Which kind of methodology should political philosophy endorse to jointly meet its theoretical and practical commitments? Virtuous Imbalance: Political Philosophy between Desirability and Feasibility assesses three paradigmatic cases to explore and explain political philosophy's attempts to answer this important question. Rawls's realistic utopianism, Machiavelli's realism, and Plato's utopianism are examined and explored as Francesca Pasquali presents the proper methodology political philosophy should endorse when attempting to attain equilibrium between the practical and the theoretical. These models are investigated with reference to desirability and feasibility; the former concerning the adequacy of normative principles, the latter the practical possibility of enacting them. Both realism and utopianism are shown to perform important and relevant functions with utopianism providing the criteria for judging political practices and realism developing principles for orienting political actors' conduct. An innovative version of realistic utopianism develops, avoiding the shortfalls detected in previous formulations whilst presenting a methodological strategy that enables political philosophy to play a proper public role, without dismissing theoretical concerns.
This book reconstructs the late Anglo-Saxon history of the church of Worcester, covering the period between Bishops Waerferth and Wulfstan II. Starting with an examination of the episcopal succession and the relations between bishops and cathedral community, the volume moves on to consider the development of the church of Worcester's landed estate, its extent and its organization. These are analysed in connection with the very significant measures taken in the eleventh century to preserve - and sometimes manipulate - the memory of past land transactions. Of paramount importance among such measures was the production of two cartularies - Liber Wigorniensis and Hemming's cartulary - respectively compiled at the beginning and at the very end of the eleventh century. Last but not least, the volume considers ecclesiastical organization and pastoral care in the diocese of Worcester, by looking at the relations between the cathedral church and the other churches in the diocese. Special attention is given to the payment of church dues and to such aspects of pastoral care as preaching, penance and visitation of the sick. Thanks to the combined analysis of these areas, the book offers a detailed picture of the main occupations (and preoccupations) of the late Anglo-Saxon church of Worcester in its interaction with society at large: from its tenants to its faithful, from the clergy in its diocese to its opponents in land disputes.
The concept of customary international law, although differently formulated, is already present in early modern European debates on natural law and the law of nations. However, no scholarly monograph has, until now, addressed the relationship between custom and the European natural law and ius gentium tradition. This book tells that neglected story, and offers a solid conceptual framework to contextualize and understand the 'problematic of custom', namely how to identify its normative content. Natural law doctrines, and the different ways in which they help construct human reason, provided custom with such normative content. This normative content consists of a set of fundamental moral values that help identify the status of custom as either a fundamental feature or an original source of ius gentium. This book explores what cultural values and practices facilitated the emergence of custom and rendered it into as a source of the law of nations, and how they did so. Two crucial issues form the core of the book's analysis. Firstly, it qualifies the nature of the interrelation between natural law and ius gentium, explaining why it matters in relation to our understanding of the idea of custom. Second, the book claims that the process of custom formation as a source of law calls into question the role of the authority of history. The interpretation of the past through this approach can thus be described as one of 'invention'.
An enjoyable page-turning saga with characters that leap off the page!' AnneMarie Brear Can Edie find the courage to choose her own future? June 1914. Edie Moore is a Governess for Lord and Lady Moreland, living in comfort at the grand Downland House in Sussex. But, wanting more from life, she flees in secret to Littlehampton, the place where she spent many idyllic childhood holidays. Desperate for work, Edie begins working as a chambermaid at the prestigious Beach Hotel, even if the menial tasks are a far cry from her previous job. While the days are long and gruelling, Edie works hard and soon is in favour with Helen Bygrove, the manager’s wife, who sees that Edie is destined for bigger things – which leads to tension with some of the other chambermaids. But as she navigates her new life and finds friendship with fellow maid Lili Probert, she also grows closer to charming, cheerful porter, Charlie Cobbett, and finally finds the happiness she has been searching for. However, what none of her new friends know is that Edie is hiding a secret from her past, one that would change the way they view her, forever. When the truth comes out, will Edie be able to keep her new life and remain in the place she loves so much? A captivating, romantic and moving World War 1 saga that fans of Elaine Roberts and Pam Howes won’t be able to put down. Readers are falling in love with A New Start at the Beach Hotel: ‘Brilliant storyline, brilliant book. Couldn’t put it down. Family saga at its best’⭐⭐⭐⭐⭐ Reader Review ‘Well, what a start to a new series! Full of intrigue and subterfuge, no one is who they at first appear. There are many secrets to be uncovered...I loved this book, even when I got to the end as I felt safe in the knowledge that there would be another to follow’⭐⭐⭐⭐⭐ Reader Review ‘Charming ... I was very invested in the story ... and this book felt like an escape ...The story was heartwarming, and I would like to read the sequel...’