The definitive collection from an Irish literary icon, “one of the masters of the short story” (Newsweek). In the words of W. B. Yeats, Frank O’Connor “did for Ireland what Chekhov did for Russia.” Anne Tyler, writing in the Chicago Sun-Times, described his tales as “encapsulated universes.” This indispensable volume contains the best of his short fiction, from “Guests of the Nation” (adapted into an Obie Award–winning play) to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex.” Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O’Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers. In these and dozens of other stories, O’Connor accomplishes the miraculous, laying bare entire lives and histories in the space of a few pages. As a writer, critic, and teacher, O’Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with small moments and intimate details, is a true pleasure to read from first page to last.
Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective. From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.
Surrendering to otherworldly desire has never been so dangerous--and deliciously satisfying. . . "The Phoenix Project" by Jacquelyn Frank Held captive, Amara is subjected to bizarre experiments that test the limits of her sanity. But nothing prepares her for being locked away--naked--with a sexy ex-cop. . .after they've been pumped full of drugs that increase their sexual appetites to animalistic intensity. . . "Crystal Dreams" by Kate Douglas When Lemurian Guard Darius chases a demon spirit to Earth, he faces a lethal battle between good and evil. His ally is Mari, a breathtakingly beautiful human who unknowingly holds the key to victory. But before the war is over, Darius's desire for his mortal companion threatens to erupt--and could cost Mari her life. . . "Spark of Temptation" by Jess Haines Blackmailed into taking a treacherous case, P.I. Sara Halloway is thrust into a demon war. Sara seeks guidance from a charismatic mage, but their hunger for one another soon becomes a deadly distraction. . .and the danger surrounding them only makes their urges more powerful. . . "My Soul to Take" by Clare Willis New Orleans native Dr. Maggie Dillon thought she left her past behind her--until she's enraptured by a handsome patient who has been possessed by a malevolent spirit. To find a cure, Colby revisits her magical roots--and unleashes a primal lust too vital to ignore. . .
An important new study that seeks to establish what Victorian writers said about Greek culture and how their interpretations both molded and reflected the attitudes and values of the Victorian age. "Turner's readable, intelligent, thorough, witty, and magisterial book discovers and narrates a fundamental strain in British intellectual life from the late eighteenth century until the beginning of World War I. It is THE book on its subject. . . . Turner's study has changed, changed utterly, the Victorian landscape."-Richard Tobias, Victorian Poetry
The assassination of President Abraham Lincoln remains one of the most prominent events in U.S. history. It continues to attract enormous and intense interest from scholars, writers, and armchair historians alike, ranging from painstaking new research to wild-eyed speculation. At the end of the Lincoln bicentennial year, and the onset of the Civil War sesquicentennial, the leading scholars of Lincoln and his murder offer in one volume their latest studies and arguments about the assassination, its aftermath, the extraordinary public reaction (which was more complex than has been previously believed), and the iconography that Lincoln’s murder and deification inspired. Contributors also offer the most up-to-date accounts of the parallel legal event of the summer of 1865—the relentless pursuit, prosecution, and punishment of the conspirators. Everything from graphic tributes to religious sermons, to spontaneous outbursts on the streets of the nation’s cities, to emotional mass-mourning at carefully organized funerals, as well as the imposition of military jurisprudence to try the conspirators, is examined in the light of fresh evidence and insightful analysis. The contributors are among the finest scholars who are studying Lincoln’s assassination. All have earned well-deserved reputations for the quality of their research, their thoroughness, their originality, and their writing. In addition to the editors, contributors include Thomas R. Turner, Edward Steers Jr., Michael W. Kauffman, Thomas P. Lowry, Richard E. Sloan, Elizabeth D. Leonard, and Richard Nelson Current.
