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Drawing on primary and other authoritative sources this book examines trends in organized crime across Europe, including money laundering methods and the mechanisms and instruments used to conceal the disposal of the proceeds of the crime.
Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
Taking a new approach to the study of cross-cultural trade, this book blends archival research with historical narrative and economic analysis to understand how the Sephardic Jews of Livorno, Tuscany, traded in regions near and far in the seventeenth and eighteenth centuries. Francesca Trivellato tests assumptions about ethnic and religious trading diasporas and networks of exchange and trust. Her extensive research in international archives--including a vast cache of merchants' letters written between 1704 and 1746--reveals a more nuanced view of the business relations between Jews and non-Jews across the Mediterranean, Atlantic Europe, and the Indian Ocean than ever before. The book argues that cross-cultural trade was predicated on and generated familiarity among strangers, but could coexist easily with religious prejudice. It analyzes instances in which business cooperation among coreligionists and between strangers relied on language, customary norms, and social networks more than the progressive rise of state and legal institutions.
The fun and easy way to take your Italian language skills to the next level The tips, techniques, and information presented here give students, travelers, and businesspeople a primer on how to speak Italian. Complete with updates, a bonus CD, and the traditional For Dummies user-friendly format, this new edition of Italian For Dummies gives you reliable lessons, practice, and language learning techniques for speaking Italian with ease and confidence. Featuring a revamped, user-friendly organization that builds on your knowledge and ability, Italian For Dummies offers expanded coverage of the necessary grammar, major verb tenses, and conjugations that beginners need to know. Plus, you'll get a fully updated and expanded audio CD that includes real-life conversations; a refreshed and expanded mini-dictionary; more useful exercises and practice opportunities; and more. Builds on your skills and ability as you learn Covers the grammar, verb tenses, and conjugations you need to know Includes a mini-dictionary Audio CD includes real-life conversations If you're looking to reach a comfort level in conversational Italian, Italian For Dummies gets you comfortably speaking this Romantic language like a native.
A study of the networks of opera production and critical discourse that shaped Italian cultural identity during and after Unification. Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts. In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.
The fun and easy way to take your Italian language skills to the next level The tips, techniques, and information presented here give students, travelers, and businesspeople a primer on how to speak Italian. Complete with updates, a bonus CD, and the traditional For Dummies user-friendly format, this new edition of Italian For Dummies gives you reliable lessons, practice, and language learning techniques for speaking Italian with ease and confidence. Featuring a revamped, user-friendly organization that builds on your knowledge and ability, Italian For Dummies offers expanded coverage of the necessary grammar, major verb tenses, and conjugations that beginners need to know. Plus, you'll get a fully updated and expanded audio CD that includes real-life conversations; a refreshed and expanded mini-dictionary; more useful exercises and practice opportunities; and more. Builds on your skills and ability as you learn Covers the grammar, verb tenses, and conjugations you need to know Includes a mini-dictionary Audio CD includes real-life conversations If you're looking to reach a comfort level in conversational Italian, Italian For Dummies gets you comfortably speaking this Romantic language like a native.
Fascinating…Unbelievable…Gross! These are just a few of the responses readers will hear when they impress their friends with facts from the quirky new book of body trivia, Why You Shouldn't Eat Your Boogers & Other Useless or Gross Information About Your Body, by Francesca Gould. This collection of little-known facts about the human body answers the questions you have always wanted to ask but never dared to, such as: • Can smoking make your teeth fall out? • Is it safe to eat moldy food after the mold’s been cut off? • Do intelligent people have bigger brains? • How do astronauts poo in space? The book also offers many unbelievable-but-true historical factoids about the body. For example: • Have you ever heard of Dr. Strangelove Syndrome? It’s a rare condition caused by damage to certain parts in the brain, which results in a person’s hand acting independently and taking on a life of its own. • Did you know that there is also a rare condition called Foreign Accent Syndrome, which results in people suddenly developing a foreign accent? • Have you ever wondered if a heart transplant could change your personality? The short answer is, yes! • Did you know that men used hair gel 2000 years ago during the Iron Age? Why You Shouldn't Eat Your Boogers offers of cornucopia of body trivia that will have readers cringing with delight! You can read it on the subway, in the bathroom, or even in a heavy downpour! For contrary to popular belief, according to this book, you cannot catch cold by standing in the rain!