⭐⭐⭐⭐⭐ Reader Review ‘I loved this enchanting read ... could not put it down...’⭐⭐⭐⭐⭐ Reader Review ‘Having enjoyed this author's previous series, I was looking forward to this new one ... the mystery ... slowly unravelled to satisfying conclusions. ... I look forward to book two.’ ⭐⭐⭐⭐⭐ Reader Review ‘I thoroughly enjoyed this book and I’m pleased to learn that there will be another book later this year... There are some great characters... I’m glad there is more to come from the Beach Hotel...’⭐⭐⭐⭐⭐ Reader Review
The collections from beloved mother-daughter writing duo Lisa Scottoline and Francesca Serritella are among the best reviewed humor books published today and have been compared to the late greats, Erma Bombeck and Nora Ephron. Here for the first time in a fabulous eBook bundle are two of their witty and warm collections. Have a Nice Guilt Trip This collection of warm and witty stories from Lisa and Francesca will strike a chord with every woman. With twenty-something Francesca navigating New York City, Lisa holding down the fort in the suburbs, and Mother Mary making frequent and always entertaining appearances, there are plenty of opportunities for family-induced guilt, fighting, laughter, and love. Does This Beach Make Me Look Fat? From identity theft to the hazards of bicycling to college reunions and eating on the beach, Lisa and Francesca tackle the quirks, absurdities, and wonders of everyday life with wit and warmth. So put aside your worries and join Lisa and Francesca as they navigate their way through the crazy world we live in, laughing along the way.
Growing up in an Italian American family in Queens, New York, in the ’70s, Francesca Miracola was trained from an early age to keep up appearances at all costs—but behind closed doors, her parents’ toxic marriage served as a blueprint for dysfunction. So when she met Jason Axcel at a bar as a twentysomething, she ignored all the red flags—and there were plenty of them—and dove right in, normalizing his emotional and physical abuse just like she’d learned to do. She even married and had two children with him. But something in her clicked one night when Jason strolled out the door after a vicious fight that left her degraded on the floor, and she decided she was done. Except Jason wouldn’t let her go. Even after they finally divorced and Francesca fell in love with someone else, her ex-husband was keen enough to recognize that she was the same broken girl he’d met a decade earlier, and he exploited that fact at every turn. He called the cops to her home with bogus claims; he bombarded her with provoking emails and texts; he stalked her every move; and, worst of all, he used their little boys as pawns in his campaign. Then he went for the jugular and sued her for custody. But Francesca was stronger than he’d given her credit for. Raw and illuminating, I Got It from Here is one woman’s story of saving herself and her children from the grips of a sociopath posing as a family man—and from the inherited trauma passed down by her own family of birth—while learning to trust in the inner voice that’s been trying to guide her all along.
A biography of the remarkable—and in her time scandalous—seventeenth-century writer Margaret Cavendish, who pioneered the science fiction novel. "My ambition is not only to be Empress, but Authoress of a whole world."—Margaret Cavendish Margaret Cavendish, then Lucas, was born in 1623 to an aristocratic family. In 1644, as England descended into civil war, she joined the court of the formidable Queen Henrietta Maria at Oxford. With the rest of the court she went into self-imposed exile in France. Her family's wealth and lands were forfeited by Parliament. It was in France that she met her partner, William Cavendish, Marquess of Newcastle-upon-Tyne, a marriage that made her the Duchess of Newcastle and would remain at the heart of both her life and career. Margaret was a passionate writer. She wrote extensively on gender, science, philosophy, and published under her own name at a time when women simply did not do so. Her greatest work was The Blazing World, published in 1666, a utopian proto-novel that is thought to be one of the earliest works of science fiction that brought together Margaret's talents in poetry, philosophy, and science. Yet hers is a legacy that has long divided opinion, and history has largely forgotten her, an undeserved fate for a brilliant, courageous proto-feminist. In Pure Wit, Francesca Peacock remedies this omission and shines a spotlight on the fascinating, pioneering, yet often complex and controversial life, of the multi-faceted Margaret Cavendish.
