These interviews show how the director of The Godfather and The Godfather: Part II evolved from hotshot film maverick to elder statesman of American cinema.
THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before
From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).
These interviews show how the director of The Godfather and The Godfather: Part II evolved from hotshot film maverick to elder statesman of American cinema.
Never has Dracula been visualized so stylishly as in Francis Ford Coppola's new film scheduled for November release by Columbia Pictures--and wardrobe is the key. Here are original sketches by costume designer Eiko Ishioka, 90 photographs by David Seidner of the completed costumes, and enlightening commentary by Coppola and Ishioka detailing the creation of the movie.
In May 1979, Francis Ford Coppola unveiled a 'work in progress' cut of his film, Apocalypse Now, at the Cannes Film Festival. After winning the prestigious Palme d'Or, the convention-shattering film was nominated for eight Academy Awards and became a worldwide phenomenon. In 2001 Coppola introduced a new version - wholly re-edited from the original raw footage - that included forty-nine minutes of never-before-seen footage: Apocalypse Now Redux.Apocalypse Now relocates Joseph Conrad's Heart of Darkness to the Vietnam War, focusing on the hazardous mission of Captain Willard to find and terminate 'with extreme prejudice' a renegade American colonel in Cambodia.
This York Film note discusses the film from a broad academic and critical perspective, setting plot, themes and techniques in context and exploring the film's significance. The book encourages students to appreciate differing interpretations of each film and to develop their own critical thinking. Key Features *Film Reviews *Background to the film *Biographies of key players *Form and Narrative *Style and Technique *Culture and cinematic contexts *Bibliography for further study *Glossary of cinematic terms
Includes the complete shooting script, excerpts from the original novel, more than 160 photos and drawings, showing the brilliant costumes, evocative sets, and historical antecedents; features on director's innovative methods, the technical challenges, the film's literary and historical links; a Dracula filmography and bibliography. 160 illustrations including 100 in color. The Newmarket Pictorial Moviebooks, official companions to films, large format (8 3/8 x 10 7/8), heavily illustrated throughout, with color photographs, details on the making of the film, background on the filmmakers and cast.
50th ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY FRANCIS FORD COPPOLA Mario Puzo’s classic saga of an American crime family that became a global phenomenon—nominated as one of America’s best-loved novels by PBS’s The Great American Read. With its brilliant and brutal portrayal of the Corleone family, The Godfather burned its way into our national consciousness. This unforgettable saga of crime and corruption, passion and loyalty continues to stand the test of time, as the definitive novel of the Mafia underworld. A #1 New York Times bestseller in 1969, Mario Puzo’s epic was turned into the incomparable film of the same name, directed by Francis Ford Coppola, which won the Academy Award for Best Picture. It is the original classic that has been often imitated, but never matched. A tale of family and society, law and order, obedience and rebellion, it reveals the dark passions of human nature played out against a backdrop of the American dream. With a Note from Anthony Puzo and an Afterword by Robert J. Thompson
THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before
From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).
The threefold social order was Rudolf Steiner's conception of an archetypal social organization that would utilize the norms of universal spiritual initiation, individual freedom, and the fundamental social law. A social science purporting to encompass these norms has yet to arise, but with Carl H. Flygt's book, a step in that direction has been achieved. Flygt's argument is that the phenomenon of conversation has an objectively treatable structure and, as such, can be held to standards that not only can awaken human clairvoyance, but can also liberate the emotions and the spiritual will and contribute to a cultural background that makes real community into an explicit and fundamental social value. Flygt's treatment of language use and social background is penetratingly original, academically up to date, and anthroposophically convincing.