Food, Festival and Religion explores how communities in northern Italy find a restorative sense of place through foodways, costuming and other forms of materiality. Festivals examined by the author vary geographically from the northern rural corners of Italy to the fashionable heart of urban Milan. The origins of these lived religious events range from Christian to vernacular Italian witchcraft and contemporary Paganism, which is rapidly growing in Italy. Francesca Ciancimino Howell demonstrates that during ritualized occasions the sacred is located within the mundane. She argues that communal feasting, pilgrimage, rituals and costumed events can represent forms of lived religious materiality. Building on the work of scholars including Foucault, Grimes and Ingold, Howell offers a theoretical “Scale of Engagement” which further tests the interfaces between and among the materialities of place, food, ritual and festivals and provides a widely-applicable model for analyzing grassroots events and community initiatives. Through extensive ethnographic research and fieldwork data, this book demonstrates that popular Italian festivals can be ritualized, liminal spaces, contributing greatly to the fields of religious, performance and ritual studies.
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
In the post-war period, Berlin and Naples experienced a phase of profound changes, essentially influenced by external factors: the less rigid urban structure which had been ruined by World War II, resulting in severe changes in the social and economic structure, an uncritical reception and implementation of largely theoretical models of functionalism in urban planning, and in the design of the new public building interventions. On the one hand, between the 1940s and the 1980s, Berlin experienced a considerable loss in population, a political isolation and an urban splitting, as the urban planning institutions, deeply influenced by relevant politics, slowly and thoroughly changed the cityscape. On the other hand, Naples suffered from a new phase of immigration as well as from the parallel densification of the old suburbs and the physical expansion of the city limits without consistent and socially appropriate urban planning measures. This phase of change, so full of contrasts, coincided with the establishment of new democratic systems in the Federal Republic of Germany and Italy, and with the fundamental goal of socially adequate housing in both the West and the East. The research involved a series of historical analyses of the relationship between urban development and social housing for critical reflection and to allow an informed evaluation of the contemporary condition. In particular, it investigated housing settlements realised in Berlin and Naples in the first four decades of the post-war period, which corresponds to the period in which public housing was central in both political and urban planning terms. The book focuses on places of living, the city and the house. Consequently, it investigates the scale of the project and that of the intervention, the relationship between innovation and the cultural reception of urban phenomena and, again, between the stage of the project and the realisation and upkeep of the interventions, between democratic expectations and the adequacy of the administration system. These steps have a direct effect on the social identity that inspires, structures and transforms the planned and then built city, that continuous dialogue between form and content (the past) that occurs, in general, through progressive and mutual adaptations. In the selection of the case studies, we have favoured interventions on the “periphery,” which are those in which theoretical and aesthetic trends have best manifested themselves and in which planning and design cultures could develop most widely. However, the periphery does not necessarily coincide with the geographical edges of the cities: both in Berlin and in Naples, historical events, or the particular topography have naturally shifted the “peripheral” location along a radius that only ideally starts from the city centre and often extends to its inner fringes. Rather, from a sociological point of view, the same interventions generally generate the peripheral condition, that is, marginalisation or social division. This, as we shall see, can be traced both on the large scale of the city and inside the neighbourhood. The materials are arranged in the following way: the text is introduced by a graphic and synthetic presentation of the historical context in Berlin and Naples and the documentation of the twelve case studies. In the second chapter, Comparison, which was mostly developed as the first by the young scholars involved in the project, three theoretical issues highlighted