This is the first book to trace the doctrine of the guise of the good throughout the history of Western philosophy. It offers a chronological narrative exploring how the doctrine was formulated, the arguments for and against it, and the broader role it played in the thought of different philosophers. In recent years there has been a rich debate about whether value judgment or value perception must form an essential part of mental states such as emotions and desires, and whether intentional actions must always be done for reasons that seem good to the agent. This has sparked new theoretical interest in the classical doctrine of the guise of the good: whenever we desire (to do) something, we see it under the guise of the good; that is, we conceive of what we desire as good, desirable, or justified by reasons, in some way or another. This book offers a systematic historical treatment of the guise of the good. The chapters span from Ancient and Medieval philosophy (Socrates, Plato, Aristotle, Augustine, and Aquinas), through the early modern period (Hobbes, Spinoza, Locke, Hume, and Kant) and up to Elizabeth Anscombe's rediscovery in the 20th century after a period of relative neglect. Together they demonstrate how history can offer potential new models of the guise of the good—or new arguments against it—as well as to give a sense of how the guise of the good can bear on other philosophical issues. The Guise of the Good: A Philosophical History is an excellent resource for scholars and students working on the history of ethics, philosophy of action, and practical reason.
What is it for a car, a piece of art or a person to be good, bad or better than another? In this first book-length introduction to value theory, Francesco Orsi explores the nature of evaluative concepts used in everyday thinking and speech and in contemporary philosophical discourse. The various dimensions, structures and connections that value concepts express are interrogated with clarity and incision. Orsi provides a systematic survey of both classic texts including Plato, Aristotle, Kant, Moore and Ross and an array of contemporary theorists. The reader is guided through the moral maze of value theory with everyday examples and thought experiments. Rare stamps, Napoleon's hat, evil demons, and Kant's good will are all considered in order to probe our intuitions, question our own and philosophers' assumptions about value, and, ultimately, understand better what we want to say when we talk about value.
This thesis focuses on a novel radio-guided surgery technique for complete tumor resections. It describes all aspects of the intraoperative probe, as well as testing and simulation of the novel technique. The presentation develops the technique from the initial idea to realistic feasibility studies that have been the subject of a press release of the American Society of Nuclear Medicine. Just a year after completing this work, the technique has now been tested for the first time on a meningioma patient, confirming all of the predictions made in this thesis.
The area of analysis and control of mechanical systems using differential geometry is flourishing. This book collects many results over the last decade and provides a comprehensive introduction to the area.
This book suggests a shared methodology to uniform as much as possible the way of writing a radiologic report - how to most effectively communicate the results of an examination. The important role played by language also from a legal-forensic point of view is also considered. In this book, theoretical knowledge is transferred to everyday clinical practice. With its easy to use didactic text, it is the perfect tool for radiologists in a very accessible format.
This new edition of the Modern Italian Grammar is an innovative reference guide to Italian, combining traditional and function-based grammar in a single volume. With a strong emphasis on contemporary usage, all grammar points and functions are richly illustrated with examples. Implementing feedback from users of the first edition, this text includes clearer explanations, as well as a greater emphasis on areas of particular difficulty for learners of Italian. Divided into two sections, the book covers: traditional grammatical categories such as word order, nouns, verbs and adjectives language functions and notions such as giving and seeking information, describing processes and results, and expressing likes, dislikes and preferences. This is the ideal reference grammar for learners of Italian at all levels, from beginner to advanced. No prior knowledge of grammatical terminology is needed and a glossary of grammatical terms is provided. This Grammar is complemented by the Modern Italian Grammar Workbook Second Edition which features related exercises and activities.
In Dante's Journey to Polyphony, Francesco Ciabattoni's erudite analysis sheds light on Dante's use of music in the Divine Comedy. Following the work's musical evolution, Ciabattoni moves from the cacophony of Inferno through the monophony of Purgatory, to the polyphony of Paradise and argues that Dante's use of sacred songs constitutes a thoroughly planned system. Particular types of music accompany the pilgrim's itinerary and reflect medieval theories regarding sound and the sacred. Combining musicological and philological scholarship, this book analyzes Dante's use of music in conjunction with the form and content of his verse, resulting in a cross-discipline analysis also touching on Italian Studies, Medieval Studies, and Cultural History. After moving from infernal din to heavenly harmony, Ciabattoni's final section addresses the music of the spheres, a theory that enjoyed great diffusion among the early middle ages, inspiring poets and philosophers for centuries.