How can we make media anti-racist? The rise of the far right, the impacts of Covid-19, and the mediated evidence of racist police violence have challenged the dominant complacency that racism was a thing of the past. We are now witnessing the renewed anti-racist commitment of social movements and the rising authoritarianism that seeks to suppress it. Rather than making media ‘less racist’, how can media systems be transformed in ways that actively challenge the production of racism? What should an anti-racist media look like? Saha, Sobande and Titley address these timely questions to outline the essential steps for working towards an anti-racist media future. Revealing how the media are implicated in racism, the authors consider how systems, policies and practices can be transformed to confront and prevent it. Focusing on the problems of impartiality, the limits of diversity and representation, and the contradictions of digital culture, this manifesto illuminates key strategies and suggestions to move us closer to an anti-racist media future for everyone.
At a time of deep political divisions, leaders have called on ordinary Americans to talk to one another: to share their stories, listen empathetically, and focus on what they have in common, not what makes them different. In Inventing the Ties that Bind, Francesca Polletta questions this popular solution for healing our rifts. Talking the way that friends do is not the same as equality, she points out. And initiatives that bring strangers together for friendly dialogue may provide fleeting experiences of intimacy, but do not supply the enduring ties that solidarity requires. But Polletta also studies how Americans cooperate outside such initiatives, in social movements, churches, unions, government, and in their everyday lives. She shows that they often act on behalf of people they see as neighbors, not friends, as allies, not intimates, and people with whom they have an imagined relationship, not a real one. To repair our fractured civic landscape, she argues, we should draw on the rich language of solidarity that Americans already have.
This book reflects the cutting edge in ecostylistic approaches to nature, the environment and sustainability as represented in contemporary non-literary discourse. Firstly, the book presents the ecolinguistic and stylistic terms and theories applied in this ecostylistic analysis (ecosophy, beneficial, ambivalent and destructive discourses; and foregrounding, point of view, metaphor), and reviews the most recent literature in the field of ecostylistics. Secondly, the book examines the occurrences of five marker words (nature, environment, ecosystem, ecology, sustainability) on the websites of five environmental organisations and agencies (Forestry England, Greenpeace International, National Park Service, Navdanya International, World Wide Fund for Nature). The main research purpose of this study is to identify beneficial discourses in the environet and to investigate the beneficial ecostylistic strategies utilised to produce them. Above all, this book reminds us humans that we do not stand apart from nature: we are a part of it. The book will be of interest to scholars of stylistics, ecolinguistics and ecocriticism, as well as scholars of discourse analysis, environmental communication and environmental humanities.
physical, and mental. The techniques covered here are designed to help readers increase their understanding of intuition, color, the chakra system, meditation, and other theories and methods as they work in healing. The author has developed these techniques over many years of helping nurses, doctors, and other medical practitioners discover the sources of pain and disease and guiding patients to more effective healing therapies. The areas covered in this wide-ranging yet accessible book include aura, color, meditation, and affirmations and their role in healing. Each chapter examines one energy practice and offers examples, stories, and simple techniques that readers can use to test the concept. Included are descriptive charts, journal writing exercises, success stories, and step-by-step meditations.
The Hebrew Bible portrays King Manasseh and child sacrifice as the most reprehensible person and the most objectionable practice within the story of 'Israel'. This monograph suggests that historically, neither were as deviant as the Hebrew Bible appears to insist. Through careful historical reconstruction, it is argued that Manasseh was one of Judah's most successful monarchs, and child sacrifice played a central role in ancient Judahite religious practice. The biblical writers, motivated by ideological concerns, have thus deliberately distorted the truth about Manasseh and child sacrifice.
From the first animal skin body coverings, to today’s high fashion collections, fashion has held an important role in the evolution of mankind. The fashion industry has, and continues to make, major contributions to our cultural and social environment. It is an industry that responds to our inherent longing for tribal belonging, our socio-economic needs, individual lifestyles, status stratification and profession apparel requirements. The fashion industry is fast-paced, complex and ever changing, in response to consumer needs. Throughout the world, vast numbers of people contribute to this industry, each with the shared goal of supplying an end product of a particular price point directed at a target consumer. This second edition of Historical Dictionary of the Fashion Industry contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,400 cross-referenced entries on designers, models, couture houses, significant articles of apparel and fabrics, trade unions, and the international trade organizations. This book is an excellent resource for students, researchers, and anyone wanting to know more about the fashion industry.