during the seminars are better presented: The ability of the project to involve the social level; the experimentalism of the interventions, in particular in construction technology, social approach and democratic participation; the relationship between public and private in the phases of implementation and the upkeep of the programmes. The third chapter, In-Depth Analysis, includes the contributions of the scientists involved to give a better articulated historical and critical analysis of many of selected case studies and of the wider urban and social context. The closing editorial paper offers a brief overview focusing on a selection of the theoretical nodes that emerged from the comparison of the materials from a contemporary perspective. The publication is the outcome of the homonymous research programme fully funded by DAAD German Academic Exchange Service and runned in 2019 in cooperation between the Technische Universität of Berlin, Department of Architecture (Habitat Unit) with the Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale in Aversa (Italy). In der Nachkriegszeit erlebten Berlin und Neapel eine Phase tiefgehender Veränderungen, die im Wesentlichen von externen Faktoren beeinflusst wurde: der aufgelockerten, infolge des Zweiten Weltkriegs ruinierten Stadtform, der starken Veränderung der sozialen und wirtschaftlichen Struktur, der unkritischen Rezeption und Implementierung von stark theoretisch geprägten Modellen des Funktionalismus in der Stadtplanung sowie in der Gestaltung der neuen öffentlichen Bauinterventionen. Auf der einen Seite erlebt Berlin zwischen den 40er und den 80er Jahren einen starken Bevölkerungsverlust, eine politische Isolierung und eine urbane Aufspaltung, indem eine stark politisch beeinflusste Stadtplanung das Stadtbild tief verändert. Auf der anderen Seite leidet Neapel unter einer neuen Einwanderungsphase sowie der parallelen Verdichtung der alten Vorstädte und der physischen Erweiterung der Stadtgrenze, ohne dass konsequente und sozial gemäße stadtplanerische Maßnahmen vorgenommen wurden. Diese kontrastreiche Umbruchsphase stimmt überein mit der Etablierung der neuen demokratischen Regierungssysteme in der Bundesrepublik Deutschland wie auch in Italien und damit mit dem für beide - und im Westen wie im Osten - grundlegenden Ziel des sozial gerechten Wohnens. Das Forschungsvorhaben beinhaltete eine Reihe von historischen Analysen der Beziehung zwischen Stadtentwicklung und sozialem Wohnungsbau zum Zweck der kritischen Reflexion und um eine fundierte Bewertung der jeweiligen zeitgenössischen Bedingungen zu ermöglichen. Insbesondere wurden Wohnsiedlungen untersucht, die in Berlin wie in Neapel in den ersten vier Jahrzehnten nach dem Zweiten Weltkrieg errichtet wurden, d.h. in eben dem Zeitraum, in dem öffentlicher Wohnungsbau sowohl unter politischen wie auch unter stadtplanerischen Aspekten zentral war. Das Buch konzentriert sich auf Lebensräume, die Stadt und das Haus. Folglich untersucht es das Ausmaß des Projekts wie das der Intervention, die Beziehung zwischen Innovation und kultureller Rezeption städtischer Phänomene wie auch zwischen dem jeweiligen Stadium des Projekts und der Umsetzung und Aufrechterhaltung der Interventionen und schließlich zwischen den demokratischen Erwartungen und der Leistungsfähigkeit des Verwaltungssystems. Diese Schritte haben direkte Auswirkungen auf die soziale Identität, welche die zunächst geplante und dann gebaute Stadt inspiriert, strukturiert und transformiert, d.h. diesen ständigen Dialog zwischen Form und Inhalt (die Vergangenheit), der im Allgemeinen durch fortschreitende und gegenseitige Anpassungen abläuft. Bei der Auswahl der Fallstudien haben wir Interventionen in der "Perpherie" bevorzugt, da sie es sind, in denen sich theoretische und ästhetische Trends am deutlichsten abzeichnen und in denen sich Kulturen der Planung und des Designs am weitesten entwickeln könnten. Die Peripherie fällt jedoch nicht unbedingt zusammen mit den geografischen Rändern der Städte: sowohl in Berlin wie in Neapel haben historische Ereignisse oder auch die jeweilige Topografie naturgemäß die "periphere" Lage entlang einem Radius verschoben, der nur im Idealfall vom Stadtzentrum ausgeht und sich oft bis an seine Ränder erstreckt. Von einer soziologischen Perspektive aus ist es eher so, dass im Allgemeinen die gleichen Interventionen zu einer peripheren Situation führen. d.h. zu Marginalisierung oder sozialer Aufspaltung. Wie wir sehen werden, gilt dies sowohl im größeren Rahmen für die Stadt wie auch innerhalb eines Stadtviertels. Die Materialien sind folgendermaßen angeordnet: Der Text wird eingeführt durch eine grafische und zusammenfassende Präsentation der historischen Zusammenhänge in Berlin und Neapel und eine Dokumentation zu den zwölf Fallstudien. Im