The overwhelming concentration on questions of allegory in Dante studies, Franco Masciandaro contends, has come at the expense of considerations of the poem's literal dimension. And while the dramatic quality of the Divine Comedy is often recognized, few critics have made it the object of sustained inquiry. In Dante as Dramatist, Masciandaro refocuses on the "poetry of the theater" in the Commedia by examining Dante's interpretation of the myth of the Earthly Paradise as it is represented in a number of key episodes of Inferno and Purgatorio. His principal objective is twofold: to analyze Dante's dramaturgy, especially the creative force of the tragic rhythm that the scenes under scrutiny produce as they succeed one another; and to show how Dante stages the action of the pilgrim's journey to the Earthly Paradise as the fundamental conflict between the dream of a future, second innocence, which ignores the tact of evil, and the recovery of another innocence, analogous to that found in Eden before the Fall. Dante as Dramatist will be of unique interest not only to students and scholars of Dante but also to those who study dramatic forms in literature and theories of the tragic.
Six essays on Dante and Hafiz. CONTENTS: I. SIGH: Nicola Masciandaro, "Miracle of the Sigh." Franco Masciandaro, "Dante's Sighs/Sigh." Peter Booth, "Sigh." II. GAZE: Nicola Masciandaro, "On the Gaze." Franco Masciandaro, "Dante's Gaze." Peter Booth, "Gaze." III. BEAUTY: Franco Masciandaro, "Beauty in Dante’s Divine Comedy." Peter Booth, "Beauty." Nicola Masciandaro, "Lines on Beauty." Published by Kaf Collective www.kafcollective.com
The book has many merits, and represents an important contribution to the controversial topic of European fiscal policy. I appreciated in particular the high quality and rigor of the analysis and the fact that the pros and cons of the contending opinions are presented in a fair way. It is a rewarding reading. EAEPE Newsletter Buti and Franco present a series of interesting analytical information which should be read by as broad an audience as possible. . . the book is a good buy. László Csaba, Acta Oeconomica This book explores the origins, rationale, problems and prospects of the European fiscal policy framework. It provides the reader with a roadmap to EMU s budgetary framework by exploring its theoretical and empirical foundations, uncovering its historical roots and emphasising its supranational nature. The authors, who have been at the forefront of the academic and policy debate on economic policy in Europe, argue that fiscal policy has always been at the core of the EMU debate. The Maastricht criteria and the Stability and Growth Pact are the most contentious building blocks of EMU s institutional architecture: they have aroused heated controversies between academics and policymakers ever since their adoption. As EMU s budgetary rules undergo their first severe shock, Europe is still searching for its fiscal soul. The book s basic premise is that one cannot fully understand EMU s fiscal framework and the recent debate on its reform without placing them in a historical and institutional perspective and abstracting from the uniqueness of EMU, where sovereign countries retain a large degree of fiscal independence, and monetary policy is entrusted to an independent central bank with the overriding mission of maintaining price stability. Analysing all aspects of EMU s fiscal rules and institutions, this book will strongly appeal to students, academics and researchers of macroeconomic policy and European integration. Policymakers and fiscal policy experts at both national and international levels will also find the book to be of great interest.
Six essays on Dante and Hafiz. CONTENTS: I. SIGH: Nicola Masciandaro, "Miracle of the Sigh." Franco Masciandaro, "Dante's Sighs/Sigh." Peter Booth, "Sigh." II. GAZE: Nicola Masciandaro, "On the Gaze." Franco Masciandaro, "Dante's Gaze." Peter Booth, "Gaze." III. BEAUTY: Franco Masciandaro, "Beauty in Dante’s Divine Comedy." Peter Booth, "Beauty." Nicola Masciandaro, "Lines on Beauty." Published by Kaf Collective www.kafcollective.com
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