Death will not part them, nor will it silence them. It is 1880 and women are meant to be seen and not heard. When a damaged daughter is born of a vicious marital assault, Pauline Kite and her child are condemned to a life of sequestration and silence in rural Oxfordshire until Elinor Budden, a young nurse herself in need of healing, urges resilience and an audacious plan to bring about justice. When an unforeseen catastrophe strikes and they are caught up in one of the worst rail disasters in Victorian history, the rare opportunity for reinvention promises a life lived on its own terms; with autonomy emerges a voice that will not be silenced, and the undreamed-of prospect of recognition for all women condemned to obscurity.
This book focuses on the global quality of the design of systems that people interact with during their work activities and daily lives; a quality that involves the globality of people’s experience – physical, sensory, cognitive and emotional. It presents a concise and structured overview of the ergonomic approach to planning, and of methodological and operational tools from ergonomic research that can more directly and concretely contribute to the design process. The book also explores physical ergonomics and cognitive ergonomics, which are essential components of design culture. The final section addresses the main design problems and intervention criteria regarding the design of environments, products and equipment, as well as the design of communication, training and learning interface systems based on digital technologies. The book is chiefly intended for designers and anyone interested in the methods, tools and opportunities for in-depth analysis and development that ergonomics can offer regarding the conception, production and testing of products, environments and services, whether physical or virtual. It also offers a learning resource for professionals and students in Industrial Design and Planning.
This book reconstructs the late Anglo-Saxon history of the church of Worcester, covering the period between Bishops Waerferth and Wulfstan II. Starting with an examination of the episcopal succession and the relations between bishops and cathedral community, the volume moves on to consider the development of the church of Worcester's landed estate, its extent and its organization. These are analysed in connection with the very significant measures taken in the eleventh century to preserve - and sometimes manipulate - the memory of past land transactions. Of paramount importance among such measures was the production of two cartularies - Liber Wigorniensis and Hemming's cartulary - respectively compiled at the beginning and at the very end of the eleventh century. Last but not least, the volume considers ecclesiastical organization and pastoral care in the diocese of Worcester, by looking at the relations between the cathedral church and the other churches in the diocese. Special attention is given to the payment of church dues and to such aspects of pastoral care as preaching, penance and visitation of the sick. Thanks to the combined analysis of these areas, the book offers a detailed picture of the main occupations (and preoccupations) of the late Anglo-Saxon church of Worcester in its interaction with society at large: from its tenants to its faithful, from the clergy in its diocese to its opponents in land disputes.
The Mediterranean port of Livorno was home to one of the most prominent and privileged Jewish enclaves of early modern Europe. Focusing on Livornese Jewry, this book offers an alternative perspective on Jewish acculturation during the eighteenth century, and reassesses common assumptions about the interactions of Jews with outside culture and the impact of state reforms on the corporate Jewish community. Working from a vast array of previously untapped archival and literary sources, Francesca Bregoli combines cultural analysis with a study of institutional developments to investigate Jewish responses to Enlightenment thought and politics, as well as non-Jewish perceptions of Jews, through an exploration of Jewish-Christian cultural exchange, sites of sociability, and reformist policies. Mediterranean Enlightenment shows that Livornese Jewish scholars engaged with Enlightenment ideals and aspired to contribute to society at large without weakening the boundaries of traditional Jewish life. By arguing that the privileged status of Livorno Jewry had conservative rather than liberalizing effects, it also challenges the notion that economic utility facilitates Jewish integration, nuancing received wisdom about processes of emancipation in Europe.
A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.
Who invented the cork? And when? The answers to these and many other questions are revealed on a journey back through eight thousand years and the civilisations who have populated the western world. The ancestors of the cork (and caps, and stoppers, and lids!) were found hiding in the first Neolithic settlements in Iran and among the ruins of Cretan civilisations, in the markets in ancient Egypt and on Phoenician ships. In more recent times, when stoppers began to take on the shape we are familiar with, they were protected by the laws of the Venetian Republic, or preserved as relics in the ancient abbey in Hautvillers, where dom Pérignon was the first to stopper a champagne bottle with a cork. Today, lids are such a common everyday object that they have become almost invisible to our eyes, and yet they marked an evolution in the food and drink culture of mankind. In its most collectable ‘crown' version, the bottle cap is the emblem of our entire modern age, not only because it wiped out almost two thousand alternative patents for stoppers, but above all because it paved the way, good or bad, for the disposable era. This is the first (and so far only) book about the history of the most used object in the world.
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
For devotees of Bird by Bird and The Artist's Way, a memoir-driven guide to healing through the craft of writing Francesca Lia Block is the bestselling author of more than twenty-five books, including the award-winning Weetzie Bat series. Her writing has been called "transcendent" by The New York Times, and her books have been included in "best of" lists compiled by Time magazine and NPR. In this long-anticipated guide to the craft of writing, Block offers an intimate glimpse of an artist at work and a detailed guide to help readers channel their own experiences and creative energy. Sharing visceral insights and powerful exercises, she gently guides us down the write-to-heal path, revealing at each turn the intrinsic value of channeling our experiences onto the page. Named for the painting by Frida Kahlo, who famously transformed her own personal suffering into art, The Thorn Necklace offers lessons on life, love, and the creative process.
This concise but comprehensive book will help interested readers in the health care professions to navigate their way through the jungle of movement disorders, including the potentially complex differential diagnosis and management. The different disorders are discussed in individual sections that explain how to examine the patient and recognize the disorder from its basic phenomenology, how to confirm a diagnosis, how to distinguish a particular disorder from related conditions, and how to treat each disorder effectively. The book makes liberal use of diagrams, algorithms, tables, summary boxes, and illustrations to facilitate solution of clinical problems at the bedside and to solidify previously learned clinical and therapeutic concepts. It will be of interest to a broad audience of health professionals, scientists, and medical students.
Death will not part them, nor will it silence them. It is 1880 and women are meant to be seen and not heard. When a damaged daughter is born of a vicious marital assault, Pauline Kite and her child are condemned to a life of sequestration and silence in rural Oxfordshire until Elinor Budden, a young nurse herself in need of healing, urges resilience and an audacious plan to bring about justice. When an unforeseen catastrophe strikes and they are caught up in one of the worst rail disasters in Victorian history, the rare opportunity for reinvention promises a life lived on its own terms; with autonomy emerges a voice that will not be silenced, and the undreamed-of prospect of recognition for all women condemned to obscurity.
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