Italy’s traditional subcultures - Communist, Socialist, Liberal, Republican, Right-wing - have largely dissolved and yet Catholics have retained their vitality and solidity. How can the vast majority of Italians continue to maintain some connection with Catholicism? How much is the Italian situation influenced by the closeness of the Vatican? Examining the religious condition of contemporary Italy, Religion Italian Style argues that the relationship between religion and society in Italy has unique characteristics when compared with what is happening in other European Catholic Countries. Exploring key topics and religious trends which question how the population feel - from the laity and the role of religions in the public sphere, to moral debates, forms of religious pluralism, and new spiritualities - this book questions how these affect religious life, and how intricately religion is interwoven with the nation’s fabric and the dynamics of the whole society.
Religious pluralism is increasing due to progressively more culturally interactive societies and an escalating exchange of migrants. Nevertheless, as this book shows, the situation in Italy is characterized by several distinct features. Statistically, the level of religiosity is noticeably higher than in other European countries, and the majority of the population declares itself Catholic. Within the Catholic world, however, there are distinct differences in the ways and forms of believing, ranging from the convinced and active faithful to the 'occasional' believer, or the development of new forms of 'Catholic.' Catholic sentiment endures although many believers may not agree with the ethical indications of the ecclesiastical hierarchy. Furthermore, the Church and Catholic groups have reinforced their presence in the public sphere by participating in various campaigns to reassert Christian values on fundamental issues for civil harmony, from the family to bioethics, the limitations of science to the goals of economic development, religious freedom to the secular State, national identity to global equilibriums, and more. The Church therefore moves at various levels in order to keep the nation closely tied to Catholic culture-a commitment which is both applauded and criticized. Some non-believers express appreciation for the Catholic campaigns set out to counteract the lack of values and loss of memory typical of advanced modernity. However, in the non-believing secular world many more criticize the Catholic presence for acting as a lobby in Italian society, accusing the Italian Church of excessive alignment to the diktat issued by the Vatican. The particularity of the Italian case poses unique questions to those who study social phenomena. Why is the Catholic Church in Italy experiencing a period of such vitality in the public sphere? How can this situation be reconciled with the undisputed advance of secularization? And what kind of organizational problems does the assertive dynamism of Italian Catholicism pose in a pluralistic society?
(Amadeus). His exceptional good looks made him a matinee idol, and Franco Corelli the Prince of Tenors was dubbed "Mr. Soldout" for 20 consecutive years. In 1958, just seven years after beginning his career, he was already the highest-paid tenor in Italy. Following his Met debut in 1961, he was celebrated as the greatest tenor in the world, a position that he retained until his departure from the Met in 1975. His charismatic performances in such operas as La Vestale and Fedora (both in collaboration with Maria Callas), coupled with a formidable mystique, as well as a number of notorious and colorful incidents, including his real-life sword fight with Boris Christoff in Rome, the Callas walkout there, the beating up of a spectator in Naples, and the alleged biting of Birgit Nilsson on a Boston tour of Turandot , created a mania for Corelli. Nearly a decade in the making, this definitive biography is based on the author's extensive research of theater archives and interviews with the opera star's numerous friends, family members, colleagues (Nilsson, Pavarotti, and many others), as well as the management of some of the world's leading opera houses.
This 1986 book examines some of the main issues that have characterized macroeconomics: the debate between 'monetarists' and 'Keynesians'; the response to demand shocks and supply shocks, by which the monetary authorities control aggregrate nominal income and the use and relevance of the money supply as a target; and the consumption function and the determinants of wealth. It shows that Keynesian stabilization policies succeeded in reducing instability due to demand shocks dramatically, but that no aggregrate demand policy can stabilize both price and employment simultaneously after a supply shock. However, by assigning an overall 'social cost' to (excess) unemployment and (initially) unexpected inflation, an optimism path can be derived. In looking at the consumption function and determinants of wealth the empirical evidence is shown to be most consistent with the life-cycle hypothesis. A concluding section is devoted to the impact on private and national society of the 'social security revolution'.
Religious pluralism is increasing due to progressively more culturally interactive societies and an escalating exchange of migrants. Nevertheless, as this book shows, the situation in Italy is characterized by several distinct features. Statistically, the level of religiosity is noticeably higher than in other European countries, and the majority of the population declares itself Catholic. Within the Catholic world, however, there are distinct differences in the ways and forms of believing, ranging from the convinced and active faithful to the 'occasional' believer, or the development of new forms of 'Catholic.' Catholic sentiment endures although many believers may not agree with the ethical indications of the ecclesiastical hierarchy. Furthermore, the Church and Catholic groups have reinforced their presence in the public sphere by participating in various campaigns to reassert Christian values on fundamental issues for civil harmony, from the family to bioethics, the limitations of science to the goals of economic development, religious freedom to the secular State, national identity to global equilibriums, and more. The Church therefore moves at various levels in order to keep the nation closely tied to Catholic culture-a commitment which is both applauded and criticized. Some non-believers express appreciation for the Catholic campaigns set out to counteract the lack of values and loss of memory typical of advanced modernity. However, in the non-believing secular world many more criticize the Catholic presence for acting as a lobby in Italian society, accusing the Italian Church of excessive alignment to the diktat issued by the Vatican. The particularity of the Italian case poses unique questions to those who study social phenomena. Why is the Catholic Church in Italy experiencing a period of such vitality in the public sphere? How can this situation be reconciled with the undisputed advance of secularization? And what kind of organizational problems does the assertive dynamism of Italian Catholicism pose in a pluralistic society?
In this blistering story of power abused, Richard Hammer documents the rise and fall of Jimmy Hoffa as witnessed by Joe France, one of his most trusted lieutenants.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.