Interaction and mobility have attracted much interest in research within scholarly fields as different as archaeology, history, and more broadly the humanities. Critically assessing some of the most widespread views on interaction and its social impact, this book proposes an innovative perspective which combines radical social theory and currently burgeoning network methodologies. Through an in-depth analysis of a wealth of data often difficult to access, and illustrated by many diagrams and maps, the book highlights connections and their social implications at different scales ranging from the individual settlement to the Mediterranean. The resulting diachronic narrative explores social and economic trajectories over some seven centuries and sheds new light on the broad historical trends affecting the life of people living around the Middle Sea. The Bronze Age is the first period of intense interaction between early state societies of the Eastern Mediterranean and the small-scale communities to the west of Greece, with people and goods moving at a scale previously unprecedented. This encounter is explored from the vantage point of one of its main foci: Apulia, located in the southern Adriatic, at the junction between East and West and the entryway of one of the major routes for the resource-rich European continent.
Although EU citizenship may appear to be a straightforward and unproblematic matter – each citizen of a Member State is a citizen of the Union – there are in fact situations in which EU citizenship status can become a thorny issue, at times even determining the outcome of a case. Because the rights automatically recognized with nationality most clearly involve the fundamental right of moving and residing freely, the case law relating freedom of movement with EU citizenship status is extensive and reaches into many areas of practice at every level. Prompted by the declaration of 2013 as the ‘Year of Citizens’, the author of this book offers a detailed analysis of the rationales underlying the development of the EU citizenship concept, the directives and regulations that define citizen status, and the cases that have so far worked to clarify the meaning and limits of such status, all with particular attention to the obstacles that still come between the actual exercise of rights in everyday life. The multifarious issues raised include the following: the Charter of Fundamental Rights and the EU citizen’s status; changes introduced by the Treaty of Lisbon; limitations on Member States with regard to granting and revoking nationality; participation of EU citizens in the decision making processes governing the EU; right to recourse to the European Ombudsman; right of access to documents; registration at a host Member State’s competent public offices; limitations of entry due to reasons of public policy, public security, and public health; procedural safeguards in the case of measures limiting freedom of movement; the condition of migrant workers; restrictions to freedom of movement for ‘employment in the public sector’; and the condition of family members of EU citizens. An appendix gathers legislative documents most often cited in the case law. Closely examining the various institutions concerned, case law (Member State as well as Court of Justice), and legislative innovations, the author concentrates on identifying and overcoming those obstacles that still prevent full enjoyment of EU citizenship rights. While the clear demarcation of issues will be of especial practical value in anti-discrimination cases, legal academics and jurists will appreciate the book’s signal new contribution to a classic theme of the European Union.
Based on previously unexplored archival documentation, this book offers the first general overview of the history of Italian eugenics, not limited to the decades of Fascist regime, but instead ranging from the beginning of the 1900s to the first half of the 1970s. The Author discusses several fundamental themes of the comparative history of eugenics: the importance of the Latin eugenic model; the relationship between eugenics and fascism; the influence of Catholicism on the eugenic discourse and the complex links between genetics and eugenics. It examines the Liberal pre-fascist period and the post-WW2 transition from fascist and racial eugenics to medical and human genetics. As far as fascist eugenics is concerned, the book provides a refreshing analysis, considering Italian eugenics as the most important case-study in order to define Latin eugenics as an alternative model to its Anglo-American, German and Scandinavian counterparts. Analyses in detail the nature-nurture debate during the State racist campaign in fascist Italy (1938–1943) as a boundary tool in the contraposition between the different institutional, political and ideological currents of fascist racism.
Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation andunification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by LuigiRicci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedywas not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.
Since the early nineties, the reception of Vilém Flusser was mainly focused on his media theory. If on the one hand this focus allowed to launch the first development in the study of Flusser’s ideas, on the other hand, it ended to conceal other relevant topics and aspects of his thought. Even if his work appears fragmented into several areas, there is a source that produces this variety of topics and methodologies: a deep connection between exile, creativity, and thought. Flusser’s philosophy is thinking in exile between nations and national identities across different languages, between and outside defined disciplines and scientific fields. The entire Flusser’s oeuvre becomes an expression of a collapsed ground, also revealing an unexpected sense of freedom, both existential and philosophical. His path of thinking exhibits radical unfaithfulness towards homeness and reassuring boundaries, both spatial and epistemological, both literal and metaphorical. The purpose of this issue of Azimuth is to map this intersection in Flusser's thought, by taking into account the complexity of his multifaceted thinking and the overlapping of different fields.