The New York Times–bestselling account of the serial killer’s rampage and the ensuing manhunt. Now a Hulu true crime thriller starring Keira Knightley. On June 14, 1962, twenty-five-year-old Juris Slesers arrived at his mother’s apartment to drive her to church. But there was no answer at the door. When he pushed his way inside, Juris found Anna Slesers dead on the kitchen floor, the cord of her housecoat knotted tightly around her neck. Over the next two years, twelve more bodies were discovered in and around Boston: all women, all sexually assaulted, and all strangled. None of the victims exhibited any signs of struggle, nothing was stolen from their homes, and there were no signs of forcible entry. The police could find no discernable motive or clues. Who was this madman? How was he entering women’s homes? And what insanity was driving him? Drawn from hundreds of hours of personal interviews, as well as police, medical, and court documentation, this is a grisly, horrifying, and meticulously researched account of Albert DeSalvo—an American serial killer on par with Jack the Ripper.
Compelling tales of the clergy from the renowned author. “The work of Frank O’Connor lies at the very heart of the modern story in Ireland” (The Washington Post). Over the course of his long and distinguished career, Frank O’Connor wrote many stories about priests. Some of his most iconic characters are men of the cloth, and few writers have portrayed the unique demands of the priesthood with as much empathy, honesty, and wit. This collection, edited and introduced by his widow, Harriet O’Donovan Sheehy, brings together the best of O’Connor’s short fiction on the subject. From “An Act of Charity,” the ironically titled tale of church efforts to cover up a curate’s suicide, to “The Sentry,” an exquisite blend of drama and satire sparked by the British army’s invasion of a priest’s onion patch, these sixteen stories capture the full range of pressures visited on the Irish clergy. “Peasants” is a lesson in what happens when a man of God places law and order above compassion, while “Achilles’ Heel” reveals that even a bishop can be rendered powerless by his housekeeper. “The Frying-pan” and “The Wreath” are sad and lovely portraits of priests caught between their vows of celibacy and their natural desire for human connection. In the rituals and contradictions of the priesthood, Frank O’Connor found one of his greatest motifs. The Collar showcases an artist at the peak of his powers and shines a brilliant light on a fascinating world too often hidden in shadow and sentiment.
How is Kenneth Starr's extraordinary term as independent counsel to be understood? Was he a partisan warrior out to get the Clintons, or a saviour of the Republic? An unstoppable menace, an unethical lawyer, or a sex-obsessed Puritan striving to enforce a right-wing social morality? This volume is designed to offer an evaluation and critique of Starr's tenure as independent counsel. Relying on lengthy, revealing interviews with Starr and many other players in Clinton-era Washington, Washington Post journalist Benjamin Wittes arrives at an understanding of Starr and the part he played in one of American history's most enthralling public sagas. Wittes offers a portrait of a decent man who fundamentally misconstrued his function under the independent counsel law. Starr took his task to be ferreting out and reporting the truth about official misconduct, a well-intentioned but nevertheless misguided distortion of the law, Wittes argues. At key moments throughout Starr's probe - from the decision to reinvestigate the death of Vincent Foster, to the repeated prosecutions of Susan McDougal and Webster Hubbell to the failure to secure Monica Lewinsky's testimony quickly - the prosecutor avoided the most sensible prosecutorial course, fearing that it would compromise the larger search for truth. This approach not only delayed investigations enormously, but it gave Starr the appearance of partisan zealotry and an almost maniacal determination to prosecute the president. Wittes provides in this account of Starr's term a reinterpretation of the man, his performance, and the controversial events that surrounded the impeachment of President Clinton.
For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Questioning the public's harsh perception of 'the artist', Kermode at the same time gently pokes fun at artists' own, often inflated, self-image. He identifies what has become one of the defining characteristics of the Romantic tradition - the artist in isolation and the emerging power of the imagination. Back in print after an absence of over a decade, The Romantic Image is quintessential Kermode. Enlightenment has seldom been so enjoyable!