Get ready to squirm and squeal over the craziest facts you've ever heard! Have you ever wondered: How many pounds of insect parts the average person eats each year? Which specialty coffee is made from poop? How someone turned farting into a job? No? Then don’t open this book. The world around you is pretty wonderful, but also extremely weird. For very odd facts about the human body, look for Why You Shouldn't Eat Your Boogers: Gross but True Things You Don't Want to Know About Your Body.
After the Civil War, many Americans did not identify strongly with the concept of a united nation. Francesca Morgan finds the first stirrings of a sense of national patriotism--of "these United States--in the work of black and white clubwomen in the late nineteenth and early twentieth centuries. Morgan demonstrates that hundreds of thousands of women in groups such as the Woman's Relief Corps, the National Association of Colored Women, the Universal Negro Improvement Association, the United Daughters of the Confederacy, and the Daughters of the American Revolution sought to produce patriotism on a massive scale in the absence of any national emergency. They created holidays like Confederate Memorial Day, placed American flags in classrooms, funded monuments and historic markers, and preserved old buildings and battlegrounds. Morgan argues that while clubwomen asserted women's importance in cultivating national identity and participating in public life, white groups and black groups did not have the same nation in mind and circumscribed their efforts within the racial boundaries of their time. Presenting a truly national history of these generally understudied groups, Morgan proves that before the government began to show signs of leadership in patriotic projects in the 1930s, women's organizations were the first articulators of American nationalism.
How is morality understood in the marketplace? Why do brands speak out about certain issues of injustice and not others? And what is influencer culture’s role in social and political activism? Big Brands Are Watching You investigates corporate culture, from the branding of companies and nations to television portrayals of big business and the workplace. Francesca Sobande analyzes media, interviews, survey responses, and ephemera from the history of advertising as well as exhibitions in London, brand stores in Amsterdam, a music festival in Las Vegas, and archives in Washington, DC, to illuminate the world of branding.
Once again, his words have had the immense power to make me feel macroscopically helpless to what is happening around him.Once again I realize how insignificant and trivial may be the whining of those who, instead of contemplating sunsets and bright stars in the sky prefer to solve imaginary problems whose solution they will never get.
This book is the first general social analysis that seriously considers the daily experience of information disruption and software failure within contemporary Western society. Through an investigation of informationalism, defined as a contemporary form of capitalism, it describes the social processes producing informational disorder. While most social theory sees disorder as secondary, pathological or uninteresting, this book takes disordering processes as central to social life. The book engages with theories of information society which privilege information order, offering a strong counterpoint centred on "disinformation." Disorder and the Disinformation Society offers a practical agenda, arguing that difficulties in producing software are both inherent to the process of developing software and in the social dynamics of informationalism. It outlines the dynamics of software failure as they impinge on of information workers and on daily life, explores why computerized finance has become inherently self-disruptive, asks how digital enclosure and intellectual property create conflicts over cultural creativity and disrupt informational accuracy and scholarship, and reveals how social media can extend, but also distort, the development of social movements.
From the author of the New York Times bestseller* Why You Shouldn?t Eat Your Boogers and Other Useless (or Gross) Information About Your Body: the be-all and end-all compendium of odd, quirky, and otherwise nauseating information. H ere is another thoroughly distasteful yet utterly compelling book from the author of the New York Times (extended list) bestseller Why You Shouldn?t Eat Your Boogers and Other Useless (or Gross) Information About Your Body. In Why Fish Fart and Other Useless (or Gross) Information About the World, Francesca Gould sifts through the world?s most unpleasant creatures, diseases, physical deformities, culinary delicacies, ritual practices, and hideous torture tactics to uncover every horrifying and stomach-turning fact under the sun. This book is full of questions you never thought to ask?and perhaps will wish you?d never had answered?including: ?What exactly is maggot cheese? ?How did anal hair help to lead to the conviction of the Great ?Train Robbers? ?What is the job of a ?fart catcher?? How exactly do ?crabs? cause such intense itching around one?s private parts? ?The real story behind why the toilet is often referred to as ?the john.? ?Why you might want to steer clear of some coffees. (Hint: If poo isn?t exactly your idea of appetizing . . .) Why Fish Fart and Other Useless (or Gross) Information About the World is sure to delight any and all hard-core fans of the obscure, esoteric, and?last but not least?grotesque.
