This famous work from the Royal Asiatic Society is an indispensable tool for all serious students of Persian literature, history and culture, and a welcome companion to Persian literature in its most glorious period. This volume is the second, revised edition of three parts published in 1992 and 1994.
Advances in modern science and technology have made present-day terrestrial and celestial globes scientifically obsolete and aesthetically banal. From the Renaissance to the mid-nineteenth century, however, they were indispensable tools for the study of geography and astronomy. Beginning with an overview of early globes, the authors examine how the modern era in globe making, which began in Flemish and Dutch shops in the early seventeenth century, show how globe making spread throughout Europe, and explain how what were both decorative and scientific objects became symbols of power, universal knowledge, intellectual status, and personal vanity. Beginning with the collection's earliest globe, dated 1533, the authors introduce us to the life and works of some of the greatest Dutch, French, English, German, Italian, and Swedish globe makers. The 120 colour illustrations allow the reader to savour these rare and unusual works and include numerous detailed reproductions of both terrestrial and celestial map images. Sphæræ Mundi charts developments and changes over three centuries of globe making, considering the globes as indicators of scientific advance and geographical exploration as well as artifacts and providing a unique opportunity to become familiar with these complex and beautiful objects.
The most celebrated of French medieval poets, Francois Villon makes poetry out the basest material - the raw urban life of Paris with its petty officials, students, clergy, tradesmen, pimps, whores and thieves. Despite successful studies, the young Villon immersed himself in this world, embarking on a career of petty crime that brought him repeated imprisonment. Condemned to death, but then reprieved and banished from Paris, he disappears from history in 1463, leaving behind a legend of poete maudit that has never lost its fascination. Dual language edition.
In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. F?lix Guattari was a political militant and director of an unusual psychiatric clinic at La Borde. Their meeting was unlikely, and the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including "Anti-Oedipus," "What Is Philosophy?" and "A Thousand Plateaus." Fran?ois Dosse, a prominent French intellectual, examines the prolific, if improbable, relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history--particularly the turbulence of May 1968--played in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and weighs the impact of their thought within intellectual, academic, and professional circles.
The design of concrete mixes is becoming increasingly complex, with the addition of new materials in the compounds, such as organic admixtures, fibres and supplementary cementitious materials. Moreover, the list of properties which concretes are required to possess for certain applications has increased, and interest is developing in rheology, durability, deformability and whole-life behaviour. This book presents a number of simple models for the understanding of a concrete system, and provides the techniques for developing more sophisticated models for the practical design of concrete mixes.
An examination of the challenges of establishing the authenticity of electronic documents—in particular the design of a cryptographic equivalent to handwritten signatures. The gradual disappearance of paper and its familiar evidential qualities affects almost every dimension of contemporary life. From health records to ballots, almost all documents are now digitized at some point of their life cycle, easily copied, altered, and distributed. In Burdens of Proof, Jean-François Blanchette examines the challenge of defining a new evidentiary framework for electronic documents, focusing on the design of a digital equivalent to handwritten signatures. From the blackboards of mathematicians to the halls of legislative assemblies, Blanchette traces the path of such an equivalent: digital signatures based on the mathematics of public-key cryptography. In the mid-1990s, cryptographic signatures formed the centerpiece of a worldwide wave of legal reform and of an ambitious cryptographic research agenda that sought to build privacy, anonymity, and accountability into the very infrastructure of the Internet. Yet markets for cryptographic products collapsed in the aftermath of the dot-com boom and bust along with cryptography's social projects. Blanchette describes the trials of French bureaucracies as they wrestled with the application of electronic signatures to real estate contracts, birth certificates, and land titles, and tracks the convoluted paths through which electronic documents acquire moral authority. These paths suggest that the material world need not merely succumb to the virtual but, rather, can usefully inspire it. Indeed, Blanchette argues, in renewing their engagement with the material world, cryptographers might also find the key to broader acceptance of their design goals.
BRAVO! brings parity to the intermediate course, enabling students of diverse backgrounds to review first-year structures independently before delving into new material.
This famous work from the Royal Asiatic Society is an indispensable tool for all serious students of Persian literature, history and culture, and a welcome companion to Persian literature in its most glorious period. This volume is the second, revised edition of three parts published in 1992 and 1994.
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