Over the last three decades the process industries have grown very rapidly, with corresponding increases in the quantities of hazardous materials in process, storage or transport. Plants have become larger and are often situated in or close to densely populated areas. Increased hazard of loss of life or property is continually highlighted with incidents such as Flixborough, Bhopal, Chernobyl, Three Mile Island, the Phillips 66 incident, and Piper Alpha to name but a few. The field of Loss Prevention is, and continues to, be of supreme importance to countless companies, municipalities and governments around the world, because of the trend for processing plants to become larger and often be situated in or close to densely populated areas, thus increasing the hazard of loss of life or property. This book is a detailed guidebook to defending against these, and many other, hazards. It could without exaggeration be referred to as the "bible" for the process industries. This is THE standard reference work for chemical and process engineering safety professionals. For years, it has been the most complete collection of information on the theory, practice, design elements, equipment, regulations and laws covering the field of process safety. An entire library of alternative books (and cross-referencing systems) would be needed to replace or improve upon it, but everything of importance to safety professionals, engineers and managers can be found in this all-encompassing reference instead. Frank Lees' world renowned work has been fully revised and expanded by a team of leading chemical and process engineers working under the guidance of one of the world’s chief experts in this field. Sam Mannan is professor of chemical engineering at Texas A&M University, and heads the Mary Kay O’Connor Process Safety Center at Texas A&M. He received his MS and Ph.D. in chemical engineering from the University of Oklahoma, and joined the chemical engineering department at Texas A&M University as a professor in 1997. He has over 20 years of experience as an engineer, working both in industry and academia. New detail is added to chapters on fire safety, engineering, explosion hazards, analysis and suppression, and new appendices feature more recent disasters. The many thousands of references have been updated along with standards and codes of practice issued by authorities in the US, UK/Europe and internationally. In addition to all this, more regulatory relevance and case studies have been included in this edition. Written in a clear and concise style, Loss Prevention in the Process Industries covers traditional areas of personal safety as well as the more technological aspects and thus provides balanced and in-depth coverage of the whole field of safety and loss prevention. * A must-have standard reference for chemical and process engineering safety professionals * The most complete collection of information on the theory, practice, design elements, equipment and laws that pertain to process safety * Only single work to provide everything; principles, practice, codes, standards, data and references needed by those practicing in the field
The author aptly characterizes this work as a “series of itineraries" by which the reader is made familiar with much of the history of Manhattan Island by being led to the very spots associated with important historical events. But this book is much more. It is surprising and refreshing to read a defense of the Five Points from the pen of so intelligent a witness. We who are deeply interested in New York history thank the author for the facts which he has collected. There is a unique arrangement of the interesting, instructive, and inspiring matter which makes it a literary work of a high order. And: the book has a distinct purpose — the interesting of the people in the history and historic localities of the city and the awakening in them of civic pride and affection.
This history reveals the failures and fortunes of leadership during the WWII campaign into Japanese-occupied Burma: “a thoroughly satisfying experience” (Kirkus). Acclaimed historian Frank McLynn tells the story of four larger-than-life Allied commanders whose lives collided in the Burma campaign, one of the most punishing and protracted military adventures of World War II. This vivid account ranges from Britain’s defeat in 1942 through the crucial battles of Imphal and Kohima—known as "the Stalingrad of the East"—and on to ultimate victory in 1945. Frank McLynn narrative focuses on the interactions and antagonisms of its principal players: William Slim, the brilliant general; Orde Wingate, the idiosyncratic commander of a British force of irregulars; Louis Mountbatten, one of Churchill's favorites, overpromoted to the position of Supreme Commander, S.E. Asia; and Joseph "Vinegar Joe" Stilwell, a hard-line—and openly anlgophobic—U.S. general. With lively portraits of each of these men, McLynn shows how the plans and strategies of generals and politicians were translated into a hideous reality for soldiers on the ground.
Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive, "ecumenical" approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has "teeth but no fangs." While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in the making of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian.
Everything about this story is astounding' Bryan Appleyard, Sunday Times "Trinity" was the codename for the test explosion of the atomic bomb in New Mexico on 16 July 1945. Trinity is now also the extraordinary story of the bomb's metaphorical father, Rudolf Peierls; his intellectual son, the atomic spy, Klaus Fuchs, and the ghosts of the security services in Britain, the USA and USSR. Against the background of pre-war Nazi Germany, the Second World War and the following Cold War, the book traces how Peierls brought Fuchs into his family and his laboratory, only to be betrayed. It describes in unprecedented detail how Fuchs became a spy, his motivations and the information he passed to his Soviet contacts, both in the UK and after he went with Peierls to join the Manhattan Project at Los Alamos in 1944. Frank Close is himself a distinguished nuclear physicist: uniquely, the book explains the science as well as the spying. Fuchs returned to Britain in August 1946 still undetected and became central to the UK's independent effort to develop nuclear weapons. Close describes the febrile atmosphere at Harwell, the nuclear physics laboratory near Oxford, where many of the key players were quartered, and the charged relationships which developed there. He uncovers fresh evidence about the role of the crucial VENONA signals decryptions, and shows how, despite mistakes made by both MI5 and the FBI, the net gradually closed around Fuchs, building an intolerable pressure which finally cracked him. The Soviet Union exploded its first nuclear device in August 1949, far earlier than the US or UK expected. In 1951, the US Congressional Committee on Atomic Espionage concluded, 'Fuchs alone has influenced the safety of more people and accomplished greater damage than any other spy not only in the history of the United States, but in the history of nations'. This book is the most comprehensive account yet published of these events, and of the tragic figure at their centre.
