George Stevens was the first to know - months before Frank D. Gilroy had even an inkling. As they scouted locations for The Only Game in Town in 1968, Stevens repeatedly handed Gilroy his viewfinder to consider possible scenes. Asked to explain why he was so insistent on this procedure, Stevens answered with certainty, "You're going to direct some day". Gilroy recalled Stevens' words two years later when, unhappy with the limited role of screenwriter, he optioned Desperate Characters by Paula Fox, determined not only to adapt her novel for the screen but to direct the film. Fortunately for film buffs, film historians, film students, and prospective independent film producers, Gilroy is a compulsive diarist who wrote I Wake Up Screening! while he made four independent feature films - each accorded three stars in Leonard Maltin's TV Movies and Video Guide - for a total investment of two million dollars (for all four films!). These intimate logs of the making of Desperate Characters, Once in Paris, The Gig, and The Luckiest Man in the World show clearly that a film school that doesn't include in its curriculum discussions of negotiating with the Teamsters and of raising money by independent producers is leaving out vital parts of the film-making process. Because Gilroy wrote the scripts, raised the money, assembled the production team, directed, opened each of the four films, and even ventured into the murky world of distribution, I Wake Up Screening! is a vast repository of information about film making in general and independent film making in particular. It is not recommended for anyone who wishes to preserve a fairy-tale notion about feature film making. When Gilroy first consideredpublishing these logs, his wife encouraged him. "Do it", she said. "If it stops one person from following in your footsteps it will be worthwhile".
Aging Las Vegas chorine Fran Walker drifts into an affair with lounge pianist and compulsive gambler Joe Grady while waiting for her married lover, San Francisco businessman Thomas Lockwood, to finalize the divorce he has been promising to get for the past five years. By the time Lockwood keeps his word and is free to marry his mistress, she finds she has fallen in love with Joe, who has finally accumulated enough money to fulfill his dream of relocating to New York City and beginning a new life there. Faced with the choice of a possible career in Manhattan or marriage to Fran, Joe opts for the latter after losing a tough poker game.
Albert, the plowboy of the title, and Helen, his wife, confront Larry, the now-dying man who saved the Plowboy's life during the war. Albert builds a castle of lies to impress his war buddy with non-existent postwar success and accomplishment, with fantasies of a happy marriage, and an imaginary strong and healthy son.
Contact With the Enemy: Two men who witnessed the first concentration camp overrun by the Allies in April, 1945, meet by chance at the Holocaust Museum in Washington, D.C. What they remember differs. What they discover explodes.
George Stevens was the first to know - months before Frank D. Gilroy had even an inkling. As they scouted locations for The Only Game in Town in 1968, Stevens repeatedly handed Gilroy his viewfinder to consider possible scenes. Asked to explain why he was so insistent on this procedure, Stevens answered with certainty, "You're going to direct some day". Gilroy recalled Stevens' words two years later when, unhappy with the limited role of screenwriter, he optioned Desperate Characters by Paula Fox, determined not only to adapt her novel for the screen but to direct the film. Fortunately for film buffs, film historians, film students, and prospective independent film producers, Gilroy is a compulsive diarist who wrote I Wake Up Screening! while he made four independent feature films - each accorded three stars in Leonard Maltin's TV Movies and Video Guide - for a total investment of two million dollars (for all four films!). These intimate logs of the making of Desperate Characters, Once in Paris, The Gig, and The Luckiest Man in the World show clearly that a film school that doesn't include in its curriculum discussions of negotiating with the Teamsters and of raising money by independent producers is leaving out vital parts of the film-making process. Because Gilroy wrote the scripts, raised the money, assembled the production team, directed, opened each of the four films, and even ventured into the murky world of distribution, I Wake Up Screening! is a vast repository of information about film making in general and independent film making in particular. It is not recommended for anyone who wishes to preserve a fairy-tale notion about feature film making. When Gilroy first consideredpublishing these logs, his wife encouraged him. "Do it", she said. "If it stops one person from following in your footsteps it will be worthwhile".
Albert, the plowboy of the title, and Helen, his wife, confront Larry, the now-dying man who saved the Plowboy's life during the war. Albert builds a castle of lies to impress his war buddy with non-existent postwar success and accomplishment, with fantasies of a happy marriage, and an imaginary strong and healthy son.
Contact With the Enemy: Two men who witnessed the first concentration camp overrun by the Allies in April, 1945, meet by chance at the Holocaust Museum in Washington, D.C. What they remember differs. What they discover explodes.
Aging Las Vegas chorine Fran Walker drifts into an affair with lounge pianist and compulsive gambler Joe Grady while waiting for her married lover, San Francisco businessman Thomas Lockwood, to finalize the divorce he has been promising to get for the past five years. By the time Lockwood keeps his word and is free to marry his mistress, she finds she has fallen in love with Joe, who has finally accumulated enough money to fulfill his dream of relocating to New York City and beginning a new life there. Faced with the choice of a possible career in Manhattan or marriage to Fran, Joe opts for the latter after losing a tough poker game.
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