This poetic and minimalist anthology presents 10 years of heritage of AIRES MATEUS design studios at the Accademia di Archittettura di Mendrisio in Switzerland.100 images of largescale models built by students of AIRES MATEUS are brought together to create a family portrait. Each expertly staged model is pictured with the essential schemes necessary to understand the volumes portrayed. Francisco and Manuel Aires Mateus' many years of experience in pedagogy and the use of models in practice are brought together in a manifesto which precedes the anthology of images. The importance of the model in the formation of architectural ideas and throughout the design process, as well as its potency as a standalone statement are highlighted. The evocative photographs in this book reveal abstract spaces produced by artistic interpretations of light, volume and materiality.
Of the around 20 biennials and triennials worldwide devoted to architecture, the Venice Architecture Biennale is the most prominent, considered as the world's leading biannual architecture festival. The participating architects selected every second year come from around the world to engage in the most important information exchange in the world of architecture. Aires Mateus Architects is the architectural practice operated by two brothers, Manuel and Francisco Aires Mateus. They have been invited five times to participate in Venice. This publication will introduce the five architectural installations they contributed to the biennales in the last decade. The publication consists of five individual parts, each of them a separate book, and held together by a French-fold-dustjacket. Each book is dedicated to one exhibition in Venice. The beautiful projects presented in this volume set an outstanding example of architectural installations reflecting space in a sensitive, poetic and mathematical way. Over the last three decades, Aires Mateus have gained international recognition for their contemporary reinterpretation of architectural traditions in Portugal. Their work is poetic in nature, and much of it is based on constant exploration and experimentation. Their abstract architectural installations are the artistic manifestation of this work. VOIDS: The first time Aires Mateus presented Portugal at the Venice Biennale was in 2010. The show was curated by Kazuyo Sejima from Sanaa, the first woman ever to work as chief curator of the Venice Architecture biennale. Aires Mateus' installation "VOID" was strikingly simple, as their minimalistic architecture often is. An entire room in the Central Pavilion in the Giardini was filled with abstract models of Aires Mateus' projects. Their installation investigated the extraction of volumes, connecting positive building forms with corresponding negative space. This relationship between positive and negative spaces has always existed inherently, but rarely been so clearly and understandably articulated. RADIX: In 2012, the installation took the form of a single large sculpture which greeted the visitors in the Arsenale area. The open and closed arches of "Radix", a steel structure clad with rusting steel panels on the outside and with a golden finish on the inside, could be perceived as a continuation of the arches of the shipyards in the docks of the Venice Arsenale. Despite the heavy steel construction, the arches of the pseudo-rectangular block and the brownish and golden color has a light appearance; it is as if it were made of wood. The arches are supported at three points, with the main arch overhanging the docks. FENDA: In 2016 the participation again took the form of an installation, but this time the visitors could enter a beautifully illuminated, mysterious cube, with which the architects symbolically marked the return to the essence of space. Space was considered from the perspective of its relationship with the human, that is anthropologically. The installation served as a reminder that this is still the essential value of architecture. FENDA is a cube with outside dimensions of 7x7x4 meters. The visitor enters by opening a black curtain, and passes through a one-meter-thick concrete wall to enter. Inside, one finds oneself in a kind of cave. The slit of light from the entrance opens and closes the visitor's path, changing the scale and perception of space. FIELD: Though it is another beautiful sculpture, this installation differs from the others: this time, one cannot enter the installation, one can only look inside. The book cover shows one of the views that the visitor can glimpse. The curators described this work as a sensitive, poetic and mathematical reflection on space. What the visitor perceives, the smell, colors and texture, remind of nature. Subtle textures or spots of color emerge from the dark under a diffuse and warm light, evoking the beauty of controlled landscapes and blurring the limits between natural and artificial. GROUND: the upcoming exhibition at this year's biennale will again ... Every installation will be introduced with a short essay, especially written by philosophers, architects, and an art critic for this publication. With contributions by Francisco and Manuel Aires Mateus, Ricardo Carvalho, Nuno Crespo, Sofia Pinto Basto, Paulo Pires Basto, and Delfim Sardo.
As this book shows, a fascinating chapter of the human evolutionary history has been written in the American continent. In pre-Columbian times, America was inhabited by hunter-gatherer peoples, although, in some places, new technological innovations arose, resulting in the emergence of organized states and cities larger than some important European counterparts. The arrival of the European conquerors and settlers and African slaves dramatically changed the course of this history, however. Despite the turmoil in this post-contact period, some small and isolated communities maintaining hunter-gatherer lifestyles and speaking rare Native languages remained, indicating a scenario that had undergone few changes in thousands of years. This volume constitutes a rich source of information on several topics related to Native American history that will be of interest for professionals in several academic and scientific fields. In addition to demographic, evolutionary, and cultural perspectives, this book considers the revolutionary development of sophisticated laboratory and bioinformatic approaches, using both whole genomes and specific genetic regions to understand classical questions of the past, present, and future not only of Native Americans and their descendants, but of all of humankind.
A comprehensive study of the New Christian elite of Jewish origin—prominent traders, merchants, bankers and men of letters—between the fifteenth and eighteenth centuries In Strangers Within, Francisco Bethencourt provides the first comprehensive history of New Christians, the descendants of Jews forced to convert to Catholicism in late medieval Spain and Portugal. Bethencourt estimates that there were around 260,000 New Christians by 1500—more than half of Iberia’s urban population. The majority stayed in Iberia but a significant number moved throughout Europe, Africa, the Middle East, coastal Asia and the New World. They established Sephardic communities in North Africa, the Ottoman Empire, Italy, Amsterdam, Hamburg and London. Bethencourt focuses on the elite of bankers, financiers and merchants from the fifteenth to the eighteenth centuries and the crucial role of this group in global trade and financial services. He analyses their impact on religion (for example, Teresa de Ávila), legal and political thought (Las Casas), science (Amatus Lusitanus), philosophy (Spinoza) and literature (Enríquez Gomez). Drawing on groundbreaking research in eighteen archives and library manuscript departments in six different countries, Bethencourt argues that the liminal position in which the New Christians found themselves explains their rise, economic prowess and cultural innovation. The New Christians created the first coherent legal case against the discrimination of a minority singled out for systematic judicial inquiry. Cumulative inquisitorial prosecution, coupled with structural changes in international trade, led to their decline and disappearance as a recognizable ethnicity by the mid-eighteenth century. Strangers Within tells an epic story of persecution, resistance and the making of Iberia through the oppression of one of the most powerful minorities in world history. Packed with genealogical information about families, their intercontinental networks, their power and their suffering, it is a landmark study.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.