Fabrizio Garrone is an impoverished but aristocratic translator who has been living a life of quiet desperation in Milan. He feels underappreciated and tormented by a persistent sense of having been cheated by life. But when he reads about a lost Viennese novel — The House on Moon Lake — in the journals of a late esteemed literary critic, he dreams that this project will put him on the cultural and literary map, and finally bring him the accolades that have eluded him. Fabrizio journeys to Vienna, tracks down the book, and translates it, and in so doing embarks on a nightmarish search for the truth behind the events depicted in it, as well as for clues about the tragic life of its forgotten author. When asked to write a short biography of the novelist, Fabrizio must invent details missing from the last three years of his subject’s life. The resulting biography is a publishing phenomenon. But the repercussions for Fabrizio are profound: he becomes the willing victim of a person he had thought to be fictional.
Fabrizio Garrone is an impoverished but aristocratic translator who has been living a life of quiet desperation in Milan. He feels underappreciated and tormented by a persistent sense of having been cheated by life. But when he reads about a lost Viennese novel — The House on Moon Lake — in the journals of a late esteemed literary critic, he dreams that this project will put him on the cultural and literary map, and finally bring him the accolades that have eluded him. Fabrizio journeys to Vienna, tracks down the book, and translates it, and in so doing embarks on a nightmarish search for the truth behind the events depicted in it, as well as for clues about the tragic life of its forgotten author. When asked to write a short biography of the novelist, Fabrizio must invent details missing from the last three years of his subject’s life. The resulting biography is a publishing phenomenon. But the repercussions for Fabrizio are profound: he becomes the willing victim of a person he had thought to be fictional.
The arrival of a mysterious young stranger disrupts the lives of a wealthy, unhappy family Ever since he was a little boy, Aldo Rugani has been drawn to the world of the aristocracy. Now an art dealer with a questionable past, Aldo finds himself a regular guest at the Tuscan estate of the affluent but unstable Santini family. He also works his way into the confidence of the clan’s elderly but very much alive matriarch, Violante. Tough and indomitable, the grande dame is determined to see that her troubled family has a secure future before she dies. As an outsider, Aldo can only watch as the family members mindlessly self-destruct. He pines for Lavinia, Violante’s much-adored, romantically reckless widowed daughter-in-law. But on one particular weekend holiday in Tuscany, a young visitor comes to the Santini estate. A friend of Lavinia’s son, Marco intends only to stop over briefly. But before he departs, everything will be different for the hapless Santinis.
DIVDIVAn abandoned wife travels into the heart of the Eastern bloc in search of an elusive writer and her own identity in this wry and captivating satire/divDIV Valentina has spent the last decade as a most dutiful wife: cooking meals, cleaning house, and translating dry liturgical writings for her husband, Ricardo, to use in his own bestselling literary endeavors. When Ricardo leaves her for another woman, Valentina realizes there is little in her life that is truly hers. So she resolves to strike out on her own as a journalist and track down the elusive novelist Milos Jarco, hiding somewhere in pre-glasnost Eastern Europe. Perhaps in finding Jarco, she can find herself as well./divDIV The gray world she enters is marked by tight lips, guarded secrets, and universal mistrust. Her search for Jarco hits roadblock after roadblock. But on her odyssey through the Soviet hinterland, Valentina encounters something unexpected. She discovers passion . . . and oddly enough, freedom./divDIV/div/div
An Italian professor seeks to understand her own mind—and heart: “An elegant and engaging writer who treats serious questions with wit and grace” (The Wall Street Journal). Martina Satriano, an Italian professor of cultural history at New York University, observes the great American city with admiration and gratitude, but from an outsider’s perspective. She is a sublime cook, she loves her job, she has occasional erotic adventures, but Martina is a lonely woman whose real passion is a “machine” that she has built to assist in her cultural research and which she uses to record her dreams. These recordings, infused with the memories of her childhood and early career, begin to reveal a tangle of second guesses and insecurities about the path she has chosen. Then, when she returns briefly to Italy to attend her mother’s funeral, Martina discovers that she may have been born left-handed but was trained to be right-handed. Back in New York, struggling with this new revelation, this possible suppression of an identity, she meets a high-culture Italian official who tempts her to return to Italy with a prestigious job offer. While weighing her options, she quite unexpectedly meets up again with her first great love, a man she has not seen in more than twenty years. Just as in Duranti’s internationally acclaimed best-selling The House on Moon Lake, the question of destiny is at the heart of Left-Handed Dreams. Can Martina resist the urge to treat life as a puzzle that she can somehow deconstruct and solve? Indeed, by the end of this taut and resonant novel, this expatriate must learn the essence of “naturalezza,” an Italian word that means “a way of being, of feeling without always being aware of one’s being.” Her story, infused with all the luscious food she prepares and enjoys with the men who come into her life, makes this a delectable, provocative read.