Death will not part them, nor will it silence them. It is 1880 and women are meant to be seen and not heard. When a damaged daughter is born of a vicious marital assault, Pauline Kite and her child are condemned to a life of sequestration and silence in rural Oxfordshire until Elinor Budden, a young nurse herself in need of healing, urges resilience and an audacious plan to bring about justice. When an unforeseen catastrophe strikes and they are caught up in one of the worst rail disasters in Victorian history, the rare opportunity for reinvention promises a life lived on its own terms; with autonomy emerges a voice that will not be silenced, and the undreamed-of prospect of recognition for all women condemned to obscurity.
The story of the improbable campaign that created America’s most enduring monument. The Statue of Liberty is an icon of freedom, a monument to America’s multiethnic democracy, and a memorial to Franco-American friendship. That much we know. But the lofty ideals we associate with the statue today can obscure its turbulent origins and layers of meaning. Francesca Lidia Viano reveals that history in the fullest account yet of the people and ideas that brought the lady of the harbor to life. Our protagonists are the French sculptor Frédéric Auguste Bartholdi and his collaborator, the politician and intellectual Édouard de Laboulaye. Viano draws on an unprecedented range of sources to follow the pair as they chase their artistic and political ambitions across a global stage dominated by imperial rivalry and ideological ferment. The tale stretches from the cobblestones of northeastern France, through the hallways of international exhibitions in London and Paris, to the copper mines of Norway and Chile, the battlegrounds of the Franco-Prussian War, the deserts of Egypt, and the streets of New York. It features profound technical challenges, hot air balloon rides, secret “magnetic” séances, and grand visions of a Franco-American partnership in the coming world order. The irrepressible collaborators bring to their project the high ideals of liberalism and republicanism, but also crude calculations of national advantage and eccentric notions adopted from orientalism, freemasonry, and Saint-Simonianism. As entertaining as it is illuminating, Sentinel gives new flesh and spirit to a landmark we all recognize but only dimly understand.
Thames Town—an English-like village built in Shanghai—is many places at once: a successful tourist destination, an affluent residential cluster, a city of migrant workers, and a ghost town. The Real Fake explores how the users of Thames Town transform a themed space into something more than a “fake place.” Piazzoni understands authenticity as a dynamic relationship between people, places, and meanings that enables urban transformations. She argues that authenticity underlies the social and physical production of space through both top-down and bottom-up dynamics. The systems of moral and aesthetic judgments that people associate with “the authentic” materialize in Thames Town. Authenticity excludes some users as it inhibits access and usage especially to the migrant poor. And yet, ideas of the authentic also encourage everyday spontaneous appropriations of space that break the village’s staged atmosphere. Most scholars criticize theming by arguing that it produces a “fake,” controlling city. Piazzoni complicates this view by demonstrating that although the exclusionary character of theming remains unquestionable, it is precisely the experience of “fakeness” that allows Thames Town’s users to develop a sense of place. Authenticity, the ways people construct and spatialize its meanings, intervenes holistically in the making and remaking of space.
