This is a fictional story of the end of civilization as we know it. Hell’s Fury Unleashed chronicles the story of five boys caught up in the struggle for survival as they elude catastrophic events. Follow their struggle for survival in a world they once knew and felt safe and secure into an unknown world of devastation, chaos, havoc, and confusion.
Horses serve as central characters in great literary works that span ages and cultures. But why? In The Horse in Literature and Film: Uncovering a Transcultural Paradigm, Francisco LaRubia-Prado, Ph.D. explores the deep symbolic meaning, cultural significance, and projective power that these magnificent animals carry in literature, film, and the human psyche. Examining iconic texts and films from the Middle Ages to the present—and from Western and Eastern cultural traditions—this book reveals how horses, as timeless symbols of nature, bring harmony to unbalanced situations. Regardless of how disrupted human lives become, whether through the suffering caused by the atrocities of war, or the wrestling of individuals and society with issues of authenticity, horses offer an antidote firmly rooted in nature. The Horse in Literature and Film is a book for our time. After an introduction to the field of animal studies, it analyzes celebrated works by authors and film directors such as Leo Tolstoy, Heinrich von Kleist, D.H. Lawrence, Akira Kurosawa, John Huston, Girish Karnad, Michael Morpurgo, and Benedikt Erlingsson. Exploring issues such as power, the boundaries between justice and the law, the meaning of love and home, the significance of cultural belonging, and the consequences of misguided nationalism, this book demonstrates the far-reaching consequences of human disconnection from nature, and the role of the horse in individual and societal healing.
Behind Success - "A Memoir from the School of Hard Knocks" is a novella recounting how the author's youth shaped him as a teacher, coach and administrator. As an urban high school principal, the author is driven to "affectionate nostalgia" after three conferences recall sorrows and triumphs of his early youth. Based on true experiences, the central theme focuses on his reminiscences living on the tough streets of New York City during the 1950's and 1960's, a life that was filled with dangers, excitement, temptations and lessons. The lessons became the blueprint for his problem-solving and decision making.
During the last decade of Franco’s repressive rule, the Spanish outlook on sex, drugs, and fashion shifted dramatically, creating a favourable cultural environment for the return of democracy. Exploring changes in urban planning, narratives of sexual and gender identity, recreational drug use, and fashion design during the seventies, Sex, Drugs, and Fashion in 1970s Madrid argues that it was during this decade that the material and emotional conditions for the groundbreaking transition to democracy first began to develop. Thanks in part to a mass media saturated with international trends, citizens of Madrid began to adopt practices, behaviours, and attitudes that would ultimately render Franco’s military dictatorship obsolete. This cultural history examines these modest but irreversible changes in the way people lived and thought about their lives during the last decade of the regime’s creed. Not a revolution necessarily, but transformational nevertheless, these changes in collective sensibility eased the political transition to democracy and the emergence of the 1980s’ cultural movement la Movida.
The history of San Francisco's Greek community is linked to the history of San Francisco. The first Greeks to arrive were sailors, miners, and laborers. By the 1880s, they had formed benevolent, civic, and fraternal organizations. In 1904, the first Greek Orthodox Church west of Chicago was established, and Third Street became the heart of the Greek community. The 1906 earthquake and fire destroyed much of their new community, but undaunted, the Greeks of San Francisco rebuilt their lives to become business leaders and politicians, contributing their entrepreneurial and philanthropic spirit to the city's rich heritage.
Honorable Mention for the National Women’s Studies Association's 2021 Gloria E. Anzaldúa Book Prize 2021 Finalist Best LGBTQ+ Themed Book, International Latino Book Awards 2022 John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association The Alan Bray Memorial Book Prize, GL/Q Caucus, Modern Language Association (MLA) 2022 AAHHE Book of the Year Award, American Association of Hispanics in Higher Education Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences. Brown Trans Figurations presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as transgender politics can be imagined as part of Chicanx and Latinx political movements. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies.
This series in three volumes considers maps as constructions resulting from a number of successive transformations and stages integrated in a logical reasoning and an order of choices. Volume 2 focuses on the impact of the quantitative revolution, partially related to the advent of the computer age, on thematic cartography.
Almost All Aliens offers a unique reinterpretation of immigration in the history of the United States. Setting aside the European migrant-centered melting-pot model of immigrant assimilation, Paul Spickard, Francisco Beltrán, and Laura Hooton put forward a fresh and provocative reconceptualization that embraces the multicultural, racialized, and colonially inflected reality of immigration that has always existed in the United States. Their astute study illustrates the complex relationship between ethnic identity and race, slavery, and colonial expansion. Examining the lives of those who crossed the Atlantic, as well as those who crossed the Pacific, the Caribbean, and the North American Borderlands, Almost All Aliens provides a distinct, inclusive, and critical analysis of immigration, race, and identity in the United States from 1600 until the present. The second edition updates Almost All Aliens through the first two decades of the twenty-first century, recounting and analyzing the massive changes in immigration policy, the reception of immigrants, and immigrant experiences that whipsawed back and forth throughout the era. It includes a new final chapter that brings the story up to the present day. This book will appeal to students and researchers alike studying the history of immigration, race, and colonialism in the United States, as well as those interested in American identity, especially in the context of the early twenty-first century.
