This book brings C.G. Jung into conversation with the French philosopher Emmanuel Levinas, taking a radical view of post-modernist theory which, the author argues, is relentlessly introverted. Frances Gray presents completely new research which extends analytical psychology into the world of dispute resolution in mediation within a deeply philosophical framework. Arguing that mediation is a therapeutics that entails a psycho-social archaeology which, in turn, requires recognition of the foundational roles of sex/gender, time and narrative in inter-subjective relationships, this book develops Jung’s approach to projection as an ethical process that assumes the presence of a sex/gendered Other. Chapters explore the possibility of a psycho-social archaeology through development of the argument that a radical turn to the fundamentals of our own consciousnesses can open up a landscape on which we begin to fashion the moral courage necessary for the practice of alternative dispute resolution in mediation. This book highlights Jung’s contention that withdrawal of projection is a fundamentally moral endeavour and that although Levinas’ face of the Other can be seen as a way of acknowledging the Otherness of the Other, there are limits to its application in Jungian thinking. This book maintains that the face of the Other is critical to any moral encounter and, above all, brings us to the transformational possibilities of the process of dispute resolution in mediation. Jung and Levinas will appeal to researchers, students and practitioners of analytical psychology, dispute resolution, applied ethics, conflict studies and transformation.
How do you know anything is true? What relation is there between my psyche and your psyche, does one exist? Can we doubt everything or are some things indubitable? What does Jung have to say about body and psyche, body and mind? Cartesian Philosophy and the Flesh is an analysis and critique of interpretations of Cartesian philosophy in analytical psychology. It focuses on readings of Descartes that have important implications for understanding Jung, and analytical and existential psychology generally. Frances Gray's book raises questions about the 'place' of the body in a theory of the human psyche and about what kind of psyche, if any, is essential to concepts of human being. Gray claims that the debates around Descartes and metaphysical dualism have been oversimplified and that this has had a profound effect on conceptualizing an on-going relation between psyche and body. The book also explores the relationship between Jung's conception of the phenomenological standpoint and that of Edmund Husserl and Maurice Merleau-Ponty. Cartesian Philosophy and Flesh brings together Descartes’ idea of self-interrogation and self-reflection and Jung's project in The Red Book, the practice of spiritual exercises is the underpinning orientation of both men. It recommends similar practices to anyone interested in the truths of their own living. Gray’s book will be of interest to Jung scholars, and those with an interest in Jungian studies, Analytical Psychologists and Philosophers.
Published in collaboration with the V&A, Modern British Theatre in 100 Plays explores the best and most influential plays from 1945 to date. Fully illustrated with photos from the V&A's collections, the book includes essays, review excerpts, plot summaries, extracts and insight into stage and costume designs.
Packed full of analysis and interpretation, historical background, discussions and commentaries, 'York Notes' will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel.
Within this book, Gray argues that moments of profound existential importance are given to us in the presence of Art, and that such moments are important motivators in our personal, civic, and moral lives. Using the work of Jung, Freud, Berger, and Nussbaum, this book looks to Art in its theory and practice as a driver of psychic epiphany. Examining music, environment, architecture, poetry, and painting, it traces the relationship between the ordinary and the extraordinary, showing how we can and do locate ourselves beyond our own psyches in a world of artistic endeavour. Gray concludes that Art plays a critical role in psychological practice and human flourishing on an individual and collective level. Epiphanies, Individuation, and Human Flourishing will appeal to artists, art theorists, therapists, and analysts as a teaching tool that demonstrates the possible connections that can be made among the arts, sciences and psycho-therapeutic communities, and Nature.
How do philosophy and analytical psychology contribute to the mal-figuring of the feminine and women? Does Luce Irigaray's work represent the possibility of individuation for women, an escape from masculine projection and an affirming re-figuring of women? And what would individuation for women entail? This work postulates a novel and unique relationship between Carl Jung and Luce Irigaray. Its central argument, that an ontologically different feminine identity situated in women's embodiment, women's genealogy and a women's divine is possible, develops and re-figures Jung's notion of individuation in terms of an Irigarayan woman-centred politics. Individuation is re-thought as a politically charged issue centred around sex-gendered difference focussed on a critique of Jung's conception of the feminine. The book outlines Plato's conception of the feminine as disorder and argues that this conception is found in Jung's notion of the anima feminine. It then argues that Luce Irigaray's work challenges the notion of the feminine as disorder. Her mimetic adoption of this figuring of the feminine is a direct assault on what can be understood as a culturally dominant Western understanding. Luce Irigaray argues for a feminine divine which will model an ideal feminine just as the masculine divine models a masculine ideal. In making her claims, Luce Irigaray, the book argues, is expanding and elaborating Jung's idea of individuation. Jung, Irigaray, Individuation brings together philosophy, analytical psychology and psychoanalysis in suggesting that Luce Irigaray's conception of the feminine is a critical re-visioning of the open-ended possibilities for human being expressed in Jung's idea of individuation. This fresh insight will intrigue academics and analysts alike in its exploration of the different traditions from which Carl Jung and Luce Irigaray speak.
Feminist Views from Somewhere: Post-Jungian Themes in Feminist Theory explores what and how Jungian thought contributes to feminist thinking. Broadly speaking, feminist thinking, or thinking by and about women as autonomous, intelligent and independent agents, has opened up scholarship through insightful, reflective critique and practice. This is the starting point of this collection from a range of theorists, interested in the multiple concerns of Jungian and analytical psychology. The contributors take a unique approach to Jungian thinking. Rather than focusing on its mythological aspects, the authors develop alternative, feminist approaches that enhance the appreciation of the possibilities for Jungian and post-Jungian studies. With a primarily theoretical orientation, the rigorous, critical approaches in the collection highlight the possibilities of imaginative Jungian theory. Divided into three parts, ‘Viewing Earth’, ‘Clinical Perspectives’ and ‘Literary Landscapes’, the chapters cover themes including embodiment, intersubjectivity, individuation and narrative. The contributors vividly reflect the range and diversity of opinions amongst women influenced by Jungian thought. Feminist Views from Somewhere is essential reading for academics and students of Jungian and post-Jungian studies, women’s studies and gender studies, as well as analytical psychologists in practice and in training.
Women, Crime and Language examines the relationships between discourses of crime and gender: how women are represented in fiction and reportage, and how they have represented themselves. Frances Gray explores a number of high-profile cases from the Whitechapel Murders of 1888 to the Children's Home scandals of the present day, in which women have featured as victims, perpetrators or investigators. The author tracks the representation of women through detective stories, plays and novels.
Get everything you need to achieve your full potential at English Literature A Level or AS with York Notes Study Guides, now updated for Assessment Objectives 1 to 5.
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