A NEW YORK TIMES EDITORS’ CHOICE • LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “A beautiful and deeply moving book.”—Sally Rooney, author of Normal People An engrossing group portrait of five women writers, including Virginia Woolf, who moved to London’s Mecklenburgh Square in search of new freedom in their lives and work. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY POPMATTERS “I like this London life . . . the street-sauntering and square-haunting.”—Virginia Woolf, diary, 1925 In the early twentieth century, Mecklenburgh Square—a hidden architectural gem in the heart of London—was a radical address. On the outskirts of Bloomsbury known for the eponymous group who “lived in squares, painted in circles, and loved in triangles,” the square was home to students, struggling artists, and revolutionaries. In the pivotal era between the two world wars, the lives of five remarkable women intertwined at this one address: modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women’s freedoms were fast expanding, they each sought a space where they could live, love, and—above all—work independently. With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women’s lives for generations to come. Praise for Square Haunting “A fascinating voyage through the lives of five remarkable women . . . moving and immersive.”—Edmund Gordon, author of The Invention of Angela Carter: A Biography “Elegant, erudite, and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is an author to watch.”—Frances Wilson, author of Guilty Thing: A Life of Thomas De Quincey “Outstanding . . . I’ll be recommending this all year.”—Sarah Bakewell, author of At the Existentialist Café “I much enjoyed Francesca Wade's book. It almost made me wish I belonged to the pioneering generation of women spoiling eggs on the gas ring and breaking taboos.”—Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche
Since when is Fran Drescher Jewish?" This was Chiara Francesca Ferrari's reaction when she learned that Drescher's character on the television sitcom The Nanny was meant to be a portrayal of a stereotypical Jewish-American princess. Ferrari had only seen the Italian version of the show, in which the protagonist was dubbed into an exotic, eccentric Italian-American nanny. Since When Is Fran Drescher Jewish? explores this "ventriloquism" as not only a textual and cultural transfer between languages but also as an industrial practice that helps the media industry foster identification among varying audiences around the globe. At the heart of this study is an in-depth exploration of three shows that moved from global to local, mapping stereotypes from both sides of the Atlantic in the process. Presented in Italy, for example, Groundskeeper Willie from The Simpsons is no longer a belligerent, alcoholic Scotsman but instead easily becomes a primitive figure from Sardinia. Ironically, The Sopranos—a show built around Italian-Americans—was carefully re-positioned by Italian TV executives, who erased the word "mafia" and all regional references to Sicily. The result of Ferrari's three case studies is evidence that "otherness" transcends translation, as the stereotypes produced by the American entertainment industry are simply replaced by other stereotypes in foreign markets. As American television studios continue to attempt to increase earnings by licensing their shows abroad, Since When Is Fran Drescher Jewish? illuminates the significant issues of identity raised by this ever-growing marketplace, along with the intriguing messages that lie in the larger realm of audiovisual cultural exchange.
Wireless Power Transfer for e-Mobility: Fundamentals and Design Guidelines for Wireless Charging of Electric Vehicles provides a comprehensive resource for researchers and engineers engaged in the development of automotive WPT systems. The book opens with an overview of wireless technologies for power transfer and their evolution over time, then focusing on the application of this technology to electric mobility highlighting its importance in terms of impact and perspectives on the development of sustainable transport and autonomous driving. Chapters discuss the fundamentals of electromagnetic field in WPT systems and the circuit modelling. In addition, they examine core current electric vehicle systems and present-day automotive WPT standards. Design techniques of magnetic couplers, including compensation networks are explored in-depth alongside power electronics techniques for automotive WPT systems. Both stationary and dynamic automotive WPT systems are rigorously assessed. Finally, the problems of electromagnetic compatibility and electromagnetic field safety are described with particular attention to shielding techniques for the mitigation of magnetic field emissions. Addressing essential knowledge from foundational to advanced levels, Wireless Power Transfer for e-Mobility provides practical guidance to engineers and researchers developing the future of electric mobility. - Provides an advanced foundation for research and current industrial applications in automotive WPT systems - Develops proven methodologies linked to some case studies using examples drawn from global practice - Explores the role of WPT in near-future mobility scenarios, with featured coverage of electrified transportation - Includes an extensive usage of equations from MATLAB, Spice and COMSOL
A first edition! This opinionated, personal, and easy-to-use guide has hundreds of ideas to keep the kids entertained for an hour, a day, or a weekend! Fun with the Family New Jersey leads the way to historical attractions, children's museums, wildlife habitats, festivals, parks, and much more. Geared towards parents with children between the ages of two and twelve, the guide features interesting facts and sidebars as well as practical tips about traveling with your little ones.