THIS book is no record of exploitation or discovery; it is simply a review of many things seen and heard anent that marvellous and comparatively little known region vaguely described as “the Pyrenees,” of which the old French provinces (and before them the independent kingdoms, countships and dukedoms) of Béarn, Navarre, Foix and Roussillon are the chief and most familiar. The region has been known as a touring ground for long years, and mountain climbers who have tired of the monotony of the Alps have found much here to quicken their jaded appetites. Besides this, there is a wealth of historic fact and a quaintness of men and manners throughout all this wonderful country of infinite variety, which has been little worked, as yet, by any but the guide-book makers, who deal with only the dryest of details and with little approach to completeness. The monuments of the region, the historic and ecclesiastical shrines, are numerous enough to warrant a very extended review, but they have only been hinted at once and again by travellers who have usually made the round of the resorts like Biarritz, Pau, Luchon and Lourdes their chief reason for coming here at all. Delightful as are these places, and a half a dozen others whose names are less familiar, the little known townlets with their historic sites—such as Mazères, with its Château de Henri Quatre, Navarreux, Mauléon, Morlaas, Nay, and Bruges (peopled originally by Flamands)—make up an itinerary quite as important as one composed of the names of places writ large in the guide-books and in black type on the railway-maps. The region of the Pyrenees is most accessible, granted it is off the regular beaten travel track. The tide of Mediterranean travel is breaking hard upon its shores to-day; but few who are washed ashore by it go inland from Barcelona and Perpignan, and so on to the old-time little kingdoms of the Pyrenees. Fewer still among those who go to southern France, via Marseilles, ever think of turning westward instead of eastward—the attraction of Monte Carlo and its satellite resorts is too great. The same is true of those about to “do” the Spanish tour, which usually means Holy Week at Seville, a day in the Prado and another at the Alhambra and Grenada, Toledo of course, and back again north to Paris, or to take ship at Gibraltar. En route they may have stopped at Biarritz, in France, or San Sebastian, in Spain, because it is the vogue just at present, but that is all. It was thus that we had known “the Pyrenees.” We knew Pau and its ancestral château of Henri Quatre; had had a look at Biarritz; had been to Lourdes, Luchon and Tarbes and even to Cauterets and Bigorre, and to Foix, Carcassonne and Toulouse, but those were reminiscences of days of railway travel. Since that time the automobile has come to make travel in out-of-the-way places easy, and instead of having to bargain for a sorry hack to take us through the Gorges de Pierre Lys, or from Perpignan to Prats-de-Mollo we found an even greater pleasure in finding our own way and setting our own pace. This is the way to best know a country not one’s own, and whether we were contemplating the spot where Charlemagne and his followers met defeat at the hands of the Mountaineers, or stood where the Romans erected their great trophée, high above Bellegarde, we were sure that we were always on the trail we would follow, and were not being driven hither and thither by a cocher who classed all strangers as “mere tourists,” and pointed out a cavern with gigantic stalagmites or a profile rock as being the “chief sights” of his neighbourhood, when near by may have been a famous battle-ground or the château where was born the gallant Gaston Phœbus. Really, tourists, using the word in its over-worked sense, are themselves responsible for much that is banal in the way of sights; they won’t follow out their own predilections, but walk blindly in the trail of others whose tastes may not be their own.
EMPANADA FOR A DREAM by writer/performer Juan Francisco Villa is one boy's story of growing up hard and fast on the Lower East Side. A moving, beautiful tale of love, loss, heartache and forgiveness. EMPANADA FOR A DREAM is a poignant and entertaining portrait of family and neighborhood - set against the secret that destroys it all. It's a story about growing up. It's a story about getting out. And coming back -- to one boy's Lower East Side.
This book provides a first thorough analysis of internet humour from a cognitive-pragmatic perspective, covering a wide range of discourses that are pervasive online and focusing especially on messaging interactions, social networking sites and memes. Its chapters describe the inferential strategies implemented to turn online coded discourses into meaningful interpretations, which in turn can be devised and manipulated for the sake of humour. Furthermore, and apart from the typical object of pragmatic research (humorous discourses), the book emphasises the importance of the interfaces’ design and of the qualities of the users engaged in humorous interactions (called contextual constraints), additionally highlighting the parallel significance of the various effects, shaped as feelings and emotions, that stem from humorous communication on the internet. In sum, the book delivers a rich and detailed account of humorous internet discourses through dissecting their affordances as a medium, tracking the users’ intentions, and predicting the audiences’ interpretive strategies, with the goal of helping the reader obtain a better understanding of internet humour and its role in today’s online interactions.
Well-documented story of the Ecumenical Councils of the Catholic Church. The second part of this work analyzes Vatican II and its effect on our world today. The turbulent history of the Catholic Church will come alive as the centuries unfold before the reader. God's tender care for His children amid life's storms and tumultuous times is evident and unmistakable.
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