Victims of the Book uncovers a long-neglected but once widespread subgenre: the fin-de-siècle novel of formation in France. In the final decades of the nineteenth century, social commentators insistently characterized excessive reading as an emasculating illness that afflicted French youth. Novels about and geared toward adolescent male readers were imbued with a deep worry over young Frenchmen’s masculinity, as evidenced by titles like Crise de jeunesse (Youth in Crisis, 1897), La Crise virile (Crisis of Virility, 1898), La Vie stérile (A Sterile Life, 1892), and La Mortelle Impuissance (Deadly Impotence, 1903). In this book, François Proulx examines a wide panorama of these novels, as well as polemical essays, pedagogical articles, and medical treatises on the perceived threats posed by young Frenchmen’s reading habits. Fin-de-siècle writers responded to this pathologization of reading with a profusion of novels addressed to young male readers, paradoxically proposing their own novels as potential cures. In the early twentieth century, this corpus was critically revisited by a new generation of writers. Victims of the Book shows how André Gide and Marcel Proust in particular reworked the fin-de-siècle paradox to subvert cultural norms about literature and masculinity, proposing instead a queer pact between writer and reader.
Francois Edouard Joachim Coppee (1842-1908), ne a Paris, est un poete, dramaturge et romancier francais. Coppee fut le poete populaire et sentimental de Paris et de ses faubourgs, des tableaux de rue intimistes du monde des humbles. Ses premiers vers imprimes datent de 1864. Ils furent reedites avec d autres en 1866 sous la forme d un recueil Le Reliquaire, suivi (1867) par Intimites et Poemes Modernes (1867-1869). En 1869 sa premiere piece, Le Passant, fut recue avec un grand succes au theatre de l Odeon et par la suite Fais ce Que Dois (1871) et Les Bijoux de la Delivrance (1872), courts drames en vers inspires par la guerre, furent chaleureusement applaudis. Apres avoir occupe un emploi a la bibliotheque du Senat, Coppee fut choisi en 1878 comme archiviste de la Comedie Francaise, poste qu il garda jusqu en 1884. Il continua a publier des volumes de poesie a peu de temps d intervalle frequent, parmi eux Les Humbles (1872), Le Cahier Rouge (1874), Olivier (1875), L Exilee (1876), Contes en Vers etc. (1881), Poemes et Recits (1886), Arriere-Saison (1887) et Paroles Sinceres (1890).
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