This book examines the rules governing the right to asylum in the European Union. Drawing on the 1951 United Nations Convention relating to the Status of Refugees, and the 1967 Protocol, Francesco Cherubini asks how asylum obligations under international refugee law have been incorporated into the European Union. The book draws from international law, EU law and the case law of the European Court of Human Rights, and focuses on the prohibition of refoulement; the main obligation the EU law must confront. Cherubini explores the dual nature of this principle, examining both the obligation to provide a fair procedure that determines the conditions of risk in the country of origin or destination, and the obligation to respond to a possible expulsion. Through this study the book sheds light on EU competence in asylum when regarding the different positions of Member States. The book will be of great use and interest to researchers and students of asylum and immigration law, EU law, and public international law.
This double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Betty’s Turn, Stephen Melville; Richard Serra in Germany, Magdalena Nieslony; Beheadings and massacres, Federico Navarrete; Pliny the Elder and the identity of Roman art, Francesco de Angelis; Between nature and artifice, Francesca Dell’Acqua; Narrative cartographies, Gerald Guest; The artist and the icon, Alexander Nagel; Preliminary thoughts on Piranesi and Vico, Erika Naginski; Portable ruins, Alina Payne; Istanbul: The palimpsest city in search of its archi-text, Nebahat Avcioglu; The iconicity of Islamic calligraphy in Turkey, Irvin Cemil Schick; The Buddha’s house, Kazi Khalid Ashraf; A flash of recognition into how not to be governed, Natasha Eaton; Hasegawa’s fairy tales, Christine Guth; The paradox of the ethnographic-superaltern, Anna Brzyski, and contributions to “Lectures, Documents and Discussions” by Karen Kurczyncki, Mary Dumett, Emmanuel Alloa, Francesco Pellizzi, and Boris Groys.
Photographs, drawings, and text describe over 70 projects of Italian architect Libera (1903-63), a pioneer of modern Italian architecture, who flourished during the Fascist period. Black and white. No index. First published in Italian, 1989. Annotation copyright by Book News, Inc., Portland, OR
This is the first full-scale study of the artist, his career and his key contribution to the 17th century Bolognese school of painting. Beginning with an account of Albani's life and artistic development, Puglisi focuses attention on his entirely personal landscapes, then assesses his crucial role as teacher and transmitter of the Carracci reform.
This book provides a concise and innovative history of Italian migration to Australia over the past 150 years. It focuses on crucial aspects of the migratory experience, including work and socio-economic mobility, disorientation and reorientation, gender and sexual identities, racism, sexism, family life, aged care, language, religion, politics, and ethnic media. The history of Italians in Australia is re-framed through key theoretical concepts, including transculturation, transnationalism, decoloniality, and intersectionality. This book challenges common assumptions about the Italian-Australian community, including the idea that migrants are ‘stuck’ in the past, and the tendency to assess migrants’ worth according to their socio-economic success and their alleged contribution to the Nation. It focuses instead on the complex, intense, inventive, dynamic, and resilient strategies developed by migrants within complex transcultural and transnational contexts. In doing so, this book provides a new way of rethinking and remembering the history of Italians in Australia.
This book examines two civic initiatives in Europe and analyses their evolution through the institutionalisation of their practices, local public effects, and established models for action at broader scales. Drawing from the concepts of civic action, problematic situations, public problems, and experience, this book coins the concept of direct civic action to explore civic initiatives beyond sectorial categories. It draws from the histories, everyday activities, and encounters with new problematic situations of a Slovak and a French initiative. It analyses the institutionalisation of their internal practices, their public cultural services, the models for action they establish in broader networks of initiatives, and how institutionalisation affects their experimentation and innovation. This book uses two case studies of civic initiatives in France and Slovakia, examining how the experimental and institutionalised approaches to problematic situations of civic initiatives are associated with the generation and continuative reproduction of public goods and policies. It also explores how local initiatives establish national and international networks and models for direct civic action. This book is aimed at scholars interested in civic initiatives, urban planning, public policies, innovation studies, and urban sociology. It is intended to engage members of civic initiatives by offering insights into organisational dynamics and their impact on public issues. Furthermore, it appeals to public officials and policy-makers who aim to establish policies that promote civic initiatives and encourage direct civic action.
