The main purpose of this book is to unify approaches and ideas in the field of aneural sensory transduction. This field has recently come to the attention of several research groups in various disciplines, and their number seems to be growing. Unfortunately, because of the diverse scientific backgrounds of the researchers in the field, the apparent heterogeneity of experimental techniques (i. e. , behavioral response analysis, sophisticated biochemical and genetic manipulations, conventional and pulsed laser spectroscopy) and theoretical approaches may be discouraging, for both the experienced worker and the new comer. Actually, this heterogeneity is more apparent than real, and unifying concepts, approaches, and ideas already exist, particularly with respect to all the questions concerning the role of membranes and their properties (such as ion permeability, electric potentials, and active transport) in the various steps of sensory perception and transduction processes. It is currently accepted that most, if not all, the fundamental facts in molecular sensory physiology of aneural organisms, be they chemosensory, photosensory, or geosensory, can ultimately be understood in terms of a few basic ideas. Each chapter of this book emphasizes and clarifies the role of mem brane properties and phenomena in the particular sensory response examined. Of course, in some cases, this task has been rather complex because of the limited amount of experimental data clearly supporting a membrane-based model of sensory transduction.
Bb Clarinet 4 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Clarinet Quartet (four Bb soprano clarinets) by Francesco Leone, very useful for recital of students of the first courses. (score and parts available in series). Contains track information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0907. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
Eb Alto Sax 3 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Alto Saxophone Quartet (four Eb Saxes) by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Contains authors information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0926. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.Eb Alto Sax 1 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Alto Saxophone Quartet (four Eb Saxes) by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0926. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.Eb Alto Sax 1 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Alto Saxophone Quartet (four Eb Saxes) by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0926. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
Guitar 1 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged by Francesco Leone and edited for Guitar Quartet by Giovanni Pattavina, very useful for recital of students of the first courses (score and parts available in series). Contains authors information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0908. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky
C soprano Flute 4 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Flute Quartet (four C soprano flutes) by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Contains authors information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0906. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
Trombone/Euphonium 2 part of "10 Romantic Pieces" ". Collection of 10 easy pieces of the romantic period arranged for Trombone/Euphonium Quartet (bass clef) by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Contains authors information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0910. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
Bb Clarinet 2 part of "10 Romantic Pieces". Collection of 10 easy pieces of the romantic period arranged for Clarinet Quartet (four Bb soprano clarinets) by Francesco Leone, very useful for recital of students of the first courses. (score and parts available in series). Contains track information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese. Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0907. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
Chitarra 4 parte di "10 pezzi romantici". Raccolta di 10 brani facili del periodo romantico arrangiati da Francesco Leone e curati per Quartetto di chitarre da Giovanni Pattavina, utilissimi per il recital degli allievi dei primi corsi (partitura e parti disponibili in collana). Contiene informazioni sugli autori in inglese, francese, tedesco, spagnolo, portoghese, italiano, coreano, giapponese e cinese. Scansiona il codice QR (in copertina) per la demo audio o visita www.glissato.it codice prodotto: EG0908. contenuti: 1. Largo da “New World Simphony” – A. Dvorák 2. Tema da "Le Streghe" - N.Paganini 3. Melodia – A. Rubinstein 4. Marcia del Soldato – R. Schumann 5. La Grande Porta di Kiev - M. Mussorgsky 6. Tema da "New World Symphony" (IV mov.) - A. Dvorák7. Tema da "Sinfonia n. 1" (IV mov.) - J. Brahms 8. Tema da "Sinfonia n. 5" (II mov.) - L. van Beethoven 9. Tema da "Sinfonia n. 7" (II mov.) .) - L. van Beethoven 10. Tema da "Il lago dei cigni" PITchaikovsky
This book reflects on the political capacity of citizen users to impact politics, explaining the danger in assuming that mass online participation has unconditionally democratising effects. Focusing on the case of Italy's Five Star Movement, the book argues that Internet participation is naturally unequal and, without normative and strong design efforts, Internet platforms can generate noisy, undemocratic crowds instead of self-reflexive, norm-bounded communities. The depiction of a democratising Internet can be easily exploited by those who manage these platforms to sell crowds as deliberating publics. As the Internet, almost everywhere, turns into the primary medium for political engagement, it also becomes the symbol of what is wrong with politics. Internet users experience unprecedented, instantaneous and personalised access to information and communication and, by comparison, they feel a much stronger level of irrelevance in the existing political system.
