Fascinating…Unbelievable…Gross! These are just a few of the responses readers will hear when they impress their friends with facts from the quirky new book of body trivia, Why You Shouldn't Eat Your Boogers & Other Useless or Gross Information About Your Body by Francesca Gould. This collection of little-known facts about the human body answers the questions you have always wanted to ask but never dared to, such as: Can smoking make your teeth fall out? Is it safe to eat moldy food after the mold’s been cut off? Do intelligent people have bigger brains? How do astronauts poo in space? The book also offers many unbelievable-but-true historical factoids about the body. For example: Have you ever heard of Dr. Strangelove Syndrome? It’s a rare condition caused by damage to certain parts in the brain, which results in a person’s hand acting independently and taking on a life of its own. Did you know that there is also a rare condition called Foreign Accent Syndrome, which results in people suddenly developing a foreign accent? Have you ever wondered if a heart transplant could change your personality? The short answer is, yes! Did you know that men used hair gel 2000 years ago during the Iron Age? Why You Shouldn't Eat Your Boogers offers of cornucopia of body trivia that will have readers cringing with delight! You can read it on the subway, in the bathroom, or even in a heavy downpour! For contrary to popular belief, according to this book, you cannot catch cold by standing in the rain!
Get ready to squirm and squeal over the craziest facts you've ever heard! Have you ever wondered: How many pounds of insect parts the average person eats each year? Which specialty coffee is made from poop? How someone turned farting into a job? No? Then don’t open this book. The world around you is pretty wonderful, but also extremely weird. For very odd facts about the human body, look for Why You Shouldn't Eat Your Boogers: Gross but True Things You Don't Want to Know About Your Body.
The best selling book for holistic therapists by Francesca Gould has now been updated and revised with a new full color design. It makes learning fun through enjoyable activities such as crossword puzzles. It is a basic level text describing anatomy and physiology in the simplest terms for those wanting to learn the basics in a holistics or beauty therapy context.
Everything you ever wanted to know about the human body - and some things you'd rather not...A wonderfully entertaining yet authoritative treasure trove of facts about our anatomy - it answers all the questions about our bodies we're usually too embarrassed to ask.· Why is yawning contagious? Some experts think that yawning may have developed as a means of communication. It may, for example, be a way of signalling to others that it's important to remain alert and stay awake in a certain situation. Another theory is that our early ancestors used it as part of their social behaviour, and as a way to help build a bond with the rest of the group.· Why are bogies green? When white blood cells meet germs, they make a large amount of an enzyme called myeloperoxidase, which is green because it contains a lot of iron. The colouration therefore comes from the iron.
A third installment in the delightfully disgusting miscellany series that began with the national bestseller, Why You Shouldn't Eat Your Boogers and Other Useless or Gross Information About Your Body. In the New York Times (extended list) bestseller Why You Shouldn't Eat Your Boogers and Other Useless or Gross Information About Your Body, Francesca Gould uncovered everything you'd want to know-and a few things you'd rather you didn't-about the human body. In Why Fish Fart and Other Useless or Gross Information About the World, she scoured planet Earth for a rich assortment of odd and/or unsavory facts. In Why Dogs Eat Poop and Other Useless or Gross Information About the Animal Kingdom, Francesca Gould and David Haviland explore a subject positively rife with gross miscellany: the animal kingdom. Indeed, animals do the darnedest things and, in this vastly entertaining book, Gould and Haviland uncover a universe of strange, hilarious, and quite often disgusting animal habits, ailments, and practices, including: -Monkey-Faced Lamb disease; -farting snakes; -dino-chickens; -and a creature you've never heard of that eats with its eyes. Why Dogs Eat Poop is sure to delight any fan of the obscure and/ or grotesque.
Get ready for gross, amazing, totally true scientific facts about the human body! Itching to know what bugs live in your eyelashes, why you get goose bumps, or how ants can be used to heal a wound? Use this delightfully disgusting collection of kid-tastic facts to gross out friends and relatives. In this abridged edition of the adult bestseller, readers will laugh, cringe and squirm over tons of bizarre facts about the human body. The science is in: You wouldn't want to pick your nose . . . but you won't be able to resist picking this book! For more facts to disgust your friends and family, look for Why Fish Fart: Gross but True Things You'll Wish You Didn't Know.
