Where does one find hope in the midst of profound suffering? Tony Backman aches to know. A blues-harmonica-playing child psychologist at a residential treatment center in Santa Rosa, California, Tony specializes in narrative therapy. His story-based technique empowers abused teenagers to reimagine their lives through myths and folktales and so restore their vitality. Such vitality, however, eludes Tony in his own life. Mired in depression, he longs for his fractured family and fends off childhood flashbacks too painful to face. Tony's mentor recommends classical underworld myths as a roadmap for the spiritual journey toward healing and hope, but Tony is too drained for the undertaking. Until Carey Foster enters his life. Carey is a golden-voiced eleven-year-old choral soloist at a local Catholic boys' home. Brought to Tony's treatment center with his wrists sliced, Carey cowers mutely with his secrets in the center's locked ward, a flicking middle finger his only beacon. Carey's healing depends on Tony's ability to navigate the labyrinth of deception and cryptic self-disclosure that conceals the soul's darkest secrets. It also depends upon Tony's willingness to navigate the labyrinth of love and disappointment lodged in his own soul. At once a psychological study of how trauma is healed; a hero's journey through the underworld of abuse, betrayal, and shattered faith; and a theological thriller in search of a credible and sustaining Sacred in the midst of unspeakable suffering, The God of Shattered Glass reveals that stories do indeed heal, and that the way to God is not up, but down.
“The station where you begin your life, does not need to be your station at the end of your life. The choice is yours.” Growing up poor in wartime England, Frank Farr is an indifferent student, and once he gets into his rebellious teen years, struggles with juvenile delinquency and seems headed for trouble. But when he is presented with the opportunity of a place in a boarding school for “bright delinquents” Frank gets mentored into a passion for learning...and his life takes an entirely different direction. “From shop floor to board room” Beginning as an assistant in a Canadian supermarket, Frank’s willingness to work hard and to continuously learn, starts him on an ascent to the highest levels of the corporate retail world, a happy marriage, fatherhood, and travels around the world. “Good Luck is where preparation meets opportunity” A Life in Stages follows Frank’s rise from unpromising beginnings to eighty-two years of living a good life, learning, working hard and enjoying the love of family and the companionship of friends and colleagues.
Frank Kermode is one of the pre-eminent practitioners of the art of criticism in the English speaking world. It has been his distinction to make a virtue – as all the best critics have done – of the necessarily occasional nature of his profession. That virtue is evident on every page of this collection of essays. In one group of essays he asks the reader to share his pleasure in a number of major writers – Milton, T.S. Eliot, Wallace Stevens. In another, he discusses ideas about problems in biblical criticism and their implications for the study of narrative in particular and the interpretation of secular literary texts in general. In them he gives clear accounts of questions relating to interpretation and the debate about canons. A key essay looks at the career of William Empson, a career lived between literature and criticism, between the pleasure of the text and the delight in conceptual issues which is characteristic of so much of the contemporary taste for theory. It is Empson's career, perhaps, which is the foundation for the polemical prologue to the book, where Kermode challenges those who doubt the possibility (and the necessity) of the cross-over between literature and criticism, and who argue that criticism is mere appreciation, mere connoisseurship, that theory has displaced criticism and has left literature in the dust, that theory is the avant-garde of critical thought. This piece defines the author's position in the debate about literature and value.
Church History, Volume Two chronicles the events, the triumphs, and the struggles of the Christian movement from the years leading up to the Reformation through the next five centuries to the present-day. Looking closely at the integral link between the history of the world and that of the church, Church History paints a portrait of God's people within the context of the times, cultures, and developments that both influenced and were influenced by the church. FEATURES: Maps, charts, and illustrations spanning the time from the thirteenth century to today. Explanations of all the major denominational movements, traditions, and schisms during and after the Reformation. Overviews of the Christian movement in Africa, eastern Europe, Asia, and Latin America to cover the scope of the ecumenical environment of the twenty-first century. Insights into the role and influence of politics, culture and societal norms, and technology on the Western church. Unbiased details on the major theological controversies and issues of each period. AUTHORS' PERSPECTIVE: Authors John D. Woodbridge and Frank A. James III wrote this history of the church from the perspective that such a history is the story of the greatest movement and community the world has known—as imperfect as it still is. It's a human story of a divinely called people who want to live by a divine revelation. It's a story of how they succeeded and how they failed and of how they are still trying to live out their calling. From the Reformation theologians in Europe to the revivalists, apologists, and Christian thinkers all over the world, the historical figures detailed are people who have struggled with the meaning of the greatest event in history—the coming of the Son of God—and with their role in that event and in the lives of God's people.
The field of Popular Music Studies is growing, but still lacks some basic reference materials. The Chronology of American Popular Music, 1899-2000 fills this gap by offering a comprehensive overview of the field. It will be a must-own for libraries and individuals interested in this growing field of research.
