In the concluding stages of the eleventh-century Eucharistic Controversy, which turned on whether, and how, sacramental consecration changed the nature of bread and wine at the altar, Alberic of Monte Cassino composed a small but important treatise. Alberic was the most renowned teacher of rhetoric in his time, and his treatise, buttressed by appeal to the authority of the Church Fathers, was said by contemporaries to have "utterly destroyed" the argument of his opponent, Berengar of Tours, that the bread and wine survived its consecration. Modern scholars had long believed Alberic's treatise to be lost. This book demonstrates that this crucial document, far from being lost, is an existing identifiable text. By showing conclusively that this work was written by Alberic, Radding and Newton transform our understanding not only of the particulars of the controversy and papal politics but also of the intellectual process by which theological doctrines took shape in mediaeval Church councils. The book includes the full Latin text and the first translation of Alberic's treatise.
Reprint of the sole edition. Originally published: Chicago: Callaghan & Company, 1901. Useful for its early twentieth-century Northern perspective, Volumes I and II relate the framing and adoption of the Constitution and the first ten amendments. Volume III recounts the history of the Civil War amendments. Francis Newton Thorpe [1857-1926] was a Professor of American Constitutional History at the University of Pennsylvania and the author of numerous works including The Spoils of Empire (1903), The Civil War: The National View (1906) and The Federal and State Constitutions, Colonial Charters, and Other Organic Laws of the State, Territories, and Colonies Now or Heretofore Forming the United States of America (1909). "The account of the formation and adoption of the Constitution and the early amendments is very complete. The votes in the Constitutional Convention are carefully recorded, the debates there and in the ratifying conventions fully summarized, and the sources of each provision noted. The same method is pursued with all the amendments." --H.L.B., Harvard Law Review 14 (1900-01) 553
In all the history of hand-written books, one of the most distinctive and handsome scripts is that of the abbey of Monte Cassino. This study examines for the first time in detail the development of this script during the Abbey's greatest period of wealth and influence, under Desiderius (abbot 1058-1087) and his successor Oderisius (abbot 1087-1105). The characteristic Cassinese hand was established long before, but in this period it was transformed into what is today considered its classic form. The present study rests on a fresh examination of many details of the Beneventan (South Italian) script in aspects incompletely studied before. It aims to provide a new history of Monte Cassino as a writing centre and to offer a context for many unique or valuable texts manuscripts that it processed.
FN Souza was a founder member of the Progressive Artists' Group (PAG), largely responsible for shaping the Modern art movement in India. He went on to become a celebrated sensation in Europe, following exhibitions in London in the 1950s. He was influenced by the traditional temple sculptures of India and he imbibed from European artistic perspectives of Modern painters and Old Masters. Souza was bitterly critical of the Catholic Church and the hypocrisy of its clergy. He sought to disturb accepted notions of aesthetics and jolt stereotypical perceptions about religion, sin, sensuality and the supposedly benevolent political order. His artistic talents, whether in oil painting, writing or line drawing, remain utterly compelling. Posthumously, his work has achieved further critical acclaim, and is avidly sought after in India, UK and the USA. The Tate Gallery and the Victoria and Albert Museum of London, own several of his works and have exhibited them from time to time. The renowned Indian painter M F Husain paid a tribute by stating, "Souza was my mentor...he is the most significant painter, almost a genius.
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