Stephen Sondheim is one of the best-known and most-loved musical theatre composers, but also one of the most misunderstood, often being labelled as 'distant' or 'cynical'. Careful the Spell You Cast instead argues that Sondheim firmly belongs to the Broadway aspirational tradition, in that many of his characters are defined by their dreams: to abandon one's dream (as Ben does in Follies, Frank does in Merrily We Roll Along, and Addison does in Road Show) is to lose one's soul. Rather than take the established view of Sondheim as a cynic, this book contends that throughout Sondheim's work, letting go of one's illusions is a process that his characters need to go through, that they must cast off illusions and false dreams, without becoming cynical and destroying their genuine dreams in the process. In turn this view aligns Sondheim's work as being aspirational and a logical continuation from the work of his mentor, Oscar Hammerstein II. Following the trajectory of Sondheim's career, Careful the Spell You Cast shows how Sondheim has dramatized this process throughout his writing life alongside different collaborators. From his work as a lyricist with the musicals Gypsy and West Side Story through to his later collaborations with Hal Prince (Company, Follies) and James Lapine (Into the Woods, Sunday in the Park with George), this book reframes the established view through lyrical and structural analysis in relation to the characters within each of these celebrated works of musical theatre, arguing that Sondheim is, in the popular sense of the word, a romantic within the tradition of the Broadway musical.
Internationally respected scholar Francis Moloney offers a Catholic introduction to the New Testament that shows how to read it both faithfully and critically. The opening chapter and an epilogue directly address the theological requirements of, and historical challenges for, ecclesial reading. The remaining chapters give exemplary readings of the figure of Jesus and of the various divisions of the New Testament canon. Conceived as a resource for religious educators, deacons, and other ministers in the Catholic Church, this book will serve Catholics and others as an ideal supplement to a conventional New Testament introduction or as a companion to reading the New Testament itself.
From its first edition in 1979, Perspectives in Sociology has provided generations of undergraduates with a clear, reassuring introduction to the complications of sociological theory. This revised and updated edition features: a concise introduction to the major debates of the twentieth century, placing them in historical and philosophical context information on thinkers of the nineteenth and early twentieth century whose relevance to modern social thought is only now being recognized, e.g. Nietszche, Saussure, Simmel connections drawn between post-structuralist thinkers like Foucault and Derrida and the founding figures of sociology: Marx, Weber and Durkheim a completely rewritten chapter on the ‘Synthesisers’ - Bourdieu, Habermas and Giddens - and their attempts to generate a consensus from the apparently conflicting theories of their predecessors a new chapter reviewing the rise of British sociology, with particular reference to the political context and the changing role of ‘class’ in sociological thinking a new chapter describing the attempts of sociological theorists to explain current concerns, problems, and issues in the areas of gender, (homo)sexuality, and ethnicity in the context of the postcolonial world. While retaining its emphasis and wealth of information on the founding figures of sociology, this fifth edition now features a new easy-to-read format, (with particular attention paid to the linking and cross-referencing of chapters), and includes much new material on contemporary social theory with particular reference to its attempts to tackle current problems and issues in the areas of gender, sexuality, and ethnicity in the postcolonial context.
The threefold social order was Rudolf Steiner's conception of an archetypal social organization that would utilize the norms of universal spiritual initiation, individual freedom, and the fundamental social law. A social science purporting to encompass these norms has yet to arise, but with Carl H. Flygt's book, a step in that direction has been achieved. Flygt's argument is that the phenomenon of conversation has an objectively treatable structure and, as such, can be held to standards that not only can awaken human clairvoyance, but can also liberate the emotions and the spiritual will and contribute to a cultural background that makes real community into an explicit and fundamental social value. Flygt's treatment of language use and social background is penetratingly original, academically up to date, and anthroposophically convincing.
Asia - with four billion people, almost two-thirds of the world's population, a huge landmass and the fastest-growing economies - has in the past decade transformed the geopolitical global balance. "Empires at War" gives a dramatic narrative account of how this 'Modern Asia' came into being. Taking the bombing of Hiroshima on 6th August 1945 as its starting point, Francis Pike chronicles the modern fortunes of fourteen Asian countries. The iconic figures of post-World War II Asia - Mao, Gandhi, Nehru, Ho Chi Minh, Kim Il Sung, General MacArthur and Lord Mountbatten - figure prominently but so also do a great many lesser-known but pivotal figures. Francis Pike weaves the dramatic events and episodes of the region - the great battles between American and Soviet-backed forces in Korea and Vietnam but also episodes such as Indian 'Partition', Japan's 'Lost Decade', Indonesia's 'Year of Living Dangerously' and Cambodia's 'Killing Fields' - into a coherent whole, which forms the essential guide to the history of modern Asia.