zweiten Kapitel – "Vergleich/Comparison" – , das ursprünglich als erstes Kapitel von den jüngeren Forschern, die am Projekt teilnahmen, entwickelt wurde, werden drei Fragen, die während der Seminare im Mittelpunkt standen, genauer vorgestellt: die Eignung des Projekts dafür, die soziale Ebene mit einzubeziehen; der experimentelle Charakter der Interventionen, insbesondere in der Bautechnologie, im sozialen Ansatz und in der demokratischen Teilhabe; die Beziehung zwischen öffentlichem und privatem Engagement in der Phase der Umsetzung wie der Aufrechterhaltung der Programme. Das dritte Kapitel – "Eingehende Analyse/In-Depth-Analyses" – besteht aus den Beiträgen der beteiligten Wissenschaftler, um so eine klarere historische und kritische Analyse von etlichen der ausgewählten Fallstudien und der weiterreichenden städtischen und sozialen Zusammenhänge zu gewährleisten. Der abschließende Kommentarteil bietet einen kurzen Überblick, der den Schwerpunkt auf eine Auswahl von theoretischen Verknüpfungen legt, die sich aus dem Vergleich der Materialien aus zeitgenössischen Perspektive ergeben. Die Veröffentlichung ist das Ergebnis des gleichnamigen Forschungsprogramms, das vollständig vom DAAD (Deutscher Akademischer Austauschdienst) finanziert wurde und 2019 in einer Zusammenarbeit der Architektur-Fakultät (Habitat Unit) der Technischen Universität Berlin mit dem Dipartmento di Architettura e Disegno Industriale der Università della Campania "Luigi Vanvitelli" in Aversa (Italien) durchgeführt wurde. Nel secondo dopoguerra Berlino e Napoli vivono una fase di profondo cambiamento che è condizionato in maniera preponderante da fattori esterni: la parziale disgregazione della forma urbana causata dei bombardamenti bellici, il cambiamento della struttura socio-economica, il recepimento delle teorie funzionaliste nella pianificazione urbana e nella progettazione dei nuovi interventi di edilizia residenziale pubblica. Per un verso, tra gli anni quaranta e gli anni ottanta, Berlino rileva una pesante contrazione demografica, l'isolamento politico, la separazione interna del Muro, gli effetti di una pianificazione urbana fortemente influenzata dal sdoppiato piano politico che deriva dalla fondazione nel 1949 dei due stati tedeschi, la GDR e la DDR. Per altro verso, Napoli osserva una nuova fase di immigrazione che si aggiunge alla naturale crescita demografica del primo dopoguerra, lo sviluppo urbano dei sobborghi e dei principali centri dell’entroterra costiero, l'espansione fisica ma non amministrativa dei confini della città, l’inadeguatezza ed il costante ritardo del piano amministrativo-urbanistico nella gestione dei fenomeni sociali ed urbani. Si tratta in pratica di una fase carica di contrasti che coincide con l'instaurazione delle nuove repubbliche liberali in Germania ed Italia, e con la definitiva affermazione della questione abitativa e della residenza popolare che assurge, in ambito socialista, al rango di elemento funzionale alla stessa costruzione statale. Lo studio indaga la relazione tra sviluppo urbano ed edilizia residenziale pubblica e si propone come strumento per la riflessione critica e per la valutazione informata della condizione contemporanea. Le indagini e le valutazioni storiche che esso raccoglie si concentrano sugli interventi realizzati a Berlino e a Napoli nei primi quarant’anni del dopoguerra, ovvero nel periodo in cui la questione abitativa diviene urgente e centrale per vari ordini di motivi sia in termini politici che urbanistici. Lo sguardo si concentra sui luoghi dell'abitare, la città e la casa; indaga e confronta la scala teorica e quella reale, il rapporto tra innovazione e recezione culturale; confronta i piani del progetto, della costruzione e della successiva manutenzione degli interventi residenziali, tra le aspettative democratiche e l'adeguatezza del sistema amministrativo nel gestirli. Si tratta di passaggi che hanno un effetto diretto sull'identità sociale che, di risposta, ispira e struttura la nuova città attraverso un dialogo tra forma e contenuto (il passato) che procede per progressivi e reciproci adattamenti. Nella selezione dei casi studio sono stati privilegiati interventi di "periferia", ovvero quelli in cui le culture della pianificazione e del progetto, e le tendenze teoriche ed estetiche si sono potute manifestare nella maniera più completa. Come si vedrà, tuttavia, la periferia non coincide necessariamente con i margini geografici delle città: sia a Berlino che a Napoli gli eventi storici o la particolare topografia hanno dislocato la condizione "periferica" lungo un raggio che solo idealmente conduce dal centro della città. Da un punto di vista sociologico, e per la coincidenza di diversi fattori, inoltre, gli stessi interventi residenziali generano al loro interno la