Interaction and mobility have attracted much interest in research within scholarly fields as different as archaeology, history, and more broadly the humanities. Critically assessing some of the most widespread views on interaction and its social impact, this book proposes an innovative perspective which combines radical social theory and currently burgeoning network methodologies. Through an in-depth analysis of a wealth of data often difficult to access, and illustrated by many diagrams and maps, the book highlights connections and their social implications at different scales ranging from the individual settlement to the Mediterranean. The resulting diachronic narrative explores social and economic trajectories over some seven centuries and sheds new light on the broad historical trends affecting the life of people living around the Middle Sea. The Bronze Age is the first period of intense interaction between early state societies of the Eastern Mediterranean and the small-scale communities to the west of Greece, with people and goods moving at a scale previously unprecedented. This encounter is explored from the vantage point of one of its main foci: Apulia, located in the southern Adriatic, at the junction between East and West and the entryway of one of the major routes for the resource-rich European continent.
An innovative practical reference grammar, combining traditional and function-based grammar in a single volume, this is the ideal reference grammar for intermediate and advanced learners at advanced secondary level and above.
Mark Musa, in editing and translating Petrarch's Canzoniere, has performed a wonderful service to the English-speaking reader. Here, in one volume, are included the poet's own selection of the best lyric verse he wrote throughout his life, accompanied by brief but useful notes . . . " —Chronicles "As well as skillful and fluent verse renderings of the 366 lyrics that make up this milestone in the development of Western poetic tradition, Musa offers copious and up-to-date annotation to each poem . . . along with a substantial, sensitive, and intelligent introduction that is genuinely helpful for the first-time reader and thought provoking for Petrarch scholars and other medievalists." —Choice The 366 poems of Petrarch's Canzoniere represent one of the most influential works in Western literature. Varied in form, style, and subject matter, these "scattered rhymes" contains metaphors and conceits that have been absorbed into the literature and language of love. In this bilingual edition, Mark Musa provides verse translations, annotations, and an introduction co-authored with Barbara Manfredi.
Whether as excavators and re-enactors, or co-organising research campaigns and outreach activities, the participation of the general public in archaeology has become a well-represented practice, but the impact remains underexplored. Evaluating participation can influence fieldwork practice and enrich the academic discussion on public archaeology.
The racism and antisemitism of Fascist Italy have often been described as ‘mild’, ‘cultural’, ‘spiritual’, and essentially non-violent, especially in comparison with the racial ideology of Nazi Germany. This book challenges this simplistic interpretation with a thorough analysis of the texts and images of the magazine La Difesa della razza (Defence of the race), the principal public voice of Fascist biological racism, which appeared fortnightly between 1938 and 1943 under the editorship of Telesio Interlandi, Mussolini’s ‘unofficial mouthpiece’, with governmental financial support. A negative icon of the propaganda of Fascist racism, La Difesa della razza first appeared in August 1938 shortly before the passing of Italy’s Racial Laws, but had a long gestation. It was the expression of a Fascist cultural milieu – journalists, writers, artists, and architects – headed by Interlandi, whose racism and antisemitism dated back to the end of the First World War. By placing the magazine’s emergence in this longer timescale, and exploring the interrelationships of political action, ideological discourse, and imagery, this book also demonstrates how the project of ‘anthropological revolution’ – building the New Man – was a central element of Italian Fascism, from the very beginning to the deportation of Italian Jews. This new English edition has been thoroughly revised and updated.
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
What is it for a car, a piece of art or a person to be good, bad or better than another? In this first book-length introduction to value theory, Francesco Orsi explores the nature of evaluative concepts used in everyday thinking and speech and in contemporary philosophical discourse. The various dimensions, structures and connections that value concepts express are interrogated with clarity and incision. Orsi provides a systematic survey of both classic texts including Plato, Aristotle, Kant, Moore and Ross and an array of contemporary theorists. The reader is guided through the moral maze of value theory with everyday examples and thought experiments. Rare stamps, Napoleon's hat, evil demons, and Kant's good will are all considered in order to probe our intuitions, question our own and philosophers' assumptions about value, and, ultimately, understand better what we want to say when we talk about value.
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for 'mature readers' and seventeen proto-fairy tales. Nearly all of these stories, including classics such as 'Puss in Boots,' made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher's academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
Carradori's book of instructions is vital to understanding the art and craft of sculpting as they were practiced before the twentieth century, since little substantial material exists that demonstrates, in an informed, didactic manner, the various tools and techniques used by ancient sculptors. Carradori's work is the most comprehensive and instructive; it includes thirteen articles that explain how to restore marble sculpture, model clay, work with stucco and wax, cast and finish bronze, and how to carve and enlarge models into marble and stone, as well as seventeen tables that illustrate the arrangement, methods, and tools used in each of these processes. The book also includes the complete Italian text."--Jacket.
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