This eclectic selection of poems straddles decades, generations and continents and constitutes the stories collected by the author over a lifetime. The works reflect on the human condition, what the oral historian Studs Terkel called life and its uncertainties, loves exuberance and sad needs, births joy and deaths dark wounds, the comedy of communal days and the wearying tears of isolating night. Its language seeks to plummet the power of the communicated word, the fragility of understanding, and the frustrations of muteness.
Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.
“[A] tour de force. Building upon her argument in Beyond Ideology, she adds an important wrinkle into the current divide between the parties in Congress.” —Perspectives on Politics As Democrats and Republicans continue to vie for political advantage, Congress remains paralyzed by partisan conflict. That the last two decades have seen some of the least productive Congresses in recent history is usually explained by the growing ideological gulf between the parties, but this explanation misses another fundamental factor influencing the dynamic. In contrast to politics through most of the twentieth century, the contemporary Democratic and Republican parties compete for control of Congress at relative parity, and this has dramatically changed the parties’ incentives and strategies in ways that have driven the contentious partisanship characteristic of contemporary American politics. With Insecure Majorities, Frances E. Lee offers a controversial new perspective on the rise of congressional party conflict, showing how the shift in competitive circumstances has had a profound impact on how Democrats and Republicans interact. Beginning in the 1980s, most elections since have offered the prospect of a change of party control. Lee shows, through an impressive range of interviews and analysis, how competition for control of the government drives members of both parties to participate in actions that promote their own party’s image and undercut that of the opposition, including the perpetual hunt for issues that can score political points by putting the opposing party on the wrong side of public opinion. More often than not, this strategy stands in the way of productive bipartisan cooperation—and it is also unlikely to change as long as control of the government remains within reach for both parties.
Celebrating 250 years, St. Peter's Episcopal Church in the Society Hill neighborhood of Philadelphia, has witnessed a rich mixture of people and events that reflect critical periods of American political and cultural history. George Washington worshiped here as did abolitionists and slave holders, Whigs, Democrats, and Republicans. St. Peter's was a point of first contact for thousands of immigrants, and the church opened schools for immigrants to help them to acculturate to life in Philadelphia. Opening a window onto colonial Philadelphia and the nation's histories, St. Peter's Church is a glorious testament to this National Historic Landmark. In addition to the stories and hundreds of black-and-white and color photographs, this handsome volume provides a history of the grounds, the churchyard, and the church itself-a classic example of eighteenth-century Philadelphia design that later incorporated the work of renown architects William Strickland, Thomas U. Walter, and Frank Furness.
A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium
By cutting trees and building dams, beavers shape landscapes and provide valuable wetland homes for many plants and animals. These radical rodents were once almost hunted to extinction for their prized fur, but today we are building a new relationship with them, and our appreciation of the benefits they offer as habitat creators and water stewards is growing. Packed with facts and personal stories, this book looks at the beaver’s biology and behavior and illuminates its vital role as a keystone species. The beaver’s comeback is one of North America’s greatest conservation success stories and Beavers: Radical Rodents and Ecosystem Engineers introduces readers to the conservationists, scientists and young people who are working to build a better future for our furry friends. The epub edition of this title is fully accessible.
[Illustrated with over two hundred and sixty maps, photos and portraits, of the battles, individuals and places involved in the Crimean War] Frances Isabella ("Fanny") Duberly (27 September 1829 - January 1903) was the wife of Captain Henry Duberly, the 8th Royal Irish Hussars during the Crimean War, part of the British light cavalry that took part in the Charge of the Light Brigade. Duberley's journal of her time in the Crimea was published as Journal Kept During the Russian War. It not only includes eye-itness accounts, but is also a record of gossip and rumours circulating in the British Army. Duberly travelled with her husband to the Crimea in 1854 and stayed with him throughout his time there, despite the protests of commanders such as Lord Lucan. As the only officer's wife at the front, she was a centre of attention. She was told of planned attacks ahead of time, giving her the opportunity to be in a good position to witness them. Such was the case at the Battle of Balaclava, where her journey from camp to meet up with Henry and watch the battle took her quite close to the enemy. Though her husband survived the day (being away on staff duties), many of her friends did not: "Even my closed eyelids were filled with the ruddy glare of blood." Being so close to the front line in one of the first "modern" wars, Mrs Duberly differed from many of her compatriots back home in comprehending the reality of war. When her husband asked if she wanted to view the aftermath of the Battle of Inkerman, she told him she could not as "the thought of it made me shutter [sic] and turn sick." Duberly’s adventures did not always sit well with society. She was pointedly snubbed at the Royal review of her husband’s regiment after the war. The journal she published after the war had originally been intended to have a dedication to Queen Victoria, but this was refused. Nonetheless she was popular with the troops (who nicknamed her "Mrs. Jubilee") and many people in England.
