The Performance Arts in Africa is the first anthology of key writings on African performance from many parts of the continent. As well as play texts, off the cuff comedy routines and masquerades, this exciting collection encompasses community-based drama, tourist presentations, television soap operas, puppet theatre, dance, song, and ceremonial ritualised performances. Themes discussed are: * theory * performers and performing * voice, language and words * spectators, space and time. The book also includes an introduction which examines some of the crucial debates, past and present, surrounding African performance. The Performance Arts of Africa is an essential introduction for those new to the field and is an invaluable reference source for those already familiar with African performance.
Edward Wild, the controversial Union general who headed the all-black African Brigade in the Civil War, was one of the most loved and most hated figures of the 19th century. The man was neither understood nor appreciated by military or civilian, black or white, Northerner or Southerner. After enlisting at the outbreak of the war, Wild was promoted to Brigadier General and placed in charge of the United States Colored Troops. In fulfilling his assignment to free slaves and gain recruits, he took three women as hostages and ordered a great deal of property destruction. He freed hundreds, perhaps thousands, of slaves and settled them safely on Roanoke Island. Wild then not only recruited the newly freed blacks but trained them and gave them the opportunity to prove their worth in battle. Nobody, it seems, was happy about serving with them, but the African Brigade performed courageously in several battles. Wild did some inexplicable things. Were his actions typical of the 19th century or did he act outside the norm? Was the criticism he suffered from his fellow Union officers valid--or was it due to personality conflicts? Did he deserve to be arrested, court-martialed, and even wiped from the history books--or was he the victim of discrimination? This work draws its answers from extensive research and includes many rare letters to and from Wild, including one from one of the North Carolinian hostages.
Captain George W. Alexander was a controversial figure in Richmond duringthe Civil War, honored as a hero and condemned as a cruel prison superintendent. He was appointed Provost Marshall and put in charge of Castle Thunder in 1862, after escaping imprisonment at Fort McHenry. At his Confederate prison in Richmond, he oversaw prisoners of all types, including Confederates, women, slaves, Federal deserters, and spies. This biography traces his entire life from his career in the U.S. Navy andthe voyage with Commodore Perry to Japan, to his hiding in Canada after Lees surrender, to his editorship of Washington DCs "Sunday Gazette" and death in 1895. The main body of the text concentrates on Alexanders time at Castle Thunder, but the book also explores the evolution of the prison system and the provost marshalls department, touching on unusual prisoners and escape attempts. Appendix 1 is a partial list of prisoners at Castle Thunder and when, where, and why they were arrested. Appendix 2 is a transcript of the court martial of Private John R. Jones. Appendix 3 lists prisoners sent from Camp Holmes and appendix 4 is a report of Alexander as Assistant Provost Marshall. Appendix 5 is a pamphlet published by the Republican Party National Committee; it struck at the it struck at the Democratic Party by scorning its military prison keepers.
On November 11, 1862, Brigadier General Thomas Lanier Clingman, despite a lack of formal military training, was named commander of four regiments sent to North Carolina to prevent Federal troops from making further inroads into the state. Clingman has been called one of North Carolina's most colorful and controversial statesmen, but his military career received little attention from his contemporaries and has been practically ignored by later historians. This work determines the effect Clingman's Brigade had on various battles and in various defensive positions. It also corrects falsehoods by providing a more accurate portrayal of Clingman, the brigade, and the problems it faced. Chapters are devoted to Clingman in his civilian life and his military life, battles fought by the brigade, and the four regiments. Appendices include Clingman's two order books (detailing general and specific orders), a roster of his officers, and miscellaneous letters.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This gorgeously illustrated oversized book brings the history and cultures of the Silk Road alive -- from its beginnings to the present day -- covering more than 5000 years.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.