Skeletal dysplasias are rare, they may be genetic, sporadic or environmentally determined conditions, affecting bone and cartilage growth and development. The genetic mutations continue to exert their influence throughout the life of the affected individual. This unique, full colour atlas features 132 conditions with 2300 images of over 500 patients. It brings together the wide-ranging clinical disciplines involved in pre and postnatal care and diagnosis and presents perinatal images of rare skeletal disorders to include skeletal dysplasias and malformation syndromes on a case-by-case basis. It presents the most up-to-date information on the individual conditions to include the mode of inheritance (autosomal dominant or recessive, or non-genetic), the Mendelian Inheritance in Man number (MIM) for further reference reading, the locus (the chromosome number and position on the affected chromosome), the mutated gene and the affected protein. Each condition has a brief summary including synonyms, incidence, genetics, age at presentation, clinical, prenatal ultrasound and postnatal radiological features, bone histology, prognosis and differential diagnosis. Images are presented with each case illustrating different imaging modalities and with gross and/or histopathology findings. Brief clinical findings are also given where available. It is of great value to all clinicians and technicians working in fetal medicine and neonatal care. It greatly assists in diagnostic accuracy and provides clinicians and affected families with the information needed to make informed management decisions.
Written originally as a fanfiction for the series Twilight, the popularity of Fifty Shades of Grey has made obvious what was always clear to fans and literary scholars alike: that it is an essential human activity to read and retell epic stories of famous heroic characters. The Fanfiction Reader showcases the extent to which the archetypal storytelling exemplified by fanfiction has continuities with older forms: the communal tale-telling cultures of the past and the remix cultures of the present have much in common. Short stories that draw on franchises such as Star Trek, Star Wars, Doctor Who, James Bond, and others are accompanied by short contextual and analytical essays wherein Coppa treats fanfiction—a genre primarily written by women and minorities—as a rich literary tradition in which non-mainstream themes and values can thrive.
This second edition reviews the field of business discourse, centring on the investigation of business language and communication as practice. It combines research-based discussions with innovative practical applications and promotes debate and enquiry on a range of competing issues, emerging from business discourse research and teaching practice.
A worthy addition to the growing new genre of Buddhist fiction, this remarkable collection of short stories explores moments of personal crisis and breakthrough through the lens of Tibetan Buddhist insight. From a paddle boarder out much too far on a midnight sea, to a young Tibetan monk’s effort to save a backpacker in the throes of a nervous breakdown in India, from a Tibetan incarnate lama’s encounters with temptation on a Greyhound bus to Los Angeles, to a journalist’s uncanny meeting with the Dalai Lama in Bodhgaya, these stories offer an unusual and knowledgeable look at the modern encounters of east and west and the remarkable potential of the human mind.
Welcome, Your Highness. If you’ve picked up this book, you know who you are. You have a taste for life’s finer things: champagne with breakfast, custom lingerie, and kitten heels—even in the snow. At the office, you’re a corporate merger of style and substance, flawlessly handling the most difficult clients or performing life-saving surgery wearing snakeskin stilettos. Your romances play out like De Beers moments (well, in your mind anyway). And above all, you know instinctively that the real road to enlightenment begins with entitlement. Princess is a celebration of the princess in every woman—a witty, delightful handbook for building your own happily ever after. You’ll learn (and raise!) your PQ (Princess Quotient), tackle the PSAT (Princess Self-Assessment Test), and answer the age-old princess question: Is having it all ever really enough? Paying homage to the fine art of pampering, the princess rules of entertaining, the princess pooch, and of course, Prince Charming, Princess is sure to be a favorite. After all, it’s about you.
The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection
While ressearching the posthumous biography of a renowned actress, journalist Elizabeth Rowan uncovers a high society world of luxury and treachery. From the author of Shadow and Light comes a critically acclaimed bestseller set around New York's powerful elite of the 1980s.
2023 Moonbeam Children’s Book Awards Winner A wildly engaging and imaginative story that introduces the world of meditation to kids ages 6–10 through a relatable character named Leo, who learns to cultivate relaxation, mindfulness, and lovingkindness. Everyone in Leo’s family meditates but him—his mom, his dad, his older sister, and even his stuffed bear, Teddy! But what does it mean to “meditate,” and is it something that Leo can do too? When Mom becomes his meditation teacher, Leo discovers that it’s about more than just sitting still. After starting to get the hang of it, he’s got to apply what he’s learned off the cushion and out in the world when a bully targets him at school and steals his piece of apple pie. Through his experiences, Leo learns to meditate in the up times, the down times, and the in-between times. A graphic-novel illustration style gives Leo's story a fun and easy-to-follow narrative arc. It gives parents, guardians, and teachers an opportunity to playfully introduce children to meditation and even includes a step-by-step guided practice at the end to get their kids started.
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