A novel of psychological terror set in a mental asylum that became the basis for Alfred Hitchcock’s Spellbound starring Ingrid Bergman and Gregory Peck. From the outset, the air that Beeding’s characters breathe crackles with ominous electricity. This is surely what appealed to Alfred Hitchcock when he found Beeding’s The House of Dr. Edwardes and used it as the inspiration for his unforgettable film Spellbound. The “house” of the title is a lunatic asylum in France and Dr. Edwardes is the head psychiatrist. While Edwardes is held in high esteem, an almost iconic figure in psychiatric circles, there is something clearly amiss. The novel opens with a puzzling, ominous episode in which a patient being transported to the asylum grows agitated as the car bringing him there approaches. The patiently suddenly screams: “the gorge of the devil” and then attacks and kills one of the supervisors, a promising but inexperienced psychiatrist. This opens a position that Dr. Sedgwick accepts, but on arrival, she learns that Dr. Edwardes has taken a leave of absence to calm his nerves. It doesn’t take her long to discover that the house is hardly in order. Unlike Hitchcock’s Spellbound, The House of Dr. Edwardes owes less to Freud, displaying much closer affinities with the brooding, psychological landscapes of Gothic novels of the eighteenth and nineteenth centuries, particularly Emily Brontë’s Wuthering Heights. The result is a compelling work—part mystery, part modern Gothic.
Our 79th issue features a pair of original mysteries by N.M. Cedeño (thanks to Acquiring Editor Michael Bracken) and Bryon Quertermous (thanks to Acquiring Editor Barb Goffman). Cedeño is no stranger to BCW readers, having already appeared in our pages twice before. Hopefully Bryon Quertermous will match that hat trick, too. Rounding out the mystery section are a pair of novels: Francis Beeding’s The House of Doctor Edwardes (filmed by Alfred Hitchcock as Spellbound) and The House on the Cliff, by Franklin W. Dixon, which you may recognize as the very first Hardy Boys book. If you grew up reading the modern revisions of the original Hardy Boys series (which began in 1927), you’re in for a shock: these brothers are tougher, edgier, and face real peril. They were definitely watered down beginning in the 1950s. And often the titles were the only things that remained from the original stories. And, of course, no issue would be complete without a solve-it-yourself puzzler from Hal Charles (the writing team of Hal Blythe and Charlie Sweet). In the science fiction & fantasy section, Phyllis Ann Karr continues the adventures of her legendary fantasy duo, Frostflower and Thorn, in “Night of the Short Knives.” Don’t skip her Afterword about the story; it’s fascinating. Plus we have tales by Philip José Farmer, a rare science fiction foray by mystery author Wenzell Brown, and tales by Oliver Saari and George O. Smith. Great stuff. Here’s the lineup: Mysteries / Suspense / Adventure: “Disappearance of a Serial Spouse,” by N.M. Cedeño [Michael Bracken Presents short story] “An Impossible Theft,” by Hal Charles [Solve-It-Yourself Mystery] “Visiting Artist,” by Bryon Quertermous [Barb Goffman Presents short story] The House of Doctor Edwardes, by Francis Beeding [novel] The House on the Cliff, by Franklin W. Dixon [novel, Hardy Boys #1] Science Fiction & Fantasy: “Night of the Short Knives,” by Phyllis Ann Karr [short story, Frostflower & Thorn] Daughter,” by Philip José Farmer [short story] “Murderer’s Chain,” by Wenzell Brown [short story] “Moon Dust,” by Oliver Saari [short story] “Bombs Awry,” by George O. Smith [novella]
On his way to get married, British intelligence officer Colonel Granby is given a cryptic message by a dying agent. Distracted by his impending nuptials, Granby forgets about the note until his new wife Julia is kidnapped on their wedding day in Paris. Granby soon finds himself matching wits with a cunning adversary known as "The Mighty Magistro, Prince of Magicians," who will stop at nothing to uncover the secret contained in the agent's message. With Julia's life hanging in the balance, Granby turns to his loyal friends to help trick Magistro and rescue his bride. But Granby realizes he may have to join the Magistro's dangerous games and "take it crooked" if he has any hope of saving Julia and exposing the Magistro's mysterious plot...
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