Archaeologist and detective, Alan Cadbury, returns for his second adventure. In The Lifers’ Club, he unravelled the background to a violent death on an archaeological dig in the Fens, a wild marshy region in the east of England. The Way, the Truth and the Dead takes us to the black peatlands of the south, around the glorious cathedral city of Ely. It’s a watery landscape where the many ancient dykes, drains and rivers conceal dark secrets. Alan finds himself the Director of an important Roman and early Medieval excavation at the little hamlet of Fursby, not far from Littleport. But shortly before he starts work, he is contacted by his old friend, Detective Chief Inspector Richard Lane. Lane needs help – a body has been found in a river near the dig. And the dead person is an archaeologist, an old friend of Alan’s. It soon becomes clear that this will be no ordinary excavation: the remains are of national importance and their preservation is outstanding. So it comes as no surprise when a major television series decides to adopt it as a flagship project, opening the dig up to the public at a time when the rural community would rather keep things quiet...
An invigorating journey through Britain's prehistoric landscape, and an insight into the lives of its inhabitants. 'Highly compelling' Spectator, Books of the Year 'An evocative foray into the prehistoric past' BBC Countryfile Magazine 'Vividly relating what life was like in pre-Roman Britain' Choice Magazine 'Makes life in Britain BC often sound rather more appealing than the frenetic and anxious 21st century!' Daily Mail In Scenes from Prehistoric Life, the distinguished archaeologist Francis Pryor paints a vivid picture of British and Irish prehistory, from the Old Stone Age (about one million years ago) to the arrival of the Romans in AD 43, in a sequence of fifteen profiles of ancient landscapes. Whether writing about the early human family who trod the estuarine muds of Happisburgh in Norfolk c.900,000 BC, the craftsmen who built a wooden trackway in the Somerset Levels early in the fourth millennium BC, or the Iron Age denizens of Britain's first towns, Pryor uses excavations and surveys to uncover the daily routines of our ancient ancestors. By revealing how our prehistoric forebears coped with both simple practical problems and more existential challenges, Francis Pryor offers remarkable insights into the long and unrecorded centuries of our early history, and a convincing, well-attested and movingly human portrait of prehistoric life as it was really lived.
A BBC Radio 4 Book of the Week. 'Francis Pryor brings the magic of the Fens to life in a deeply personal and utterly enthralling way' TONY ROBINSON. 'Pryor feels the land rather than simply knowing it' GUARDIAN. Inland from the Wash, on England's eastern cost, crisscrossed by substantial rivers and punctuated by soaring church spires, are the low-lying, marshy and mysterious Fens. Formed by marine and freshwater flooding, and historically wealthy owing to the fertility of their soils, the Fens of Lincolnshire and Cambridgeshire are one of the most distinctive, neglected and extraordinary regions of England. Francis Pryor has the most intimate of connections with this landscape. For some forty years he has dug its soils as a working archaeologist – making ground-breaking discoveries about the nature of prehistoric settlement in the area – and raising sheep in the flower-growing country between Spalding and Wisbech. In The Fens, he counterpoints the history of the Fenland landscape and its transformation – from Bronze age field systems to Iron Age hillforts; from the rise of prosperous towns such as King's Lynn, Ely and Cambridge to the ambitious drainage projects that created the Old and New Bedford Rivers – with the story of his own discovery of it as an archaeologist. Affectionate, richly informative and deftly executed, The Fens weaves together strands of archaeology, history and personal experience into a satisfying narrative portrait of a complex and threatened landscape.
Perched on the chalk uplands of Salisbury Plain, the megaliths of Stonehenge offer one of the most recognizable outlines of any ancient structure. Its purpose—place of worship, sacrificial arena, giant calendar—is unknown, but its story is one of the most extraordinary of any of the world's prehistoric monuments. Constructed in several phases over a period of some 1500 years, beginning in 3000 BC, Stonehenge's key elements are its “bluestones,” transported from West Wales by unexplained means, and its sarsen stones quarried from the nearby Marlborough Downs. Francis Pryor delivers a rigorous account of the nature and history of Stonehenge, but also places the enigmatic monument in a wider cultural context, bringing acute insight into how antiquarians, scholars, writers, artists–and even neopagans—have interpreted the mystery over the centuries.