Translated here into English for the first time is a monumental work of literary history and criticism comparable in scope and achievement to Eric Auerbach’s Mimesis. Italian critic Francesco Orlando explores Western literature’s obsession with outmoded and nonfunctional objects (ruins, obsolete machinery, broken things, trash, etc.). Combining the insights of psychoanalysis and literary-political history, Orlando traces this obsession to a turning point in history, at the end of eighteenth-century industrialization, when the functional becomes the dominant value of Western culture. Roaming through every genre and much of the history of Western literature, the author identifies distinct categories into which obsolete images can be classified and provides myriad examples. The function of literature, he concludes, is to remind us of what we have lost and what we are losing as we rush toward the future.
This book provides a concise and innovative history of Italian migration to Australia over the past 150 years. It focuses on crucial aspects of the migratory experience, including work and socio-economic mobility, disorientation and reorientation, gender and sexual identities, racism, sexism, family life, aged care, language, religion, politics, and ethnic media. The history of Italians in Australia is re-framed through key theoretical concepts, including transculturation, transnationalism, decoloniality, and intersectionality. This book challenges common assumptions about the Italian-Australian community, including the idea that migrants are ‘stuck’ in the past, and the tendency to assess migrants’ worth according to their socio-economic success and their alleged contribution to the Nation. It focuses instead on the complex, intense, inventive, dynamic, and resilient strategies developed by migrants within complex transcultural and transnational contexts. In doing so, this book provides a new way of rethinking and remembering the history of Italians in Australia.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
In this study on the subject of the Spanish courtly gentleman of the sixteenth century, the author traces the courtly gentlemans life ideals as they appear first in Montalvos Amadis de Gaula and later in Il Cortegiano of Castiglione. The study also appraises what new perspectives and attitudes are at the center of Castigliones view of cortegiania and how these elements are reflected in other Spanish courtesy books subsequent to The Courtiers arrival and publication in Spain. In the last part of the book, the author deals with the theme of courtliness in Don Quixote and with Cervantess attitude toward the courtiers pursuits, aspirations, and lifestyle. He also analyzes, through the study of selected works of Caldern and Gracin, certain problems of self-perception, moral conscience, and outlook that distinguish the ideal man of the baroque age, as envisioned by these authors, from his renaissance counterpart. On the whole, the study points to the gradual change and process of secularization of the courtiers ideal during the sixteenth and seventeenth centuries and to the decline of traditional thought and myths about class limitations and human potential.
Ettore Roesler Franz è stato una figura unica e di spicco tra i pittori romani ottocenteschi. Oltre a essere stato a conoscenza dei segreti degli iniziati, la fitta rete di amicizie e conoscenze che aveva con i maggiori esponenti culturali e artistici europei ha reso la sua pittura innovativa e densa di rimandi simbolici. Un artista completo e sensibile, dotato di una grande forza d'animo e una bontà che tanti ricordano. A collegarlo ad artisti come Leonardo da Vinci, Michelangelo, William Blake e Picasso è la massoneria, che come un filo attraversa cinquecento anni di storia dell'arte. E a raccontarci qui la sua intensa storia che si intreccia con quella dell'arte e di tanti uomini di cultura e arte è Francesco Roesler Franz, che con questo saggio ci lascia una testimonianza indimenticabile dell'artista mentre coglie l'occasione per riscoprire le origini della propria famiglia.
This book reports on a large research project on community regeneration, which integrated the spatial, social, economic and organizational factors with the dimensions of sustainability, resilience and participation. Upon providing a detailed review on concepts of community and urban regeneration, it analyses a set of successful case studies from 30 European cities, which were selected by the authors from different rankings and awards. Fifty-seven key performance indicators and the results of self-assessment questionnaires are here introduced to allow a comparative study of best practices and eventually to outline 20 guidelines and 100 strategic actions for future community regeneration projects. All in all, this book offers extensive information and a source of inspiration for urban planners, economists, sociologists, public administrators, stakeholders and all those involved in the development and management of sustainable cities.