The Metropolitan Museum's preeminent collection of early colonial furniture is expertly documented in this long-awaited publication. It covers the full spectrum of furniture forms made during the 17th and early 18th centuries--from chairs and other seating to tables, boxes, various types of chests and cupboards, and desks. Each of the 141 objects is thoroughly described with detailed information on provenance, construction, condition, inscriptions, dimensions, and materials. Photographed anew in color for this volume, each piece is explicated in terms of the styles and craftsmanship of the period and is evaluated in light of comparative pieces in public and private collections throughout the country. One appendix contains photographic details of construction and decorative elements, and another has drawings of joints and moldings.
Perennially popular, sugarcraft has a very wide appeal and attracts both beginners and seasoned enthusiasts of this craft. This book represents amazing value, comprising 100 projects from some of our best-selling sugarcraft authors. The book covers a wide variety of themes from Christmas decorations, dogs, brides and grooms, flowers, shoes, bags and animals, so there is something for everyone to enjoy. The tools and materials used are widely available from major craft stores and are relatively inexpensive. Sugarcraft is an easy craft to learn and the techniques used in this book are simple enough for beginners to master quickly and easily. The projects are satisfying to make and can be made as cake decorations for special occasions and celebrations, or as gifts for family and friends.
Piven and Cloward have updated their classic work on the history and function of welfare to cover the American welfare state's massive erosion during the Reagan, Bush, and Clinton years. The authors present a boldly comprehensive, brilliant new theory to explain the comparative underdevelopment of the U.S. welfare state among advanced industrial nations. Their conceptual framework promises to shape the debate within current and future administrations as they attempt to rethink the welfare system and its role in American society. "Uncompromising and provocative....By mixing history, political interpretation and sociological analysis, Piven and Cloward provide the best explanation to date of our present situation...no future discussion of welfare can afford to ignore them." —Peter Steinfels, The New York Times Book Review
Who is Frances Gregg? In her youth she was a poet in her own right, a friend of Ezra Pound, and an intimate of Hilda Doolittle and John Cowper Powys. In our literary history, particularly the history of Modernism, she has been a mysterious presence. Now, with this publication for the first time of The Mystic Leeway, we have Gregg's testament to her lovers, her life, her deeply troubled times, and to Art. Written over the three years before her tragic death in the bombing of Plymouth in 1941, this memoir marks the course of Gregg's journey, both spiritual and physical, through a passionate life. With painful and amusing honesty, Gregg records her experience of other icons of Modernism, including William Butler Yeats, May Sinclair, Alice Meynell, George Moore, Jacob Epstein, Walter Rummel, and Louis Wilkinson.
This “layered, nuanced, and focused study” of Civil War era writings reveals a popular sense of patriotism and hope in the midst of loss (Journal of American History). The American Civil War is often seen as the first modern war, not least because of the immense suffering it inflicted. Yet unlike later conflicts, it did not produce an outpouring of disillusionment or cynicism in public or private discourse. In fact, most people portrayed the war in highly sentimental and patriotic terms. While scholars typically dismiss this everyday writing as simplistic or naïve, Frances M. Clarke argues that we need to reconsider the letters, diaries, songs, and journalism penned by Union soldiers and their caregivers to fully understand the war’s impact and meaning. In War Stories, Clarke revisits the most common stories that average Northerners told in hopes of redeeming their suffering and hardship—stories that enabled people to express their beliefs about religion, community, and personal character. From tales of Union soldiers who died heroically to stories of tireless volunteers who exemplified the Republic’s virtues, War Stories sheds new light on this transitional moment in the history of war, emotional culture, and American civic life.