A stark departure from traditional philology, What is Authorial Philology? is the first comprehensive treatment of authorial philology as a discipline in its own right. It provides readers with an excellent introduction to the theory and practice of editing ‘authorial texts’ alongside an exploration of authorial philology in its cultural and conceptual architecture. The originality and distinction of this work lies in its clear systematization of a discipline whose autonomous status has only recently been recognised (at least in Italy), though its roots may extend back as far as Giorgio Pasquali. This pioneering volume offers both a methodical set of instructions on how to read critical editions, and a wide range of practical examples, expanding upon the conceptual and methodological apparatus laid out in the first two chapters. By presenting a thorough account of the historical and theoretical framework through which authorial philology developed, Paola Italia and Giulia Raboni successfully reconceptualize the authorial text as an ever-changing organism, subject to alteration and modification. What is Authorial Philology? will be of great didactic value to students and researchers alike, providing readers with a fuller understanding of the rationale behind different editing practices, and addressing both traditional and newer methods such as the use of the digital medium and its implications. Spanning the whole Italian tradition from Petrarch to Carlo Emilio Gadda, this ground-breaking volume provokes us to consider important questions concerning a text’s dynamism, the extent to which an author is ‘agentive’, and, most crucially, about the very nature of what we read.
This pedagogical and self-contained text describes the modern mean field theory of simple structural glasses. The book begins with a thorough explanation of infinite-dimensional models in statistical physics, before reviewing the key elements of the thermodynamic theory of liquids and the dynamical properties of liquids and glasses. The central feature of the mean field theory of disordered systems, the existence of a large multiplicity of metastable states, is then introduced. The replica method is then covered, before the final chapters describe important, advanced topics such as Gardner transitions, complexity, packing spheres in large dimensions, the jamming transition, and the rheology of glass. Presenting the theory in a clear and pedagogical style, this is an excellent resource for researchers and graduate students working in condensed matter physics and statistical mechanics.
Based on previously unexplored archival documentation, this book offers the first general overview of the history of Italian eugenics, not limited to the decades of Fascist regime, but instead ranging from the beginning of the 1900s to the first half of the 1970s. The Author discusses several fundamental themes of the comparative history of eugenics: the importance of the Latin eugenic model; the relationship between eugenics and fascism; the influence of Catholicism on the eugenic discourse and the complex links between genetics and eugenics. It examines the Liberal pre-fascist period and the post-WW2 transition from fascist and racial eugenics to medical and human genetics. As far as fascist eugenics is concerned, the book provides a refreshing analysis, considering Italian eugenics as the most important case-study in order to define Latin eugenics as an alternative model to its Anglo-American, German and Scandinavian counterparts. Analyses in detail the nature-nurture debate during the State racist campaign in fascist Italy (1938–1943) as a boundary tool in the contraposition between the different institutional, political and ideological currents of fascist racism.
Held in Florence in 1929, the First National Exhibition of History of Science was a pivotal event in the shaping of Italian cultural panorama. With more than 8000 items on display coming from public and private lenders, it showed the general public how rich the Italian scientific heritage was and how it could be regarded as part of a general nation-claiming narrative, thus laying the foundation for today’s protection policy and scholarly research. Moreover, it is also a telling case-study that offers precious insights into the complex relationships between cultural enterprises and political power during the fascist era, helping us understand how today’s geography of Italian cultural institutions have been shaped and reshaped through time.
Many academic disciplines have contributed to the study of popular religiosity, but the definition of this phenomenon and of its relation with official religion still remains a problematic topic. This book offers an empirical-theological investigation of popular religiosity by exploring among Italian Catholics the relation between popular religious participation (processions, pilgrimages, vows, et cetera) and religious beliefs. The investigated beliefs are beliefs about God, about human suffering in relation to God, about Jesus Christ, and about the church. The results indicate that popular religious participation influences some of these beliefs. This study contributes to an empirically based picture of a complementary relation between popular religiosity and official religion within the Catholic Church in Italy.