Neuroscience is one of the scientific fields where progress in the 20th century has been spectacular. With the coming of the new millennium, it is appropriate to look at some of the advances and the neurologists who helped to produce them. The original contributions in this volume reflect the background against which the rapid advances have taken place in the past 100 years.
Presents a comprehensive biography of Confederate General Thomas J. Jackson and traces his life and military career from his childhood and entrance into West Point, years of teaching at the Virginia Military Institute, Civil War campaigns, and death after the Battle of Chancellorsville in May of 1963.
The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as Tanner Lectures at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central notions: pleasure and change. He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. The result is a stimulating and accessible discussion of a highly significant cultural debate.
As its title suggests this is not just a list of names and dates but a serious research into the people behind the names on the various WW2 memorials in Bridlington including all the old boys of Bridlington School who died in WW2. The book begins with a detailed look at where the memorials are, when they were made and the names that appear on them. This is followed by the roll of honour itself, an alphabetical listing which gives a full page to each person named on the memorials. The Authors have used 'typical' family history resources in order to give as much biographical detail as possible, who they were, their parents, husbands / wives and children, where and how they died and what they did before enlistment. Some died in well-known land battles, some went down with their ships, while others were in aircraft that failed to return home. Not all were in the armed forces and these met their deaths through bombing raids and accidents of war. This is their story.
Most individuals who follow the paranormal dont realize that one of the best sources for finding people who have had paranormal, psychic, or UFO experiences could be their own family and friends. In Paranormal Family and Friends, author Frank Santariga reveals some of the best cases of his twenty five years as a parapsychologist, stemming from family members, friends, and neighbors. What makes these events fascinating is that he personally knows the people who recounted the incidents and can attest to their impeccable character. In the cases where family members are retelling experiences of their close friends or relatives, they too, unconditionally vouch for the integrity of the narrator. From the authors mothers vision of cousin Adrian at her moment of death to his Brother Alfreds encounter with the Florida Skunk Ape and UFOs, you will be drawn in by these remarkable and mystifying accounts of the paranormal.
When John Stafford, a young man from a wealthy Philadelphia family, graduates from college in the 1860s, he ventures to the lawless Northwest to satisfy his basic urge to put himself to the test in meeting the challenges of a trying environment. Adventure is what he seeks, and adventure is what he gets. Stafford experiences many turbulent twists and turns in his life. He marries, Little Dove, a beautiful Indian woman of Hidatsa descent. He is accepted into her tribe following his ingenious strategy to defeat his wife's wrathful Blackfeet suitor. And Stafford accepts a request by President Abraham Lincoln to form a highly proficient clandestine fighting force to help the Indians defend themselves against the widespread tyranny. His skilled force consists of several relatives and close friends black as well as white, male and female, along with a number of Native Americans. Their exploits involve confrontations with river pirates, whisky peddlers, a tragic massacre by unauthorized military action an Indian reprisal, and a marauding gang of cutthroats.
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.
