Donaldson's fiercely candid observations reveal much about the political life of the Army of the Potomac, and his letters contribute unforgettable descriptions of actions at Antietam, Fredericksburg, Chancellorsville, and Gettysburg. Fiercely idealistic in the early days of the war, his letters and diary soon betray a growing disenchantment that leads to a startling climax. 28 photos, 6 maps.
This magnificent book, the fruit of a decade of original research, is a landmark in Los Angeles's difficult conversation with its past. Deverell brilliantly exposes the white lies and racial deceits that have for too long reigned as municipal 'history.'"—Mike Davis
American Indian affairs are much in the public mind today—hotly contested debates over such issues as Indian fishing rights, land claims, and reservation gambling hold our attention. While the unique legal status of American Indians rests on the historical treaty relationship between Indian tribes and the federal government, until now there has been no comprehensive history of these treaties and their role in American life. Francis Paul Prucha, a leading authority on the history of American Indian affairs, argues that the treaties were a political anomaly from the very beginning. The term "treaty" implies a contract between sovereign independent nations, yet Indians were always in a position of inequality and dependence as negotiators, a fact that complicates their current attempts to regain their rights and tribal sovereignty. Prucha's impeccably researched book, based on a close analysis of every treaty, makes possible a thorough understanding of a legal dilemma whose legacy is so palpably felt today.
The battle at Fredericksburg, Virginia, in December 1862 involved hundreds of thousands of men; produced staggering, unequal casualties (13,000 Federal soldiers compared to 4,500 Confederates); ruined the career of Ambrose E. Burnside; embarrassed Abraham Lincoln; and distinguished Robert E. Lee as one of the greatest military strategists of his era. Francis Augustín O'Reilly draws upon his intimate knowledge of the battlegrounds to discuss the unprecedented nature of Fredericksburg's warfare. Lauded for its vivid description, trenchant analysis, and meticulous research, his award-winning book makes for compulsive reading.
Biblical Epics: Sacred Narrative in the Hollywood Cinema is a major survey and analysis of the relationship between religion and film, and traces the development of this genre in Hollywood. The book examines the impact of religion, ethnicity, sexuality, and gender on this complex genre, within the context of American history. Together, Bruce Francis Babington and Peter William Evans raise questions of narrative spectacle, Jewish-Christian relations, authorship, star meanings, the representation of Christ, and sexual desire. The authors theorize the Biblical epic in its three main forms: the Old Testament epic; the Christ film; and the Roman-Christian epic. Films analyzed include David and Bathsheba, The Last Temptation of Christ, The King of Kings, The Greatest Story Ever Told, Demetrius and the Gladiators, Samson and Delilah, and Ben Hur.
America's armed forces were the products of one of the most diverse and dynamic religious cultures in the western world and were the largest ever to be raised by a professedly religious society. Despite constitutional constraints, a pre-war 'religious depression', and the myriad pitfalls of war, religion played a crucial role in helping more than sixteen million uniformed Americans through the ordeal of World War II, a fact that had profound and far-reaching implications for the religious development of post-war America.--Provided by publisher.
Art, Politics and Dissent provides a counter history to conventional accounts of American art. Close historical examinations of particular events in Los Angeles and New York in the 1960s are interwoven with discussion of the location of these events, normally marginalized or overlooked, in the history of cultural politics in the United States during the postwar period.
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