condizione periferica che si manifesta generalmente in degrado degli spazi comuni, mancanza di prossimità, emarginazione sociale. I materiali del testo sono organizzati in tre parti: nel primo capitolo Documentation si introduce al contesto storico, amministrativo ed urbanistico e si presentano schematicamente e secondo un criterio uniforme i dodici casi studio selezionati; nel secondo capitolo Comparison, che, come il primo, è stato redatto dai giovani ricercatori coinvolti nel progetto di ricerca, vengono meglio presentate tre questioni teoriche emerse nel corso dei laboratori: la capacità del progetto di coinvolgere il piano sociale; lo sperimentalismo degli interventi, in particolare per tecnologia costruttiva, approccio sociale e partecipazione democratica; il rapporto tra il piano amministrativo-pubblico ed il piano civico-privato nelle fasi di realizzazione e mantenimento dei programmi residenziali. Il terzo capitolo, In-Depth-Analysis, raccoglie i contributi degli studiosi coinvolti per fornire un'analisi storica e critica articolata dei casi di studio selezionati e del più ampio contesto urbano e sociale. Infine, le conclusioni raccolgono e presentano i principali nodi teorici emersi nel corso della ricerca in una prospettiva aperta alla condizione contemporanea. La pubblicazione restituisce e meglio sviluppa sul piano documentale e critico i materiali raccolti nel corso dei due laboratori tenuti nel 2019 presso la Technische Universität di Berlino, Dipartimento di Urbanistica e Sviluppo urbano sostenibile “Habitat Unit,” e l’Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale di Aversa, nell’ambito dell’omonimo progetto di ricerca finanziato dal DAAD (Servizio Tedesco per lo Scambio Accademico).
Writing Business: Genres, Media and Discourses offers an analysis of the genres and functions of written discourse in the business context, involving a variety of modes of communication. The evolution of new forms of writing is a key focus of this collection and is only partly attributable to the ever increasing application of technology at work. Alongside machine-mediated texts such as electronic mail and computer-generated correspondence, the contextualised analyses of both traditional genres such as facsimiles and direct mailing, and of lesser studied texts such as invitations for bids, contracts, business magazines and ceremonial speeches, reveal a rich complexity in the forms of communication evolved by organisations and the individuals who work within them, in response to the demands of the social, organisational and cultural contexts in which they operate. This rich textual variation is matched by a discussion of a range of methodological approaches to the development of business writing skills, including rhetorical analysis, organisational communication analysis, social constructionism, genre analysis and survey and experimental methods. Using authentic data and benefiting from a fresh, interdisciplinary approach, the volume will be of interest to students and researchers of business communication, Language for Specific Purposes (LSP), English for Specific Purposes (ESP), and sociolinguistics.
This is a research study monograph into an approach known as Content and Language Integrated Learning or CLIL through English in Italian higher education. There is as yet little agreement on terminology, definitions, learning theories or classroom approaches as regards CLIL. A distinction is therefore made between CLIL, ICLHE (Integrating Content and Language in Higher Education), Content-based Instruction, L2-medium Instruction and Bilingual Education. The research design comprises both quantitative and qualitative elements. A questionnaire survey of all Italian universities profiled the many courses presently delivered using English as the vehicular language, and found some homogeneity in process and subjects, but differences linked to private or public funding and to geographical area. A survey of students (n=134) was designed and administered to obtain their evaluation of a list of techniques used by lecturers to help students understand lectures delivered through English. Respondents recognised and considered as useful most of the categories, including the use of repetitions, examples, summaries, definitions, synonyms, questions and emphasising with intonation. The qualitative part involved observing, recording, transcribing, and analysing lectures delivered through English by four university science lecturers, who were also interviewed. Results confirm the validity of some input presentation strategies and show similarities and differences between student and lecturer perceptions. The data also show discrepancies, at times, between the strategies considered useful by the lecturers and those actually used in the classes.