The book attempts to answer the question: what do managers in multinational companies really do during meetings? Following fieldwork in three corporations in Britain and Italy, the picture that emerges is one that challenges the widespread understanding of meetings as boring, routine events in the life of an organisation. As the recordings analysed in the book show, organisational meanings and relations come into existence through verbal interaction; these are challenged and manipulated in a constant process of sense-making in search of coherence which engages managers in their daily work life. The pragmatics of pronominalisation, metaphors and discourse markers, as well as thematic development, reveal the dynamics of sense-making in both English and Italian. The ‘native’ perspective adopted in Part One of the book is complemented , in Part Two, by a contrastive study of the structural and pragmatic properties of meetings in the corporate and cultural contexts of the British and Italian multinationals, respectively. Finally, the intercultural dimension of corporate communication is vividly portrayed in the experience of managers of an Anglo-Italian joint venture examined in the concluding chapter.
This book offers a critical introduction to the core technologies underlying the Internet from a humanistic perspective. It provides a cultural critique of computing technologies, by exploring the history of computing and examining issues related to writing, representing, archiving and searching. The book raises awareness of, and calls for, the digital humanities to address the challenges posed by the linguistic and cultural divides in computing, the clash between communication and control, and the biases inherent in networked technologies. A common problem with publications in the Digital Humanities is the dominance of the Anglo-American perspective. While seeking to take a broader view, the book attempts to show how cultural bias can become an obstacle to innovation both in the methodology and practice of the Digital Humanities. Its central point is that no technological instrument is culturally unbiased, and that all too often the geography that underlies technology coincides with the social and economic interests of its producers. The alternative proposed in the book is one of a world in which variation, contamination and decentralization are essential instruments for the production and transmission of digital knowledge. It is thus necessary not only to have spaces where DH scholars can interact (such as international conferences, THATCamps, forums and mailing lists), but also a genuine sharing of technological know-how and experience. "This is a truly exceptional work on the subject of the digital....Students and scholars new to the field of digital humanities will find in this book a gentle introduction to the field, which I cannot but think would be good and perhaps even inspirational for them....Its history of the development of machines and programs and communities bent on using computers to advance science and research merely sets the stage for an insightful analysis of the role of the digital in the way both scholars and everyday people communicate and conceive of themselves and "others" in written forms - from treatises to credit card transactions." Peter Shillingsburg The Digital Humanist is not simply a translation of the Italian book L'umanista digitale (il Mulino 2010), but a new version tailored to an international audience through the improvement and expansion of the sections on social, cultural and ethical problems of the most widely used methodologies, resources and applications. TABLE OF CONTENTS // Preface: Digital Humanities at a Political Turn? by Geoffrey Rockwell / PART I: The Socio-Historical Roots - Chap. 1: Technology and the Humanities: A History of Interaction - Chap. 2: Internet, or The Humanistic Machine / PART II: Theoretical and Practical Dimensions - Chap. 3: Writing and Content Production - Chap. 4: Representing and Archiving - Chap. 5: Searching and Organizing / Conclusions: DH in a Global Perspective
The Little Girl (1976), the first novel by the internationally acclaimed Italian writer Francesca Duranti, gives a vivid account of the author's wartime childhood in Tuscany, during which the young Francesca struggles to reconcile her family's wealth and privilege with the dangers that her socialist parents, along with the left-wing or Jewish friends they shelter, have to face under the German occupation. The novel brilliantly combines a lively and engaging portrait of a small girl coming to terms with her world with an oblique but revealing insight into a dramatic period of Italian history.
