DIVIn this groundbreaking study, two medical historians present a provocative new diagnosis of the ailment that famously afflicted Julius Caesar. It is generally accepted as a historical fact that Julius Caesar suffered from epilepsy, an illness which in classical times was sometimes associated with divinely bestowed genius. The ancient sources describe several episodes when, sometimes at critical junctures, one of the most accomplished military commanders in history was incapacitated by a condition referred to as morbus comitialis. But does the evidence of his illness really suggest a diagnosis of epilepsy? And if it was not epilepsy that afflicted Caesar, what was it? These are the questions that doctors Francesco M. Galassi and Hutan Ashrafian seek to answer by applying modern medical knowledge to the symptoms and circumstances described by primary source documents—including statements made by Caesar himself. The result is a fascinating piece of historical-pathological detective work that challenges received wisdom about one of the most famous men of all time.“/DIV>
DIVIn this groundbreaking study, two medical historians present a provocative new diagnosis of the ailment that famously afflicted Julius Caesar. It is generally accepted as a historical fact that Julius Caesar suffered from epilepsy, an illness which in classical times was sometimes associated with divinely bestowed genius. The ancient sources describe several episodes when, sometimes at critical junctures, one of the most accomplished military commanders in history was incapacitated by a condition referred to as morbus comitialis. But does the evidence of his illness really suggest a diagnosis of epilepsy? And if it was not epilepsy that afflicted Caesar, what was it? These are the questions that doctors Francesco M. Galassi and Hutan Ashrafian seek to answer by applying modern medical knowledge to the symptoms and circumstances described by primary source documents—including statements made by Caesar himself. The result is a fascinating piece of historical-pathological detective work that challenges received wisdom about one of the most famous men of all time.“/DIV>
It is generally accepted as a historical fact that Julius Caesar suffered from epilepsy, an illness which in classical times was sometimes associated with divinely bestowed genius. The ancient sources describe several episodes when, sometimes at critical junctures, one of the most famous military commanders in history was incapacitated by his illness referred to as morbus comitialis. But does the evidence really fit with the diagnosis of epilepsy? And if it was not epilepsy that afflicted Caesar, then what was it? These are the questions that doctors Galassi and Ashrafian seek to answer by applying modern medical knowledge to the symptoms and circumstances described by contemporary historians and commentators of Caesar's life (which include the great man himself). The result is a fascinating piece of historical-pathological detective work that challenges received wisdom about one of the most famous men of all time.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Unter dem Siegel der Nekropole 5 Andrew Chugg The Lost Tombs of the Last Pharaohs. The purpose of this fresh article is to present new evidence that connects the sarcophagus of the last 30th Dynasty pharaoh, Nectanebo II, currently displayed in the British Museum, with a fragment of Macedonian funerary sculpture from the middle of the Ptolemaic period, which is now in Venice. The context of this connection is the search for the missing tombs (there were at least three in Egypt) of Alexander the Great. Michael E. Habicht Meta-database of cranial measurements from Ancient Egypt and Nubia. The study presents a complex and extended database of the morphology of skulls and (partly) also for the body proportion in Ancient Egypt through all periods. The database covers the Predynastic time to the Roman period, males and females. In addition, available data on the Royal families are added. Unter dem Siegel der Nekropole 6 Cicero Moraes, Michael Habicht, Francesco M. Galassi, Elena Varotto & F. Donald Pate Facial reconstruction of the mummy Cairo CG 61076 from the Royal Mummies Cachette DB 320. A princess from the late 18th Dynasty? In this paper we investigate the anthropological aspects of the ancient Egyptian mummy Cairo CG 61076 found in the royal cachette of Deir el-Bahari (DB 320) and labelled as Baqt by reassessing the published literature and photographs and producing a facial reconstruction for the first time. South American mummies: an Overview. This preliminary overview of scientific studies on mummies in South America collects all information available in Europe on the topic. The core of the study is the geographical overview of mummies in different countries and various cultures (from pre-Columbian to Modern Age mummies). Updated edition
This is the first full-scale study of the artist, his career and his key contribution to the 17th century Bolognese school of painting. Beginning with an account of Albani's life and artistic development, Puglisi focuses attention on his entirely personal landscapes, then assesses his crucial role as teacher and transmitter of the Carracci reform.
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