National Cultures and Foreign Narratives charts the pathways through which foreign literature in translation has arrived in Italy during the first half of the twentieth century. To show the contribution translations made to shaping an Italian national culture, it draws on a wealth of archival material made available in English for the first time.
As sacred as St Peter's, as profane as the Via Veneto, the bustling capital of Italy has something for every taste and mood. The Colosseum sums up the Roman empire, the Sistine Chapel is better than ever, the Piazza Navona remains the ultimate outdoor cafe scene. This Way Rome is crammed with addresses -- churches, ancient monuments, parks, markets, restaurants, cafes -- priceless recommendations and practical hints, whether you're on a weekend or a fortnight's adventure.
This volume is a study into the norms that come into play in the translation of European Union legislation. With a focus on expressions of modality, the study adopts a corpus-based Descriptive Translation Studies approach to analyse the translation strategies used in a bilingual English/Italian parallel corpus of European Union legislation and identify the most frequent translational patterns. The book outlines the principles at the basis of the multilingual policy at the European Union and provides a detailed outline of the context in which the drafting and translation processes take place as a key to understanding the translational choices. The impact of sometimes contrasting factors such as the conventions of legal drafting at the European Union and those within the target culture, the principle of equal authenticity and the attention to the quality and readability of legislative texts is revealed in the analysis. Evidence in support of the theories concerning translation universals is also found and their implications for EU legal translation are discussed. The results lead to the formulation of several hypotheses as regards the norms governing the translation of EU legislative texts. The book also reflects on the impact that the translational choices have on the development of European Union legal language as an independent variety. This volume will be of interest to researchers and students in the fields of Legal Translation Studies and Linguistics, as well as practising translators.
Who invented the cork? And when? The answers to these and many other questions are revealed on a journey back through eight thousand years and the civilisations who have populated the western world. The ancestors of the cork (and caps, and stoppers, and lids!) were found hiding in the first Neolithic settlements in Iran and among the ruins of Cretan civilisations, in the markets in ancient Egypt and on Phoenician ships. In more recent times, when stoppers began to take on the shape we are familiar with, they were protected by the laws of the Venetian Republic, or preserved as relics in the ancient abbey in Hautvillers, where dom Pérignon was the first to stopper a champagne bottle with a cork. Today, lids are such a common everyday object that they have become almost invisible to our eyes, and yet they marked an evolution in the food and drink culture of mankind. In its most collectable ‘crown' version, the bottle cap is the emblem of our entire modern age, not only because it wiped out almost two thousand alternative patents for stoppers, but above all because it paved the way, good or bad, for the disposable era. This is the first (and so far only) book about the history of the most used object in the world.
An intimate and personal glimpse inside the mind of the leader of the Catholic Church, Pope Francis, through his own words... “I believe in the kindness of others, and that I must love them without fear.”—Jorge Bergoglio, Pope Francis Jorge Bergoglio is the first Latin American pope, the first Jesuit pope, and the first to take the name Francis, after Saint Francis of Assisi, the thirteenth-century friar known for his charity and kindness. Here, in a series of extensive interviews conducted over two years, he reveals the very image of a humble priest and inspired teacher. This is a portrait of a man more interested in substance than style. In spontaneous, intimate terms, he talks about his childhood and family life, his first job, the discovery of his calling, and his early days in the seminary. He was a teacher of psychology and literature who befriended writers such as Jorge Luis Borges. He cites Homer and Cervantes with ease, and names Babette’s Feast as a favorite film and Marc Chagall as a favorite painter. He also takes on uncomfortable subjects: the declining number of priests and nuns; celibacy; the scandals that have rocked the Church; and his experience with the military dictatorship of Argentina. Through his own words, this book reveals a man who is thoughtful and witty, learned and introspective—one whose actions and words reflect his deeply rooted humility. Also included in this volume are Pope Francis’s own writings and reflections—full of wisdom and inspiration.
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.
In The Antiquarians of the Nation, Francesca Zantedeschi explores how the works of Roussillon's nineteenth-century archaeologists and philologists, who retrieved and enhanced the Catalan specificities of the region, contributed to the early stages of a ‘national’ (Catalan) cultural revival.
