The collection of poems was written when the author, now a senior citizen, was a young woman. The poems are about racism, the civil rights era, sex, love, self-introspection, youthful struggles, and Black America. At once eloquent, noble, and majestic, as well as hip, sassy, and earthy, the poems embody and reveal the authors versatility in speaking and writing in many voices. The book of poems is for everyoneevery race, class, and ageand for every mood. The poems reveal the authors ability to speak in a voice as majestic as great poets as seen in In the Garden and God Bless the Child, and as earthy as blues singers as seen in Go on, Man, and Git. The provocative poem You Will Rise One Morning gives a unique and poetic insight into the creation of Black and White youth. The eloquently sensual poem First Love is rich in language and imagery. The author describes the early days of the silent protest of the men and women of all walks of life who marched for human rights during the civil rights era as seen in Shell Rise in Jubilee. The poem summons White America to look deeply into her soul and discover new ways of thinking about the racial issue and ways of winning this moral victory. She writes succinctly, passionately, and profoundly in the brief messages in The Earth Stood Still, Twin Vices, The Looking Glass, and One Moment in Time. The book describes the joys and sorrows of the universal feelings of love. She gives advice to young people in their youthful struggles for coping with life and discovering the meaning of life. This is expressed in the poems How Do You Make It? Thats Life, Problems, and You Can Do It. In the section Just Shuckin and Jivin, the author shows her ability to get down to earth and speak in a hip and sassy voice. The author takes a satirical look at Black America through the fictional characters in the section Portraits in Black America. The characterizations are stinging, noble, witty, and humorous. The characters in this section represent two classes: the affluent who live on Sugar Hill and the poor who live in Mud Town. On Sugar Hill, we meet the Uncle Tom college president, the pillar of society who has a romantic rendezvous with a young man soon after her beloved husband dies, the high school teacher who seduces his favorite student, the interracial couple, the honorable attorney who cant get elected to office, and the dreamer who dreamed of holding political office. Across the way is Mud Town where we meet the maids and their white employers, some of whom are good and some bad. Theres Deacon John who lives a double lifeone holy and one sinful. Dont forget Ms. Tittie Boo, the sexpot. In both Sugar Hill and Mud Town, we meet characters who are honorable and dishonorablejust as it is with life. Through her poetry, the author has earned a place among the great truth-tellers of our time.
The collection of poems was written when the author, now a senior citizen, was a young woman. The poems are about racism, the civil rights era, sex, love, self-introspection, youthful struggles, and Black America. At once eloquent, noble, and majestic, as well as hip, sassy, and earthy, the poems embody and reveal the authors versatility in speaking and writing in many voices. The book of poems is for everyoneevery race, class, and ageand for every mood. The poems reveal the authors ability to speak in a voice as majestic as great poets as seen in In the Garden and God Bless the Child, and as earthy as blues singers as seen in Go on, Man, and Git. The provocative poem You Will Rise One Morning gives a unique and poetic insight into the creation of Black and White youth. The eloquently sensual poem First Love is rich in language and imagery. The author describes the early days of the silent protest of the men and women of all walks of life who marched for human rights during the civil rights era as seen in Shell Rise in Jubilee. The poem summons White America to look deeply into her soul and discover new ways of thinking about the racial issue and ways of winning this moral victory. She writes succinctly, passionately, and profoundly in the brief messages in The Earth Stood Still, Twin Vices, The Looking Glass, and One Moment in Time. The book describes the joys and sorrows of the universal feelings of love. She gives advice to young people in their youthful struggles for coping with life and discovering the meaning of life. This is expressed in the poems How Do You Make It? Thats Life, Problems, and You Can Do It. In the section Just Shuckin and Jivin, the author shows her ability to get down to earth and speak in a hip and sassy voice. The author takes a satirical look at Black America through the fictional characters in the section Portraits in Black America. The characterizations are stinging, noble, witty, and humorous. The characters in this section represent two classes: the affluent who live on Sugar Hill and the poor who live in Mud Town. On Sugar Hill, we meet the Uncle Tom college president, the pillar of society who has a romantic rendezvous with a young man soon after her beloved husband dies, the high school teacher who seduces his favorite student, the interracial couple, the honorable attorney who cant get elected to office, and the dreamer who dreamed of holding political office. Across the way is Mud Town where we meet the maids and their white employers, some of whom are good and some bad. Theres Deacon John who lives a double lifeone holy and one sinful. Dont forget Ms. Tittie Boo, the sexpot. In both Sugar Hill and Mud Town, we meet characters who are honorable and dishonorablejust as it is with life. Through her poetry, the author has earned a place among the great truth-tellers of our time.
This unique state-by-state directory covers monuments, memorials, museums, markers, statues and library collections that relate to the veterans, weapons, vehicles, airplanes, victims or any other aspect of war in which the United States participated. While a site may have been created before 1900 (such as a fort), there must be some operational or historical tie to a twentieth century conflict to be included here. General collections, such as museums of aviation, are included if they house materials related to a twentieth century conflict. The coverage is so thorough that statues honoring veterans of the Civil War appear if veterans of later wars are on their rosters of honorees. Another example of the comprehensiveness of this compilation is in the inclusion of memorials to victims of war such as the Holocaust Museum in Houston, Texas. For each site, the following information is given: street address, phone number, website and email address (if applicable), days and hours of operation, admission fees, other necessary information, and a brief description of the site.
