A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
Preface by Vittorio Messori On June 14, 1921, a priest knocks at the convent in San Giovanni Rotondo. He is in his early forties and wears a simple cassock, but he is no ordinary priest. He is Bishop Raffaello Carlo Rossi, future cardinal and the Apostolic Visitor sent by the Holy Office to investigate secretly Padre Pio. The Bishop Inquisitor remains with the Capuchin Brothers for eight days, interrogating and recording depositions. He also interviews Padre Pio himself and examins the mysterious wounds of Christ that he bears on his body. After gathering all the evidence, the Inquisitor sketches his own evaluation of Padre Pio, which includes his reasons for believing that the stigmata are of divine origin. He sends his report and the depositions to Rome, where they stay buried for nearly a century. Now, forty years after the saint's death, these exceptional documents are published in their entirety, thanks to the skillful research of Father Francesco Castelli. The documents in this book reveal every aspect of Padre Pio's life from his amazing supernatural gifts to his health. In his depositions, he admits, under oath, to the phenomenon of bi-location and to other supernatural charisms, and for the first time tells the detailed story of his stigmatization. Also included are letters from his spiritual father and a chronology of his life. Illustrated with black and white photos.
Photographs, drawings, and text describe over 70 projects of Italian architect Libera (1903-63), a pioneer of modern Italian architecture, who flourished during the Fascist period. Black and white. No index. First published in Italian, 1989. Annotation copyright by Book News, Inc., Portland, OR
70 Jahre Forschung an der Diels-Alder-Reaktion: Dieses Buch fasst die wichtigsten und beeindruckendsten Ergebnisse in einzigartiger Weise zusammen! Zunächst werden die Grundprinzipien der Reaktion klar und verständlich anhand übersichtlicher Graphiken erläutert. Spezielle Vorschriften und gegebenenfalls ihre industrielle Umsetzung werden anschließend erklärt. Einen Schwerpunkt bilden auch physikalische und katalytische Verfahren zur Steigerung der Selektivität der Reaktion. Cycloadditionen in konventionellen und unkonventionellen Medien werden vorgestellt. Mit über 1.000 Literaturverweisen!
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
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