This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
Questo codice rappresenta una novità assoluta in tema di diritto sportivo, non tanto per i suoi contenuti ma per la sua completezza. Suddiviso concettualmente in ambiti ben distinti tra loro, comprende tutta la normativa vigente in campo CONI, FIFA, FIGC e legislazione nazionale. Si presenta come un' aggiornata sistemazione delle materie regolate dall'Ordinamento del Giuoco del Calcio e dalle leggi che lo integrano. È destinato ai professionisti del diritto quali docenti, avvocati, componenti di organi di giustizia sportiva, ai laureati che si accingono ad affrontare il mondo del lavoro, nonché a tutti coloro che sono professionalmente a contatto con il giuoco del calcio. In un momento storico in cui si sente parlare più di tribunali e di giustizia che di calcio giocato, questo scritto aiuta a comprendere la complessità di questa realtà.
This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
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