Originally published in 2010 by Piakus UK as Self-harming parrots and exploding toads; first American edition 2010, Tarcher/Penguin"--Title page verso.
Providing students with a much-needed aromatherapy resource, this book provides detailed coverage of 43 essential oils with clear diagrams, common uses and chemical breakdown. It includes self-test sections at the end of each chapter, and a reference chart which allows students to select at-a-glance the right oils for the needs of their client.
This book is an essential resource for anyone training in the art of Indian Head Massage. This text contains over 50 photographs commissioned especially to illustrate every massage move making the routine easy to follow. Self-test questions are included for exam preparation and portfolio building. In-depth coverage of chakras and auras is also included.
This landmark volume brings together some of the titans of social movement theory in a grand reassessment of its status. For some time, the field has been divided between a dominant structural approach and a cultural or constructivist tradition. The gaps and misunderstandings between the two sides—as well as the efforts to bridge them—closely parallel those in the discipline of sociology at large. This book aims to further the dialogue between these two distinct approaches to social movements and to show the broader implications for sociology as a whole as it struggles with issues including culture, emotion, and agency.
HORNY LIZARDS AND HEADLESS CHICKENS is a vile and disgusting compendium of the world's most unpleasant creatures, diseases, hideous tortures and every other type of horrifying, nauseating fact imaginable. Questions posed in the book address revolting matters such as: * Do flies really puke on your food? * Which worm can eat its way through the human eye? * And how long does a head remain conscious after being guillotined? In HORNY LIZARDS AND HEADLESS CHICKENS, readers can explore a huge range of horrible subjects, which most books have the good sense to avoid, including Aztec sacrifices, bizarre medical treatments, body snatchers, cannibalism, and eye-wateringly unpleasant execution methods. You are guaranteed a brilliantly sickening read.
SELF-HARMING PARROTS AND EXPLODING TOADS is a marvellous compendium of the world's most unpleasant creatures and animal facts. Entries will cover everything from the disgusting to the informative, including the following: * Are cows' farts a major cause of climate change? * What happens at a dung beetle wedding? * Why do vultures defecate on themselves? * What's the best way to fight a crocodile? SELF-HARMING PARROTS AND EXPLODING TOADS will be the third book in an extremely successful series of gross trivia books, and will make an ideal gift at any time of year.
A NEW YORK TIMES EDITORS’ CHOICE • LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “A beautiful and deeply moving book.”—Sally Rooney, author of Normal People An engrossing group portrait of five women writers, including Virginia Woolf, who moved to London’s Mecklenburgh Square in search of new freedom in their lives and work. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY POPMATTERS “I like this London life . . . the street-sauntering and square-haunting.”—Virginia Woolf, diary, 1925 In the early twentieth century, Mecklenburgh Square—a hidden architectural gem in the heart of London—was a radical address. On the outskirts of Bloomsbury known for the eponymous group who “lived in squares, painted in circles, and loved in triangles,” the square was home to students, struggling artists, and revolutionaries. In the pivotal era between the two world wars, the lives of five remarkable women intertwined at this one address: modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women’s freedoms were fast expanding, they each sought a space where they could live, love, and—above all—work independently. With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women’s lives for generations to come. Praise for Square Haunting “A fascinating voyage through the lives of five remarkable women . . . moving and immersive.”—Edmund Gordon, author of The Invention of Angela Carter: A Biography “Elegant, erudite, and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is an author to watch.”—Frances Wilson, author of Guilty Thing: A Life of Thomas De Quincey “Outstanding . . . I’ll be recommending this all year.”—Sarah Bakewell, author of At the Existentialist Café “I much enjoyed Francesca Wade's book. It almost made me wish I belonged to the pioneering generation of women spoiling eggs on the gas ring and breaking taboos.”—Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche
This is the first book of its kind to systematically integrate crowdfunding in the entrepreneurial finance research field and extend the current debate to show how crowdfunding can be leveraged as a strategic tool to grow new ventures. Utilising original empirical evidence of companies that have raised funds via crowdfunding, it discusses the value-added services that the crowd provides to entrepreneurs, as well as how and under which conditions crowdfunding helps company development by facilitating subsequent access to critical financial and non-financial resources from external stakeholders. The first part introduces the most popular models and tactics for a successful crowdfunding campaign and illustrates the characteristics of the crowdfunding phenomenon and its evolution across the world during the last decade. The second part of the book, demonstrating how crowdfunding can be a starting point to seed financing, illustrates and discusses how entrepreneurs can use crowdfunding as a strategic tool for accessing subsequent resources from external stakeholders – showing the benefits, beyond capital, that entrepreneurs can gain from the crowd, as well as potential risks. Crowdfunding for Entrepreneurs is particularly useful for academics, advanced undergraduate and postgraduate students in entrepreneurship and innovation, entrepreneurial finance, strategic management, as well as professionals interested in how crowdfunding can be utilised as a strategic tool to create competitive advantage.
