Francis Hackett's Books

Yankee Theatre

The Image of America on the Stage, 1825–1850

By: Francis Hodge

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Yankee Theatre

The Image of America on the Stage, 1825–1850

By: Francis Hodge

The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.

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Page Count

373

Publisher

University of Texas Press

Published Date

ISBN 10

0292761546

ISBN 13

9780292761544

Los Adaes, the First Capital of Spanish Texas

By: Francis X. Galan

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Los Adaes, the First Capital of Spanish Texas

By: Francis X. Galan

In 1721, Spain established a fort and mission on the Texas-Louisiana border, or frontera, to stem the tide of people and goods flowing back and forth between northern New Spain and French Louisiana. Named in part after the indigenous Adai people, the complex of the presidio (Nuestra Señora del Pilar de los Adaes) and the mission (San Miguel de Cuellar de los Adaes) became collectively known as Los Adaes. It was the capital of Tejas for New Spain. In the first book devoted to Los Adaes, historian Francis X. Galan traces the roots of the current US-Mexico border to the colonial history of this all but forgotten Spanish fort and mission. He demonstrates that, despite efforts to the contrary, Spain could neither fully block the penetration of smuggled goods and settlers into Texas from Louisiana nor could it successfully convert the Native Americans to Christianity and the Spanish economic system. In the aftermath of the transfer of Louisiana from France to Spain in 1762, Spain chose to shutter the fort and mission. The settlers, or Adaeseños, were forced to march to San Antonio in 1773. Some returned to East Texas soon after to establish Nacogdoches. Others remained in San Antonio, the new capital of Spanish Texas, and settled on lands distributed from the secularized Mission San Antonio de Valero, a mission now widely known as the Alamo. Los Adaes, the First Capital of Spanish Texas makes a major contribution to Texas history by providing a richer perspective on the shifting borders of colonial powers.

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468

Publisher

Texas A&M University Press

Published Date

ISBN 10

1623498791

ISBN 13

9781623498795

A History of Cyprus

To the conquest by Richard Lion Heart

By: George Francis Hill

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A History of Cyprus

To the conquest by Richard Lion Heart

By: George Francis Hill

Sir George Francis Hill (1867-1948) was perhaps best known as a numismatist, although his scholarly interests and accomplishments included a range of time periods and subjects. A classicist by training, Hill built his career at the British Museum's department of coins and medals. In his forty-three years there he produced volumes on coins of antiquity; Greek history and art; coins, heraldry, and iconography of medieval and Renaissance Italy; and treasure troves. In 1931 Hill became the Museum's director and principal librarian, the first archaeologist to hold this post. His four-volume History of Cyprus (1940-1952) ranged from Cyprus' earliest years to the twentieth century, and became the standard text on the subject. It is a valuable resource for scholars of the country, of antiquity and of the Mediterranean world. Volume 1 describes the land of Cyprus before unravelling its history from the Stone Age to the Crusades.

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Page Count

420

Publisher

Cambridge University Press

Published Date

ISBN 10

1108020623

ISBN 13

9781108020626

Book's by Francis Hackett

Yankee Theatre

Yankee Theatre

Los Adaes, the First Capital of Spanish Texas

Los Adaes, the First Capital of Spanish Texas

A History of Cyprus

A History of Cyprus

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