“In this groundbreaking book, Francesca Gino shows us how to spark creativity, excel at work, and become happier: By learning to rebel.” — Charles Duhigg, New York Times bestselling author of The Power of Habit and Smarter Faster Better Do you want to follow a script — or write your own story? Award-winning Harvard Business School professor Francesca Gino shows us why the most successful among us break the rules, and how rebellion brings joy and meaning into our lives. Rebels have a bad reputation. We think of them as troublemakers, outcasts, contrarians: those colleagues, friends, and family members who complicate seemingly straightforward decisions, create chaos, and disagree when everyone else is in agreement. But in truth, rebels are also those among us who change the world for the better with their unconventional outlooks. Instead of clinging to what is safe and familiar, and falling back on routines and tradition, rebels defy the status quo. They are masters of innovation and reinvention, and they have a lot to teach us. Francesca Gino, a behavioral scientist and professor at Harvard Business School, has spent more than a decade studying rebels at organizations around the world, from high-end boutiques in Italy’s fashion capital, to the World’s Best Restaurant, to a thriving fast food chain, to an award-winning computer animation studio. In her work, she has identified leaders and employees who exemplify “rebel talent,” and whose examples we can all learn to embrace. Gino argues that the future belongs to the rebel — and that there’s a rebel in each of us. We live in turbulent times, when competition is fierce, reputations are easily tarnished on social media, and the world is more divided than ever before. In this cutthroat environment, cultivating rebel talent is what allows businesses to evolve and to prosper. And rebellion has an added benefit beyond the workplace: it leads to a more vital, engaged, and fulfilling life. Whether you want to inspire others to action, build a business, or build more meaningful relationships, Rebel Talent will show you how to succeed — by breaking all the rules.
This book explores the construction of agreement in the argumentative process, aiming to investigate how the activation of shared knowledge, values and beliefs leads to the creation of a common ground between the speaker and the audience in the pursuit of persuasion. In the first part of the book, the authors examine agreement from a historical and theoretical perspective, setting in relation major ancient and contemporary approaches to argumentation, with special regard for the notions of ethos, objects of agreement, starting points and topoi, all with a focus on their deployment in discourse. This is complemented with a compendium of linguistic resources that can be exploited for the discursive construction of agreement, offering a principled selection of structures across different levels of language description. The second part of the book is devoted to the investigation of actual uses of agreement in a choice of institutional genres within the domain of the US presidential elections: the Presidential Announcement, the TV debate and the Inaugural Address. Due to their political relevance and cultural salience, these genres provide an ideal interface for observing the interplay of discursive and argumentative components, against the backdrop of a shared cultural heritage, rich with intertextual references. The application of the theoretical framework developed in the first part of the book to the analysis of real political discourse carried out in the second is the distinguishing feature of this volume, making it of interest to linguists and argumentation scholars, as well as to political scientists and communicators.
The underlying theme of Three Centuries of Greek Culture under the Roman Empire is the idea that, under Roman rule, Greek culture was still alive and dynamic and continued to exert a degree of cultural domination, either real or apparent. So, we hope to analyse the meanings of concepts such as “Greek” or “Greece” in the Empire. Are we right to assume that there was a clear opposition between Greek and Roman? Or would it be more accurate to speak of a “Graeco-Roman world”? It would certainly be possible to make a list of “elements of identity”, on both sides —Greek and Roman—, but, in this case, where should the borders between identity and community be placed? Three Centuries of Greek Culture under the Roman Empire presents several approaches to the period between the second and fourth centuries AD from a variety of angles, perspectives and disciplines. Until now, this time has usually been considered to be the junction of the decline between the classical world and the emergence of the medieval world; however, this book establishes a basis for considering the Imperial period as a specific stage in cultural, historical and social development with a distinct personality of its own.
Aquest primer volum publicat en homenatge a Carles Miralles aplega quinze contribucions de distingits hel·lenistes. S’hi tracten idees, interessos i orientacions cars a l’homenatjat: lectures d’Homer, d’Hesíode i de lírics arcaics, quatre aproximacions a Èsquil i, en època hel·lenística, qüestions de poètica i de definició del gènere èpic, per acabar amb estudis sobre diversos testimonis més tardans del món arcaic i clàssic, i amb una mostra de poesia en papirs màgics. En conjunt, un esplèndid recorregut per la cultura grega i els mecanismes de la seva poesia.
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