Lieutenant Colonel George A. Custer was widely known as a Civil War figure, author, and successful cavalry leader before his spectacular defeat at the Battle of the Little Bighorn in 1876 by Lakota and Northern Cheyenne Indians. His actions—and those of his troops—would have been of public interest even without their final, bloody outcome. A ready audience of readers was hungry for information about the engagement and about their fallen hero when Frances Fuller Victor's book appeared in spring 1877. Published even before the Great Sioux War had ended, Our Centennial Indian War and the Life of General Custer was the first contemporary and comprehensive account of the successive army operations in 1876 and early 1877. It was a major accomplishment. Victor drew information from a wide range of sources—including personal letters, war correspondents' dispatches, and government documents—to explain the lengthy, disjointed struggle between the army and the Lakota-Cheyenne coalition. She also offered one of the earliest biographical assessments of Custer, its most noted military participant. Compared to other period writings, Victor's narrative is smooth and dispassionate, devoid of conjecture and judgment. In addition, her account contains rare Indian perspectives on the Little Bighorn battle, including Lakota testimony that has not previously appeared elsewhere. Featuring an introduction by historian Jerome A. Greene, this edition of Our Centennial Indian War provides a remarkable window into contemporary thinking about an iconic event
Edward Wild, the controversial Union general who headed the all-black African Brigade in the Civil War, was one of the most loved and most hated figures of the 19th century. The man was neither understood nor appreciated by military or civilian, black or white, Northerner or Southerner. After enlisting at the outbreak of the war, Wild was promoted to Brigadier General and placed in charge of the United States Colored Troops. In fulfilling his assignment to free slaves and gain recruits, he took three women as hostages and ordered a great deal of property destruction. He freed hundreds, perhaps thousands, of slaves and settled them safely on Roanoke Island. Wild then not only recruited the newly freed blacks but trained them and gave them the opportunity to prove their worth in battle. Nobody, it seems, was happy about serving with them, but the African Brigade performed courageously in several battles. Wild did some inexplicable things. Were his actions typical of the 19th century or did he act outside the norm? Was the criticism he suffered from his fellow Union officers valid--or was it due to personality conflicts? Did he deserve to be arrested, court-martialed, and even wiped from the history books--or was he the victim of discrimination? This work draws its answers from extensive research and includes many rare letters to and from Wild, including one from one of the North Carolinian hostages.
A guide to 366 places that are significant to American Indians and open to the public. Organized geographically, the guide includes location information, maps, and suggestions for further reading about the sites.
“A commanding and inspiring biography of a river that gave rise to an art movement, progressive social quests, [and] landmark environmental cases.” —Booklist (starred review) Includes maps, photos, and illustrations Frances F. Dunwell presents a rich portrait of the Hudson and of the visionary people whose deep relationship with the river inspired changes in American history and culture. Lavishly illustrated with color plates of Hudson River School paintings, period engravings, and glass plate photography, The Hudson captures the spirit of the river through the eyes of its many admirers. It reveals the crucial role of the Hudson in the shaping of Manhattan, the rise of the Empire State, and the trajectory of world trade and global politics, as well as the river’s influence on art and architecture, engineering, and conservation. “A story of interaction between people and the environment and a story of continuing inspiration and renewal.” —Library Journal
On November 11, 1862, Brigadier General Thomas Lanier Clingman, despite a lack of formal military training, was named commander of four regiments sent to North Carolina to prevent Federal troops from making further inroads into the state. Clingman has been called one of North Carolina's most colorful and controversial statesmen, but his military career received little attention from his contemporaries and has been practically ignored by later historians. This work determines the effect Clingman's Brigade had on various battles and in various defensive positions. It also corrects falsehoods by providing a more accurate portrayal of Clingman, the brigade, and the problems it faced. Chapters are devoted to Clingman in his civilian life and his military life, battles fought by the brigade, and the four regiments. Appendices include Clingman's two order books (detailing general and specific orders), a roster of his officers, and miscellaneous letters.
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Dear Fanny & Kay, Arch has a winner! Enola & I enjoyed reading the book. At times I was laughing so hard I could hardly read. My - But we had a good time with the Grand book. Enola, of course, knew all the Lordstown people and the Lordstown events & it brought her nice memories. It is very pleasant to hear such good things about people you know and like (King's, Wood's, Sheldon's, Trimbath's, Stitle's, Fyfe's etc). Most people who would remember them are dead. Arch did a marvelous autobiography. It's factual, Truthful, interesting, enjoyable, and entertaining! We always admired his drive and "Can Do" spirit. To tackle a book and do so well at it in his 90's, or at any age for that matter, deserves much acclimation. Thank you for letting us read it. Joan Wilson Vernon P.S. Enola asks that you please tell Arch how "really good" she found his book and to thank him for letting us read it.
In this biography of Petra Vela Kenedy, the authors not only tell her story but also relate the history of South Texas through a woman's perspective. Utilizing previously unpublished letters, journals, photographs, and other primary materials, the authors reveal the intimate stories of the families who for years dominated governments, land acquisition, commerce, and border politics along the Rio Grande and across the Wild Horse Desert.
In addition to revealing much about the military and the social history of the era, these letters show how ordinary people reacted to conditions beyond their control and how they coped with the pursuant hardships and strains."--BOOK JACKET.
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