Shooting Script edition: Introductions by Stephen King and Frank Darabont The Shooting Script in its original form Detailed analysis of script-to-screen changes (29 pages in all) showing how and why scenes were cut and amended Two storyboard sequences, with commentary Stills section of 35 photos in all Afterword by Darabont about his experience in Hollywood
Howard Walpuski is a struggling writer trying to make his way on the tough streets of Hollywood. And like so many others, he dreams of the big-time. But times are tough and when he walks into the run-down repair shop with his old typewriter under his arm and five bucks in his wallet, he figures it's about to get a lot tougher. He's right. Because not only is his typewriter fixed that afternoon at the old shop...so is his life. Suddenly he is writing like never before...and suddenly his work is selling like never before. In fact, before long, he's a star on the fast track to certain fame and wealth. But there's a price to pay for his overnight success. And Howard Walpuski must pay it...in blood."--Book jacket.
Do you know how to fight off an alligator? Throw a four-seam fastball? Mix the perfect martini? How about Ben Franklin’s 13 Rules of Improvement? Learn all this and more in the new expanded paperback edition of Frank Miniter’s New York Times bestseller The Ultimate Man’s Survival Guide. Broken into seven sections—survivor, provider, athlete, hero,romantic, cultured man, and philosopher—Miniter teaches guys the skills,attitudes, and philosophies they need to be the ultimate man.
Mysterious killers dressed in white, they savaged the Cold War Russian underworld--then disappeared without a trace. Now they have resurfaced in New York, leaving a trail of dead mobsters in their bloody wake. In this tide of death, an amnesiac and a FBI agent bound by loss and haunted memories seek to answer a single question that may unlock their hidden pasts: Who are the White Suits? In the edgy tradition of The Usual Suspects and Kill Bill, The White Suits is violent noir action wrapped in mystery from writer Frank Barbiere and artist Toby Cypress.
“A worthy successor to Every Step a Struggle . . . the contributions to American cinema of these determined and courageous rebels will never be forgotten.” —Denise Youngblood, author ofCinematic Cold War While Every Step a Struggle recalled the performers who fought to give black artists a voice and a presence in film and on stage, this new ground-breaking book focuses on the personalities who replaced the pioneers and refused to abide by Jim Crow traditions. Presented against a detailed background of the revolutionary post-World War II era up to the mid-1970s, the individual views of Mae Mercer, Brock Peters, Jim Brown, Ivan Dixon, James Whitmore, William Marshall and Ruby Dee in heretofore unpublished conversations from the past reveal just how tumultuous and extraordinary the technological, political, and social changes were for the artists and the film industry. Using extensive documentation, hundreds of films, and fascinating private recollections, Dr. Manchel puts a human face both on popular culture and race relations. “Using the method of oral history and the mature thinking of a senior scholar, Exits and Entrances enhances our understanding of the difficult slog to create a truthful, ‘round’ image of African-Americans in U.S. commercial films. This collection is a gold mine of information for future research and should be in all libraries which value film research.” —Peter C. Rollins, Emeritus Editor-in-Chief of Film & History
Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That structure, he argues, is based on three essential subject positions: that of the White (the “settler,” “master,” and “human”), the Red (the “savage” and “half-human”), and the Black (the “slave” and “non-human”). Wilderson contends that for Blacks, slavery is ontological, an inseparable element of their being. From the beginning of the European slave trade until now, Blacks have had symbolic value as fungible flesh, as the non-human (or anti-human) against which Whites have defined themselves as human. Just as slavery is the existential basis of the Black subject position, genocide is essential to the ontology of the Indian. Both positions are foundational to the existence of (White) humanity. Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster’s Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films’ non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.
While serving as a special agent in the Belgian army during World War I, seventeen-year-old Indiana Jones accompanies two Bourbon princes on a dangerous secret mission to Austria to try to end the war.
Howard Walpuski is a struggling writer trying to make his way on the tough streets of Hollywood. And like so many others, he dreams of the big-time. But times are tough and when he walks into the run-down repair shop with his old typewriter under his arm and five bucks in his wallet, he figures it's about to get a lot tougher. He's right. Because not only is his typewriter fixed that afternoon at the old shop...so is his life. Suddenly he is writing like never before...and suddenly his work is selling like never before. In fact, before long, he's a star on the fast track to certain fame and wealth. But there's a price to pay for his overnight success. And Howard Walpuski must pay it...in blood."--Book jacket.
Frank Darabont, Bentley Little, Benjamin Percy, Billie Sue Mosiman, Kealan Patrick Burke, and Glen Hirshberg share chilling tales of ancient evils and wicked desires in this spooky collection assembled by renowned horror editors Brian James Freeman and Richard Chizmar. WALPUSKI’S TYPEWRITER by Frank Darabont They say that genius is ten percent inspiration and ninety percent perspiration. For Howard Walpuski, it’s an IBM Selectric II typewriter, a nefarious secret, and a whole lot of blood. THE BOY by Bentley Little Christine has found the perfect neighborhood to raise her family: a quaint, quiet, friendly place where everyone gets along. Everyone, that is, except for the boy. TUMOR by Benjamin Percy He dodged death in the nick of time when the golf ball-sized tumor was surgically removed from his head. But the tumor isn’t done with him. TWISTED AND GNARLED by Billie Sue Mosiman He’s smart. Smarter than anyone knows. No one has linked him to the string of bodies he’s left up and down the California coast. Only one woman has ever come close—and she’s no match for his intellect. THE PALAVER by Kealan Patrick Burke It’s time for Oscar Dennihy to close his failing barber shop and retire—until a mysterious customer tells him a truly hair-raising tale . . . and gives Oscar a wonderful and terrible new purpose. INDIA BLUE by Glen Hirshberg Like most Americans, Enrico never gave much thought to the sport of cricket. Not until America’s Rockin’ Professional Cricket game—a spectacle that will live forever in his most horrible nightmares. Praise for Dark Screams: Volume Eight “The Dark Screams series reaches an all-time high with Volume Eight.”— The Crabby Reviewer “Another entry in the . . . excellent Dark Screams series.”—Char’s Horror Corner
While serving as a special agent in the Belgian army during World War I, seventeen-year-old Indiana Jones accompanies two Bourbon princes on a dangerous secret mission to Austria to try to end the war.
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