This special issue of Cinéma & Cie analyses the logic and processes of re-intermediation emerging in the contemporary European media industry landscape, providing an opportunity to bring questions of availability, text circulation and gatekeeping to the centre of scholarly debates and investigations. Through contributions showcasing a wide array of methodological and theoretical approaches, the volume illustrates and analyses the presence of new gatekeepers, their impact in shaping texts and their consumption in different European contexts. Its case studies include file sharing, Curzon Home Cinema, VOD services and the problematic implementation of the Digital Single Market policy.
This special issue of Cinéma & Cie analyses the logic and processes of re-intermediation emerging in the contemporary European media industry landscape, providing an opportunity to bring questions of availability, text circulation and gatekeeping to the centre of scholarly debates and investigations. Through contributions showcasing a wide array of methodological and theoretical approaches, the volume illustrates and analyses the presence of new gatekeepers, their impact in shaping texts and their consumption in different European contexts. Its case studies include file sharing, Curzon Home Cinema, VOD services and the problematic implementation of the Digital Single Market policy.
Strong dynamics constitutes one of the pillars of the standard model of particle interactions, and it accounts for the bulk of the visible matter in the universe made by ordinary protons and neutrons. It is therefore a well posed question to ask if the rest of the universe can be described in terms of new highly natural four-dimensional strongly coupled theories. The main goal of this lecture-based primer is to provide a coherent overview of how new strong dynamics can be employed to address the relevant challenges in particle physics and cosmology from composite Higgs dynamics to dark matter and inflation. We will first introduce the topic of dynamical breaking of the electroweak symmetry also known as technicolor. The knowledge of the phase diagram of strongly coupled theories plays a fundamental role when trying to construct viable extensions of the standard model. Therefore we present the state-of-the-art of the phase diagram for gauge theories as function of the number of colors, flavors, matter representation and gauge group. Recent extensions of the standard model featuring minimal technicolor theories are then introduced as relevant examples. We finally show how technicolor or in general new strongly coupled theories can lead to natural candidates of composite dark matter and inflation.
This book describes a collaborative Design Pilot Project held in Brazil (called MODU.Lares) involving micro and small enterprises and other actors in the furniture sector. The experience was based on an action research method and evaluated by using a tool, in order to assess the value of pilot project as a boundary object capable of fostering innovation and sustainability. The impact of the Design Pilot Project in triggering change in a fragmented local system with a poor environmental and social record, as well as management and innovation issues, were assessed with the help of the same tool, taking into account environmental, technological, economic, sociocultural, and organizational indicators. The collaborative network established was chiefly based on four elements: prototypes, meetings, exhibitions and the Pilot Project (as an overall process). The results indeed demonstrate that a Design Pilot Project can be a valid instrument for establishing a collaborative environment that promotes sustainability and innovation, particularly in contexts with a weak associative culture. Such collaborative projects can constitute the first step in a design policy cycle in developing countries, contributing to the definition of ideas and objectives among local stakeholders, minimizing the risks of failure, and increasing the chances of receiving governmental support.
The First World War brought with it enormous ideological, political and social problems. In Russia, as in Italy, the repercussions of the war were soon felt, and the two countries saw the birth of oppositional movements within them. In Russia, these movements grasped power thanks to a Bolshevik coup, while in Italy Mussolini founded the Fasci di combattimento, a real militia ready to ride the popular discontent with the “mutilated victory”, specifically the dissatisfaction with territories promised by the Treaty of London and not granted to Italy. Relations between these two countries were interrupted for several years and were resumed only when both realized that the economic advantages that could result from resuming relations would be far more beneficial than continuing their ideological confrontation. However, mutual distrust never stopped and rendered bilateral relations increasingly tenuous until they were definitely severed in the early years of the Second World War.
In 3D con gli opportuni riferimenti ipertestuali, l'affascinante storia di Ravenna nei primi tre secoli dalla caduta di Roma, quando sola, resse le sorti della Civilta in occidente; con la descrizion dei monumenti ora catalogati dall'UNESCO come patrimonio dell'umanita. Da non perdere la dettagliata biografia di tutti gli Esarchi che ivi ressero le sorti della civilta confrontantesi con l'irrompere delle invasioni barbariche. Acquista anche:
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
These memories, handwritten by Elmo Cermaria (Nonno Peppe) for his grandson Checco (Francesco Nicolini), tell of when, as a young man of 20, he found himself hurled into the inferno of the First World War. In those days, you could cry your heart out for a bread roll denied, then miraculously regained thanks to the compassion of a German soldier, “the hated enemy”. These recollections are terse, without a trace of rhetoric and devoid of recriminations. Nonno Peppe tells the facts just as he experienced them first hand, without expressing any condemnation of those responsible for them, even though an awareness of the large-scale massacre he witnessed transpires from his account. When Nonno Peppe delivered the manuscript to his grandson on his wedding day, he asked him to make a promise: “Let the President of the Republic know what we did for Italy.” A hundred years ago, whole generations of young Italian men were stripped of human honor and dignity. Only a few of these young men would live on and become our grandfathers; and only a few of us would be fortunate enough to become “grandchildren of the Great War” and bear witness to their ordeal.
In Dynamics of Morphological Productivity, Francesco Gardani explores the evolution of the productivity of the noun inflectional classes of Latin and Old Italian, covering a span of almost 2,000 years – an absolute novelty for the theory of diachrony and for Latin and Italo-Romance linguistics. By providing an original set of criteria for measuring productivity, based on the investigation of loanword integration, conversions, and class shift, Gardani provides a substantial contribution to the theory of inflection, as well as to the study of the morphological integration of loanwords. The result is a wealth of empirical facts, including data from the contact languages Etruscan, Ancient Greek, Germanic, Arabic, Byzantine Greek, Old French and Provençal, accompanied by brilliant and groundbreaking analyses.
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