This is the changing story of Britain as it has been preserved in our fields, roads, buildings, towns and villages, mountains, forests and islands. From our suburban streets that still trace out the boundaries of long vanished farms to the Norfolk Broads, formed when medieval peat pits flooded, from the ceremonial landscapes of Stonehenge to the spread of the railways - evidence of how man's effect on Britain is everywhere. In The Making of the British Landscape, eminent historian, archaeologist and farmer, Francis Pryor explains how to read these clues to understand the fascinating history of our land and of how people have lived on it throughout time. Covering both the urban and rural and packed with pictures, maps and drawings showing everything from how we can still pick out Bronze Age fields on Bodmin Moor to how the Industrial Revolution really changed our landscape, this book makes us look afresh at our surroundings and really see them for the first time.
This ebook edition does not include illustrations. As he did in ‘Britain B.C.’ and ‘Britain A.D.’, eminent archaeologist Francis Pryor challenges familiar historical views of the Middle Ages by examining fresh evidence from the ground.
Alan Cadbury is a professional archaeologist: a digger of ancient sites and a man who likes to unravel the mysteries and meaning of the past. For many years, Alan has worked with the 'Circuit Diggers', so called because they work the 'circuit', moving from one excavation to another, as new sites open across Britain. Most of the sites they dig are ahead of industrial development, new housing estates, gravel quarries, or roads. They are a down-to-earth bunch; but they all know what they want from life. Feared by respectable citizens, they are always covered in mud, deeply suntanned and drunk (or stoned) on their days off. Like others on the circuit, Alan Cadbury is obsessive: he won't let problems lie, even when he's slumped drunk in a lonely bedsit, somewhere in the Fens. But there's another side to him, too: in the late 90s he helped to give a forensic archaeology course and there met Richard Lane, now a senior detective in the Leicestershire force. DCI Lane helps him tackle new cases. But this is his first big one: an 'honour killing', perpetrated eight years ago in Leicester. It's a dark tale of past wrongdoing and modern criminality. And it's not without violence. Alan's life may be harsh and at times unpleasant, but it's not likely to be very long, either. Oh yes, archaeology can be a very dirty business...
In Home Francis Pryor, author of The Making of the British Landscape, archaeologist and broadcaster, takes us on his lifetime's quest: to discover the origins of family life in prehistoric Britain Francis Pryor's search for the origins of our island story has been the quest of a lifetime. In Home, the Time Team expert explores the first nine thousand years of life in Britain, from the retreat of the glaciers to the Romans' departure. Tracing the settlement of domestic communities, he shows how archaeology enables us to reconstruct the evolution of habits, traditions and customs. But this, too, is Francis Pryor's own story: of his passion for unearthing our past, from Yorkshire to the west country, Lincolnshire to Wales, digging in freezing winters, arid summers, mud and hurricanes, through frustrated journeys and euphoric discoveries. Evocative and intimate, Home shows how, in going about their daily existence, our prehistoric ancestors created the institution that remains at the heart of the way we live now: the family. 'Under his gaze, the land starts to fill with tribes and clans wandering this way and that, leaving traces that can still be seen today . . . Pryor feels the land rather than simply knowing it' - Guardian Former president of the Council for British Archaeology, Dr Francis Pryor has spent over thirty years studying our prehistory. He has excavated sites as diverse as Bronze Age farms, field systems and entire Iron Age villages. He appears frequently on TV's Time Team and is the author of The Making of the British Landscape, Seahenge, as well as Britain BC and Britain AD, both of which he adapted and presented as Channel 4 series.
From the author of 'Britain BC', 'Britain AD' and 'Britain in the Middle Ages' comes the fourth and final part in a critically acclaimed series on Britain's hidden past It might be thought that in the modern world, where documentary evidence abounds, there is no place for archaeology. But nothing could be further from the truth. Documentary records alone are not sufficient to provide a balanced view of Britain's recent history. This is hardly surprising in the agricultural and industrial 'revolutions', when pioneers were too busy inventing to record what was happening around them. But the same could apply in much later times. In the Second World War the imminent threat of invasion and the sheer pressure of events made the keeping of records less important than the building of physical defences, such as concrete anti-tank cubes and pill-boxes. As a result, archaeological evidence still provides the most reliable guide to the extent of Britain's anti-invasion defences in the autumn of 1940. Covering the whole of the post-medieval period, from 1550 to the present day, Francis Pryor brings his customary wit and erudition to the study of modern historical archaeology, probably the fastest-growing branch of the subject. Ranging over topics as diverse as the birth of modern agriculture, the growth of towns and cities, and the development of roads, canals and railways, he brings to a gripping conclusion his illuminating journey into Britain's archaeological past.