This book aims to advance the discussion on concepts such as value, wealth and richness, both from a country and a corporate perspective. Buying junk food, the consumption of legalized drugs such as tobacco, or even the compulsive purchasing of new models of smart phones, the second or third car bought by a city dweller or any other tangible property characterized by a short transient joy, compute positively in the GDP calculation. However, all of these have no, or almost non-existent, marginal utility, for the person who obtains them. The GDP approach does not consider the harmful effects on physical and mental health, on the environment, and the legacy to future generations that these consumptions bring about. At a corporate level, to secure a long-lasting achievement, companies must pay attention to the wide sphere of stakeholders relating to them - employees, customers, suppliers, financial partners, State, local authorities and public administration, natural environment and local communities - in addition to shareholders only. The validity of the corporate sustainable approach is empirically analyzed in this book through an analysis of a sample of European listed companies.
This book examines Naples’s patron saint, Gennaro, the history of his blood relic, and the mystery of its periodical liquefaction. Three times a year, Neapolitans gather to witness the recurring phenomenon of the liquefaction of San Gennaro’s blood. From the seventeenth century to the present, crowds have prayed to the city’s patron for protection from fires, earthquakes, plagues, droughts, and the fury of Mt. Vesuvius. In the “miraculous” moment of transposition from solid to liquid, the faithful seek respite from the ills of the world in the saintly blood, a visual reminder of the blood of Christ spilled for their salvation. In Naples, the periodical liquefaction of San Gennaro’s blood is not officially recognized as miraculous by the Catholic Church, which now more cautiously refers to it as a prodigy. Nevertheless, for centuries, this phenomenon has been called “a miracle” in liturgical texts approved by the ecclesiastical authority and in the words of bishops, cardinals, popes, and saints. However, not everyone agreed. This volume follows the efforts of theologians, alchemists, charlatans, and scientists who, through the centuries, have tried to answer questions such as: Is the liquefaction of San Gennaro’s blood really a miracle? If not, how is it possible to explain a phenomenon that occurs only on dates liturgically relevant to the saint? The Natural History of a Neapolitan Miracle will be of great value to those interested in Religious Studies, Italian Studies, Medieval and Early Modern Studies, as well as the History of Science, Anthropology, and Ethnography.
Sicilian Visitors Vol 2 - Culture focuses on a wide range of cultural aspects of the island of Sicily including religion, literature, art, music, science, sports, food as well describing visitors who have come to the island and their impressions. Vol.2 is the companion of Vol 1 which describes the island ́s history.
Bioactive compounds such as polyphenols, bioflavonoids, and phytonutrients exert antioxidants, anti-inflammatory and anticancer activities that might support and protect our organism in fighting against inflammatory-based chronic diseases. This book contains the latest research on the role of bioactive compounds in inflammatory-based chronic diseases, and highlights the benefits of functional foods and their epigenetic effects in mental disorders and two specific types of cancer, breast and colorectal cancer, that show a strong association with inflammatory mechanisms. The book combines the benefits of a functional diet, considered as a naturally grown, nutrient-dense, chemical-free, and mainly plant-based, with epigenetics, which consists of complex molecular processes, finely orchestrated in response to environmental factors, that regulate gene expression. This book also aims to encourage people to adopt an anti-inflammatory diet, rich in bioactive compounds that, by targeting epigenetic marks, may help to prevent and manage chronic diseases.
This book is about living a healthy lifestyle and the delicious Mediterranean foods that can help promote that! My Nonno lived to be 101 years old eating the recipes from this book and his cooking was so good you could smell it from the driveway. His philosophy regarding food was to keep it fresh and keep it simple! So, whether you're looking to lose weight, improve your health or simply take your cooking to the next level, I invite you to try these lovine family recipes-born of the Italian countryside, lovingly carried across the Atlantic Ocean and perfected in New York City. - Francesco lovine
First Published in 1989, this book offers a full, comprehensive guide into the role of Dopamine in the Periphery. Carefully compiled and filled with a vast repertoire of notes, diagrams, and references this book serves as a useful reference for Students of Medicine, and other practitioners in their respective fields.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
This authoritative book on periodic locally compact groups is divided into three parts: The first part covers the necessary background material on locally compact groups including the Chabauty topology on the space of closed subgroups of a locally compact group, its Sylow theory, and the introduction, classifi cation and use of inductively monothetic groups. The second part develops a general structure theory of locally compact near abelian groups, pointing out some of its connections with number theory and graph theory and illustrating it by a large exhibit of examples. Finally, the third part uses this theory for a complete, enlarged and novel presentation of Mukhin’s pioneering work generalizing to locally compact groups Iwasawa’s early investigations of the lattice of subgroups of abstract groups. Contents Part I: Background information on locally compact groups Locally compact spaces and groups Periodic locally compact groups and their Sylow theory Abelian periodic groups Scalar automorphisms and the mastergraph Inductively monothetic groups Part II: Near abelian groups The definition of near abelian groups Important consequences of the definitions Trivial near abelian groups The class of near abelian groups The Sylow structure of periodic nontrivial near abelian groups and their prime graphs A list of examples Part III: Applications Classifying topologically quasihamiltonian groups Locally compact groups with a modular subgroup lattice Strongly topologically quasihamiltonian groups
Violin 4 part of "10 Romantic Pieces" . Collection of 10 easy pieces of the romantic period arranged for Violin Quartet by Francesco Leone, very useful for recital of students of the first courses (score and parts available in series). Contains authors information in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, Chinese.Scan QR code (in cover) for audio demo or visit www.glissato.it product code: EG0912. contents: 1. Largo from “New World Simphony” – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.