This book explores how identities emerge and are negotiated by young people in online facilitated dialogue, a form of virtual exchange. It offers a framework for this type of exploration based on the assumption that both the situated context and the technologies mediating online interactions influence, but do not necessarily determine, the interactions taking place and the participants’ identity orientations. Identity is viewed not as fixed and static, but rather multiple and fluid as interactants position themselves in relation to one another. This framework is then applied to the analysis of one specific virtual exchange context, and the interactions over several weeks of a group of participants from a wide range of backgrounds.
Considering language a relevant strategic instrument that entrepreneurs and managers can use to seek external resources, this book investigates and discusses whether and under which conditions language strategies can facilitate entrepreneurs’ social support and legitimation as well as access to external resources. This book systematically integrates language into the entrepreneurial finance literature and develops a new and more comprehensive framework that relates crowdfunding to language strategies. Therefore, readers will comprehend how language choices, frames and narratives influence companies’ ability to secure social and financial support, and therefore sustain the development of their venture. Overall, this book provides insights into how entrepreneurs can use language as a strategic tool for accessing resources and support from external stakeholders, thereby considering, alongside traditional economic approaches, institutional processes of meaning-making.
The Magna Carta, sealed in 1215, has come to stand for the rule of law, curbs on executive power and the freedom to enjoy basic liberties. When the Universal Declaration of Human Rights was adopted by the United Nations in 1948, it was heralded as 'a Magna Carta for all human kind'. Yet in the year in which this medieval Charter’s 800th anniversary is widely celebrated, the future of the UK’s commitment to international human rights standards is in doubt. Are ‘universal values’ commendable as a benchmark by which to judge the rest of the world, but unacceptable when applied ‘at home’? Francesca Klug takes us on a journey through time, exploring such topics as ‘British values,’ ‘natural rights,’ ‘enlightenment values’ and ‘legal rights,’ to convey what is both distinctive and challenging about the ethic and practice of universal human rights. It is only through this prism, she argues, that the current debate on human rights protection in the UK can be understood. This book will be of interest to students of British Politics, Law, Human Rights and International Relations.
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a 'new man/woman' as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini's New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini's Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the 'new man' in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy.
This second edition reviews the field of business discourse, centring on the investigation of business language and communication as practice. It combines research-based discussions with innovative practical applications and promotes debate and enquiry on a range of competing issues, emerging from business discourse research and teaching practice.
DIVDIVAn abandoned wife travels into the heart of the Eastern bloc in search of an elusive writer and her own identity in this wry and captivating satire/divDIV Valentina has spent the last decade as a most dutiful wife: cooking meals, cleaning house, and translating dry liturgical writings for her husband, Ricardo, to use in his own bestselling literary endeavors. When Ricardo leaves her for another woman, Valentina realizes there is little in her life that is truly hers. So she resolves to strike out on her own as a journalist and track down the elusive novelist Milos Jarco, hiding somewhere in pre-glasnost Eastern Europe. Perhaps in finding Jarco, she can find herself as well./divDIV The gray world she enters is marked by tight lips, guarded secrets, and universal mistrust. Her search for Jarco hits roadblock after roadblock. But on her odyssey through the Soviet hinterland, Valentina encounters something unexpected. She discovers passion . . . and oddly enough, freedom./divDIV/div/div
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