The story of how Francis Pryor created a haven for people, plants and wildlife in a remote corner of the fens. A Fenland Garden is the story of the creation of a garden in a complex and fragile English landscape – the Fens of southern Lincolnshire – by a writer who has a very particular relationship with landscape and the soil, thanks to his distinguished career as an archaeologist and discoverer of some of England's earliest field systems. It describes the imagining, planning and building of a garden in an unfamiliar and sometimes hostile place, and the challenges, setbacks and joys these processes entail. This is a narrative of the making of a garden, but it is also about reclaiming a patch of ground for nature and wildlife – of repairing the damage done to a small slice of Fenland landscape by decades of intensive farming. A Fenland Garden is informed by the empirical wisdom of a practising gardener (and archaeologist) and by his deep understanding of the soil, landscape and weather of the region; Francis's account of the development of the garden is counterpointed by fascinating nuggets of Fenland lore and history, as well as by vignettes of the plantsman's trials and tribulations as he works an exceptionally demanding plot of land. Above all, this is the story of bringing something beautiful into being; of embedding a garden in the local landscape; and thereby of deepening and broadening the idea of home.
A lively and authoritative investigation into the lives of our ancestors, based on the revolution in the field of Bronze Age archaeology which has been taking place in Norfolk and the Fenlands over the last twenty years, and in which the author has played a central role.
Landscapes reflect and shape our behaviour. They make us who we are and bear witness to the shifting patterns of human life over the generations. Formed by a complex series of natural and human processes, they rarely yield their secrets readily. Bringing to bear a lifetime's digging, Francis Pryor delves into England's hidden urban and rural landscapes, from Whitby Abbey to the navvy camp at Risehill in Cumbria, from Tintagel to Tottenham's Broadwater Farm. Scattered through fields, woods, moors, roads, tracks and towns, he reveals the stories of our physical surroundings and what they meant to the people who formed them, used them and lived in them. These landscapes, he stresses, are our common physical inheritance. If we can understand how to make them yield up their secrets, it will help us, their guardians, to maintain and shape them for future generations.
The Flag Fen Basin has been the subject of nearly continuous archaeological research since about 1900. This research sheds new light on the Neolithic landscape, on the Iron Age and Roman landscapes, and on the changing environmental conditions since the earlier Neolithic.
The Neolithic causewayed enclosure at Etton, cut into a Pleistocene gravel river terrace, occupied a floodplain 'island' within a relict stream meander in the Welland Valley, Maxey, Cambridgeshire. Regular flooding laid down layers of clay alluvium, mainly in Iron Age and later times, preserving a palaesol and protecting the site from modern plough damage. The causewayed enclosure, small by British standards, comprised a single, 'squashed oval' shaped ditch. Excavations revealed c 80% of the interior and most date the construction and use to the fourth millennium cal BC, that is, early in the tradition of British causewayed enclosures. Most of the excavated features are Early Neolithic; Late Neolithic and earlier Bronze Age features were associated with the ditch of a cursus, which traversed the enclosure diagonally. Causeways entered the enclosure on the north, which featured a substantial timber gateway, east, west, and possibly the south (which could not be examined). Through the life of the site additional features were built and aligned with care: a north-south dividing fence, aligned with the north gateway, in Phase 1 and numerous ritual pits, back-filled with pottery (often deliberately smashed), flint, and animal bones. These pits may have represented individual people and the cntents allude to the person's skills, achievements, or social position. The nearest ditch segment probably represented an individual's family or kin-group. The inhabitants were careful not to damage earlier deposits when digging new pits, and it was thus possible to define an evolving tradition of carefully structured ritual deposits. Objects such as complete pots or skulls were also placed close to causeways, within the buttends of individual ditch segments. In Phase 2 (Late Neolithic) such deposits were more sporadic, but ritual continued to dominate. Most of the pottery from the pits is a regional variant of the Hurst Fen tradition. Fengate-style wares also feature prominently, and flintwork, 'imported' polished stone axes, and other stone objects were also deposited. The western arc of the enclosure ditch produced some 5000 pieces of worked wood, most of which derived from coppice.
Saint Francis of Assisi was an Italian Catholic friar and preacher, as well as founder of the men's Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis and the Custody of the Holy Land. He is also one of the most venerated religious figures in history. This book contains St. Francis' admonitions, rules, prayers, letters and more.
These books of Poems have received great reviews from both Carmelite and Franciscan Community Ministers, Diocesan Priests, and everyday Catholics who recommend it as a means of spiritual growth and a great source for devotions. Two ministers of Franciscan and Carmelite communities, priests, and publishing houses most strongly urged these books be published for use as devotionals; so following their advice he has done this with the assistance of AuthorHouse.
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