Contains the most fascinating true crime story I have ever read." --Earl Stanley Gardner Crime, criminals, and their prosecution and punishment, have, from the day Cain slew Abel and the Supreme Law Enforcer dealt with the first fratricide, provoked the interest, aroused the passions, and puzzled the minds of men. Because tales of dark deeds are quick to catch attention and stark sensationalism is easily marketable, accuracy, which is always essential, no longer seems required. So much that we read, hear, and view is blatantly false and misleading, not only as fiction but as alleged truth, that almost universally there is an unwholesome, blurred, and distorted conception of the whole subject of law enforcement. That picture will perhaps never be clarified, unless the public becomes more knowingly critical, and irresponsible merchants of what is banal and lurid grow more scrupulously dependable.
Frank Ninkovich s revisionist history of America s relation to the world debunks American exceptionalism once and for all by showing how America s role in the world has been driven less by its ideals than by its fears. What makes the United States special in the global arena is not its economic dominance, its aggressive foreign policy, or its influence over international institutions. Rather, the United States has become distinctive through its deep-seated and long-standing engagement with the forces of globalizationas well as the threats that they represent or embody. The United States has been exceptionally aware of globalizing forces because it has come to have the most to lose on their account. This magisterial overview of the real history of America s role in the world will demystify, clarify, and -- depending on your politics -- enrage.
An intelligent and thought-provoking narrative of Manchester United exploring its cultural history within the broader cultural framework of globalization, working class traditions, mythology and the Munich Air Disaster, and pop culture. A unique thematic history of Manchester United from the club's creation as humble Newton Heath in 1878 to its status as the world's greatest football brand, this book gets to the essence of the heart and soul of the club. Key topics explored include the club's ability to rise from the ashes, commitment to youth, propensity for an adventurous style of football, glamour, and commercialization and aggressive marketing. Søren Frank introduces a football aesthetics that examines and discusses what sets Manchester United apart in regard to football philosophy. It contains microanalyses of some of the most fascinating matches or moments, as well as original portraits of some of the club's greatest players, all of this peppered with fascinating statistical facts in the club's history.
The public has always had a fascination with true crime, from the Victorian era to the present day. This collection presents 4 classic true crime books in one volume. Three are by Wenzell Brown, who worked with troubled teenagers in New York, turning their stories to stories for his books. Ones is by Martin M. Frank, who worked as an Assistant District Attorney, bringing his experiences to book form. Included in this volume: TEEN-AGE TERROR, by Wenzell Brown BEDEVILED, by Wenzell Brown GIRLS ON THE RAMPAGE, by Wenzell Brown DIARY OF A D.A., by Martin M. Frank If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
In Concepts, Kinds, and Cognitive Development, Frank C. Keil provides a coherent account of how concepts and word meanings develop in children, adding to our understanding of the representational nature of concepts and word meanings at all ages. Keil argues that it is impossible to adequately understand the nature of conceptual representation without also considering the issue of learning. Weaving together issues in cognitive development, philosophy, and cognitive psychology, he reconciles numerous theories, backed by empirical evidence from nominal kinds studies, natural-kinds studies, and studies of fundamental categorical distinctions. He shows that all this evidence, when put together, leads to a better understanding of semantic and conceptual development. The book opens with an analysis of the problems of modeling qualitative changes in conceptual development, investigating how concepts of natural kinds, nominal kinds, and artifacts evolve. The studies on nominal kinds document a powerful and unambiguous developmental pattern indicating a shift from a reliance on global tabulations of characteristic features to what appears to be a small set of defining ones. The studies on natural kinds document an analogous shift toward a core theory instead of simple definition. Both sets of studies are strongly supported by cross cultural data. While these patterns seem to suggest that the young child organizes concepts according to characteristic features, Keil argues that there is a framework of conceptual categories and causal beliefs that enables even very young children to understand kinds at a deeper, theoretically guided, level. This account suggests a new way of understanding qualitative change and carries strong implications for how concepts are represented at any point in development. A Bradford Book
Frank Ravitch has written a fine book, one that offers a fair and thorough treatment of a difficult and vexing political and constitutional issue." Law and Politics Book Review
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
The five volumes of A History of American Magazines constitute a unique cultural history of America, viewed through the pages and pictures of her periodicals from the publication of the first monthly magazine in 1741 through the golden age of magazines in the twentieth century"--Page 4 of cover.
A Pulitzer Prize–winning, #1 New York Times bestseller, Angela’s Ashes is Frank McCourt’s masterful memoir of his childhood in Ireland. “When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.” So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible, and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank’s survival. Wearing rags for diapers, begging a pig’s head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance, and remarkable forgiveness. Angela’s Ashes, imbued on every page with Frank McCourt’s astounding humor and compassion, is a glorious book that bears all the marks of a classic.
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