This book aims to highlight the causes why the Prohibition Era led to an evolution of the New York mob from a rural, ethnic and small-scale to an urban, American and wide-scale crime. The temperance project, advocated by the WASP elite since the early nineteenth century, turned into prohibition only after the end of WWI with the enactment of the Eighteenth Amendment. By considering the success that war prohibition made to the soldiers' psychophysical condition, Congress aimed to shift this political move even to civil society. So it was that the Italian, Irish and Jewish mobs took the chance to spread their bribe system to local politics due to the lucrative alcohol bootlegging. New York became the core of the national anti-prohibition, where the smuggling from Canada and Europe merged into the legendary Manhattan nightclubs and speakeasies. With the coming of the Great Depression, the Republican Party was aware about the failure of this political measure, leading to the making of a new corporate underworld. The book is addressed to historians of New York, historians of crime and historians of modern America as well as to an audience of readers interested in the history of the Prohibition Era.
Over the last decade, socially responsible investments (SRIs) have become paramount to both professionals and academics. In the aftermath of the financial crisis of 2007-8, practitioners have become much more involved in new financial models that integrate returns and positive social and environmental impacts. The authors argue that previous irresponsible financial models are anachronistic, and propose a new relationship between stakeholder and shareholder. Starting from the mainstreaming of SRI, this book recovers the social function of banks and the innovative role of crowdfunding and venture capital models. The book offers a unified perspective for firm and funder, making it a timely and invaluable read for scholars and practitioners interested in sustainable development and social impact finance.
The First World War brought with it enormous ideological, political and social problems. In Russia, as in Italy, the repercussions of the war were soon felt, and the two countries saw the birth of oppositional movements within them. In Russia, these movements grasped power thanks to a Bolshevik coup, while in Italy Mussolini founded the Fasci di combattimento, a real militia ready to ride the popular discontent with the “mutilated victory”, specifically the dissatisfaction with territories promised by the Treaty of London and not granted to Italy. Relations between these two countries were interrupted for several years and were resumed only when both realized that the economic advantages that could result from resuming relations would be far more beneficial than continuing their ideological confrontation. However, mutual distrust never stopped and rendered bilateral relations increasingly tenuous until they were definitely severed in the early years of the Second World War.
This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.
The 1960s and the 1970s marked a generational shift in architectural discourse at a time when the revolts inside universities condemned the academic institution as a major force behind the perpetuation of a controlling society. Focusing on the crisis and reform of higher education in Italy, The University as a Settlement Principle investigates how university design became a lens for architects to interpret a complex historical moment that was marked by the construction of an unprecedented number of new campuses worldwide. Implicitly drawing parallels with the contemporary condition of the university under a regime of knowledge commodification, it reviews the vision proposed by architects such as Vittorio Gregotti, Giuseppe Samonà, Archizoom, Giancarlo De Carlo, and Guido Canella, among others, to challenge the university as a bureaucratic and self-contained entity, and defend, instead, the role of higher education as an agent for restructuring vast territories. Through their projects, the book discusses a most fertile and heroic moment of Italian architectural discourse and argues for a reconsideration of architecture’s obligation to question the status quo. This work will be of interest to postgraduate researchers and academics in architectural theory and history, campus design, planning theory, and history.
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for 'mature readers' and seventeen proto-fairy tales. Nearly all of these stories, including classics such as 'Puss in Boots,' made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher's academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
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