Fantastiche storie di vita vissuta raccontate da Diversi Autori che scrivono per passione. Leggendo pertanto tali appassionati e disinvolti scritti ebbene spesso ci si imbatte in veri e propri capolavori di scrittura, di gran lunga superiori a quelli di molti scrittori che hanno trovato in questo settore solo ed esclusivamente un un vero e concreto risvolto economico.
The book talks about the design and construction of the building 774 at CERN. The building 774 is a unique building both for its architectural value and for its location. Located in front of of the CCC (Control Center) at CERN is the main door of more than 100,000 tourists come visiting CERN each year.
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, and cinema. Franco's most critically praised works are covered, namely such cult horror classics as The Awful Dr. Orlof and The Diabolical Dr. Z, as well as his working relationship with Orson Welles, whom he was to direct in a 1964 unfinished adaptation of Treasure Island. Detailed production history and critical analysis of his films are provided, placing his work within the context of Spanish culture, politics, and film industry. The book also includes plenty of never-before-seen bits of information and in-depth discussion of Franco's previously uncovered scripts, essays, and short films, as well as his unmade projects of the period.
In Dynamics of Morphological Productivity, Francesco Gardani explores the evolution of the productivity of the noun inflectional classes of Latin and Old Italian, covering a span of almost 2,000 years – an absolute novelty for the theory of diachrony and for Latin and Italo-Romance linguistics. By providing an original set of criteria for measuring productivity, based on the investigation of loanword integration, conversions, and class shift, Gardani provides a substantial contribution to the theory of inflection, as well as to the study of the morphological integration of loanwords. The result is a wealth of empirical facts, including data from the contact languages Etruscan, Ancient Greek, Germanic, Arabic, Byzantine Greek, Old French and Provençal, accompanied by brilliant and groundbreaking analyses.
Providing a fascinating view into the creation of CubeSats, this book outlines their metamorphic role in democratizing space exploration. Paris Chrysos and Francesco Paolo Appio delve into the novel world of satellite innovation, showcasing how revolutionary CubeSats have been in shaping the future of space technology.
This book aims to highlight the causes why the Prohibition Era led to an evolution of the New York mob from a rural, ethnic and small-scale to an urban, American and wide-scale crime. The temperance project, advocated by the WASP elite since the early nineteenth century, turned into prohibition only after the end of WWI with the enactment of the Eighteenth Amendment. By considering the success that war prohibition made to the soldiers' psychophysical condition, Congress aimed to shift this political move even to civil society. So it was that the Italian, Irish and Jewish mobs took the chance to spread their bribe system to local politics due to the lucrative alcohol bootlegging. New York became the core of the national anti-prohibition, where the smuggling from Canada and Europe merged into the legendary Manhattan nightclubs and speakeasies. With the coming of the Great Depression, the Republican Party was aware about the failure of this political measure, leading to the making of a new corporate underworld. The book is addressed to historians of New York, historians of crime and historians of modern America as well as to an audience of readers interested in the history of the Prohibition Era.
This book discusses which is the most appropriate tax dimension to best manage the new horizons of the global and digital economy. In this perspective, the efficiency of the main models is examined and two fundamental proposals are put forth: the first one aims at a coordination of the Destination-Based approach with the role of some specific digital assets, such as user data; the second one is a framework for a possible futuristic tax phenomenon all internal to the world of the internet and not linked to traditional territorial States. The compliance of these models with the constitutional principles that western democratic systems have affirmed over time in matters of taxation is then analyzed with particular regard to legal certainty, consent to taxation and to the re-distributive function of taxes. A specific evaluation of the role of the European Union is carried out and the jurisprudence on financial interests of the Union and on State aids is analyzed and tackled in light of the Treaty on the Functioning of the European Union and of the tax sovereignty of member States. The conclusion is that the model of the organization with a general political purpose, from which modern States take their inspiration, appears unfailing for a tax project that would focus on the good and the growth of the person and of the social aggregations in which everyone lives. A model that therefore deserves to be safeguarded, although with new methods and instruments, starting from a Destination-Based Asset-Coordinated approach, in the Third Millennium. The book will be of interest to researchers and academics in international tax law, constitutional law and in political science.
Sicilian Visitors Vol 2 - Culture focuses on a wide range of cultural aspects of the island of Sicily including religion, literature, art, music, science, sports, food as well describing visitors who have come to the island and their impressions. Vol.2 is the companion of Vol 1 which describes the island ́s history.
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