In the last twenty-five years, Americans have gained considerable freedom in thier personal lives. Relationships are now more flexible, and self-development has become a primary goal for both men and women. Most scholars have criticized this trend to greater freedom, arguing that it undermines family bonds and promotes selfishness and extreme independence, Francesca Cancian is more optimistic. In this book she shows that many American couples succeed in combining self-development with commitment, and that interdependence, not independence, is their ideal. In interdependent relationships, love and self-development do not conflict, but reinforce each other. Love in America compares 'traditional' forms of marriage with these newer forms of close relationships. Starting with the nineteenth century, Cancian shows how gender roles became polarized, with love, which was identified with emotional expression, no practical help, being the responsibility of women, while self-development was regarded as a masculine concern. These traditional images of love and relationships are still held by many Americans today, even though, as Cancian points out, this can lead to marital conflict and individual stress and illness. By contrast, new images of love, emphasizing self-development for men and women and flexible, androgynous roles, began to emerge around 1900, accelerating in the 1960s. She concludes that this trend to self-development and androgyny will continue, but that whether it will lead to more interdependent relationships, or to more independence and isolation, depends partly on economic and political changes in the wider society. The evidence for Cancian's argument comes from sociological, historical, and psychological sources. Her book will interest readers in these disciplines, as well s appeal to a wide general audience.
At a time of deep political divisions, leaders have called on ordinary Americans to talk to one another: to share their stories, listen empathetically, and focus on what they have in common, not what makes them different. In Inventing the Ties that Bind, Francesca Polletta questions this popular solution for healing our rifts. Talking the way that friends do is not the same as equality, she points out. And initiatives that bring strangers together for friendly dialogue may provide fleeting experiences of intimacy, but do not supply the enduring ties that solidarity requires. But Polletta also studies how Americans cooperate outside such initiatives, in social movements, churches, unions, government, and in their everyday lives. She shows that they often act on behalf of people they see as neighbors, not friends, as allies, not intimates, and people with whom they have an imagined relationship, not a real one. To repair our fractured civic landscape, she argues, we should draw on the rich language of solidarity that Americans already have.
At Columbia University in 1906, William James gave a highly confrontational speech to the American Philosophical Association (APA). He ignored the technical philosophical questions the audience had gathered to discuss and instead addressed the topic of human energy. Tramping on the rules of academic decorum, James invoked the work of amateurs, read testimonials on the benefits of yoga and alcohol, and concluded by urging his listeners to take up this psychological and physiological problem. What was the goal of this unusual speech? Rather than an oddity, Francesca Bordogna asserts that the APA address was emblematic—it was just one of many gestures that James employed as he plowed through the barriers between academic, popular, and pseudoscience, as well as the newly emergent borders between the study of philosophy, psychology, and the “science of man.” Bordogna reveals that James’s trespassing of boundaries was an essential element of a broader intellectual and social project. By crisscrossing divides, she argues, James imagined a new social configuration of knowledge, a better society, and a new vision of the human self. As the academy moves toward an increasingly interdisciplinary future, William James at the Boundaries reintroduces readers to a seminal influence on the way knowledge is pursued.
“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.
What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.
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