Life changed for Michael Francis at the age of 21 when Paul McCartney walked into his father's boxing gym to watch his friend John Conteh preparing for a fight. Paul hired Michael as his security guard, beginning a thirty-year music business career in which he worked with such legendary names as Led Zeppelin, Bad Company, The Osmonds, Sheena Easton, Frank Sinatra, Bon Jovi, Cher and Kiss. As tour manager, Michael was responsible for every aspect of their safety and their comfort, from making sure they were not mobbed on stage to making sure they got paid. Whatever they wanted, he got hold of. To some of them he became close. He was best man at Jon Bon Jovi's wedding, and provided personal security for five years for Cher at her Malibu home. He shared their wildest excesses, their highs and their lows; he saw their fears and, all too often, their loneliness and paranoia. Sometimes hilarious, frequently shocking, always perceptive, STAR MAN is the outrageous, uncompromising and brutally honest story of one man's life with the biggest stars of rock.
Six essays discuss definitions and explanations of folklore, and methods of teaching it. Then 15 additional essays explore Texas folklore related to such topics as police burials, gang graffiti, fiddling, ghosts, dance halls, oil fields, spring rituals, and the dialect spoken along the border between Texas and Mexico. Numerous illustrations and black-and-white photographs. Annotation copyrighted by Book News, Inc., Portland, OR
Three schizoaffective manic episodes drove the author of "Icarus Redeemed," a true story, down the rabbit hole of madness, into a world rife with demons, saints, and delusions of grandeur; depression drove him to the edge of a cliff, where he stood precariously, one short step away from his demise. Whether you have a mental disorder, are a friend or family member of someone who does, are a health worker, or are just plain curious, "Icarus Redeemed" is a story of hope in the face of unimaginable adversity that will give you new insights into the world of mental illness.
Rites of Passage is a much-needed, practical homiletic resource for priests and deacons who preach Christian baptisms, weddings, and funerals. The three authors, a religious priest, a diocesan priest, and a permanent deacon, draw from the scriptural and liturgical resources available to the preacher for these three important ritual moments to suggest ways to build an effective homily. This book will serve as a helpful and engaging resource for priests and deacons in parish life and as a blessing to the faithful.
This book chronicles the American horror film genre in its development of remakes from the 1930s into the 21st century. Gus Van Sant's 1998 remake of Alfred Hitchcock's Psycho (1960) is investigated as the watershed moment when the genre opened its doors to the possibility that any horror movie--classic, modern, B-movie, and more--might be remade for contemporary audiences. Staple horror franchises--Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984)--are highlighted along with their remake counterparts in order to illustrate how the genre has embraced a phenomenon of remake productions and what the future of horror holds for American cinema. More than 25 original films, their remakes, and the movies they influenced are presented in detailed discussions throughout the text.
Play Directing describes the various roles a director plays, from selection and analysis of the play, to working with actors and designers to bring the production to life. The authors emphasize that the role of the director as an artist-leader collaborating with actors and designers who look to the director for partnership in achieving their fullest, most creative expressions. The text emphasizes how the study of directing provides an intensive look at the structure of plays and acting, and of the process of design of scenery, costume, lighting, and sound that together make a produced play.
Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them. * Uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience's attention and emotions. * With 1001 drawings in graphic novel format plus teaching concepts and commentary. * All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration.
Having deduced the double indentity of Count Dracula, a wealthy Transylvanian nobleman, a small group of people vow to rid the world of the evil vampire.
The companion screenplay to the recently updated version of Coppola's groundbreaking masterpiece. The book features an introduction by Francis Ford Coppola, the entire screenplay, and 8 pages of color photos. Apocalypse Now is a retelling of Joseph Conrad's classic novella, Heart of Darkness--set in the Vietnam War. This is the definitive vision of madness and folly of war in our times.
Billedværk om den amerikanske filmkunstners (1944-) karriere, samarbejde med andre filmkunstnere og med omtale af hans film, tv-film og brug af special effects bl.a.: American graffiti, Star wars, The empire strikes back, Raiders of the Lost Ark, Return of the Jedi, Willow og Indiana Jones-filmene
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