Operation Barbarossa, Hitler's plan for invading the Soviet Union, has by now become a familiar tale of overreach, with the Germans blinded to their coming defeat by their initial victory, and the Soviet Union pushing back from the brink of destruction with courageous exploits both reckless and relentless. And while much of this version of the story is true, Frank Ellis tells us in Barbarossa 1941, it also obscures several important historical truths that alter our understanding of the campaign. In this new and intensive investigation of Operation Barbarossa, Ellis draws on a wealth of documents declassified over the past twenty years to challenge the conventional treatment of a critical chapter in the history of World War II. Ellis's close reading of an exceptionally wide range of German and Russian sources leads to a reevaluation of Soviet intelligence assessments of Hitler's intentions; Stalin's complicity in his nation's slippage into existential slaughter; and the influence of the Stalinist regime's reputation for brutality—and a fear of Stalin's expansionist inclinations—on the launching and execution of Operation Barbarossa. Ellis revisits two major controversies relating to Barbarossa—the Soviet pre-emptive strike thesis put forward in Viktor Suvorov's book Icebreaker; and the view of the infamous Commissar Order, dictating the execution of a large group of Soviet POWs, as a unique piece of Nazi malevolence. Ellis also analyzes the treatment of Barbarossa in the work of three Soviet-Russian writers—Vasilii Grossman, Alexander Bek, and Konstantin Simonov—and in the first-ever translation of the diary kept by a German soldier in 20th Panzer Division, brings the campaign back to the daily realities of dangers and frustrations encountered by German troops.
THE CUP OF DEATH Mortals, elves, magicians, and dragons represent both the world's future and its evil past. Who of them, in this battle of life and death, will ultimately triumph? Book One of the Chronicles of the Dragons of the Magi begins millennia after the Great War, after those who had been placed in stasis are awakened. Through the labor of the First Seer and the Five Great Elemental Dragons, a simpler way of life has been created. The technology that led to worldwide destruction has been replaced by magic, while the old knowledge remains within the lost Shelter Cities. Into this world of the ten island continents, a division between those who follow the path of life and those who follow death reemerges. Into this troubling time is born a young Magi, blessed with powers beyond his eighteen years. As an apprentice necromancer, he submits to training and tests, and quickly advances through the Guild's many degrees. But even as his powers grow, who knows if the young man's magic will prove great enough to defeat the Evil Alliance.
Shadows of Slaughterhouse Five chronicles the story of 150 American POWs captured in the Battle of the Bulge and eventually caught up in one of the greatest tragedies of World War II - the firebombing of Dresden. This collection includes oral histories, previously unpublished memoirs, and letters from home and from the front that together tell their compelling story in their own words. From simple hometown beginnings through the awakenings of military life in basic training, from assignment on the supposed "quiet zone" in Belgium to the unexpected Battle of the Bulge, from forced march and entrainment to eventual assignment on work details in Dresden - the "Florence of the Elbe," to the inferno of Dresden on February 13-14, 1945, and the gruesome work details to follow, the individual and collective recollections and reflections of these 150 young men, the men housed in the famed Slaughterhouse Five, reveal a very personal side of war and the struggle for survival. Yet repatriation did not bring closure to this chapter of their young lives for like shadows their memories would forever be part of them. Today more than sixty years after the firebombing of Dresden, the statue of a steer wishing health and happiness to the citizens of Dresden still stands at the entrance to the public slaughterhouse, a silent witness to the maelstrom that descended upon Dresden and this group of 150 American POWs housed within. Now after more than 60 years of silence for most of these men, Kurt Vonnegut's fellow POWs tell their story of Slaughterhouse Five, in their words as they saw it - dog face young soldiers assured that the war was soon to be over!
Frank Hamilton Spearman (September 6, 1859 - December 29, 1937) was an American author. Spearman was known for his books in the Western fiction genre and especially for his fiction and non-fiction works on the topic of railroads. Although he wrote prolifically about railroads, his actual career was that of a bank president in McCook, Nebraska, and did not himself work for a railroad. Spearman was also a devout Roman Catholic convert and held political views best described as proto-Libertarian, both of which beliefs are also reflected in his novels.
Images from movies and film have had a powerful influence in how Native Americans are seen. In many cases, they have been represented as violent, uncivilized, and an impediment to progress and civilization. This book analyzes the representation of Native Americans in cinematic images from the 1890s to the present day, deconstructing key films in each decade. This book also addresses efforts by Native Americans to improve and have a part in their filmic representations, including mini-biographies of important indigenous filmmakers and performers.
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