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1852 Excerpt: ...of 1676 may be assigned. Mr. Carpenter lived at Niantic Ferry, of which he had a lease from Edward Palmes. He left an only son, David, baptized Nov. 12th, 1682, and several daughters. His relict married William Stevens, of Killingworth. Alexander Pygan, died in 1701. On his first arrival in the plantation, Mr. Pygan appears to have been a lawless young man, of " passionate and distempered carriage," as it was then expressed; one who we may suppose " left his country for his country's good." But the restraints and influences with which he was here surrounded, produced their legitimate effect, and he became a discreet and valuable member of the community. Alexander Pygan, of Norwich, Old England, was married unto Judith, daughter of William Redfin, (Redfield, ) June 17th, 1667. Children. 1. Sarah, born Feb. 23d, 1669-70; married Nicholas Hallam. 2. Jane, " Feb., 1670-1; married Jonas Green. Mrs. Judith Pygan died April 30th, 1678. After the death of his wife, Mr. Pygan dwelt a few years at Saybrook, where he had a shop of goods, and was licensed by the county court as an innkeeper. Here also he married an estimable woman, Lydia, relict of Samuel Boyes, April 15th, 1684. Only one child was the issue of this marriage. 3. Lydia, born Jan. 10th, 16S4-5; married Rev. Eliphalet Adams. Samuel Boyes, the son of Mrs. Lydia Pygan, by her first husband, was bom Dec. 6th, 1673. Mr. Pygan soon returned with his family to New London, where he died in the year 1701. He is the only person of the family name of Pygan, that the labor of genealogists has as yet brought to light in New England. His relict, Mrs. Lydia Pygan, died July 20th, 1734. She was the daughter of William and Lydia Bemont, of Saybrook, and born March 9 th, 1644.1 1 Her mother is said...
This book provides anyone, anywhere with the information they need to prevent bites and stings from scorpions, spiders, mites, ticks, centipedes, lice, and other such creatures.
This is the story of the U.S. Commission on Civil Rights, through its extraordinary fifty years at the heart of the civil rights movement and the struggle for justice in America. Mary Frances Berry, the commission’s chairperson for more than a decade, author of My Face Is Black Is True (“An essential chapter in American history from a distinguished historian”—Nell Painter), tells of the commission’s founding in 1957 by President Eisenhower, in response to burgeoning civil rights protests; how it was designed to be an independent bipartisan Federal agency—made up of six members, with no more than three from one political party, free of interference from Congress and presidents—beholden to no government body, with full subpoena power, and free to decide what it would investigate and report on. Berry writes that the commission, rather than producing reports that would gather dust on the shelves, began to hold hearings even as it was under attack from Southern segregationists. She writes how the commission’s hearings and reports helped the nonviolent protest movement prick the conscience of the nation then on the road to dismantling segregation, beginning with the battles in Montgomery and Little Rock, the sit-ins and freedom rides, the March on Washington. We see how reluctant government witnesses and local citizens overcame their fear of reprisal and courageously came forward to testify before the commission; how the commission was instrumental in passing the Civil Rights Act of 1964 and the Voting Rights Act of 1965; how Congress soon added to the commission’s jurisdiction the overseeing of discriminating practices—with regard to sex, age, and disability—which helped in the enactment of the Age Discrimination Act of 1978 and the Americans With Disabilities Act of 1990. Berry writes about how the commission’s monitoring of police community relations and affirmative action was fought by various U.S. presidents, chief among them Ronald Reagan and George W. Bush, each of whom fired commissioners who disagreed with their policies, among them Dr. Berry, replacing them with commissioners who supported their ideological objectives; and how these commissioners began to downplay the need to remedy discrimination, ignoring reports of unequal access to health care and employment opportunities. Finally, Dr. Berry’s book makes clear what is needed for the future: a reconfigured commission, fully independent, with an expanded mandate to help oversee all human rights and to make good the promise of democracy—equal protection under the law regardless of race, color, sexual orientation, religion, disability, or national origin.
Frances Peter was one of the eleven children of Dr. Robert Peter, a surgeon for the Union army. The Peter family lived on Gratz Park near downtown Lexington, where nineteen-year-old Frances began recording her impressions of the Civil War. Because of illness, she did not often venture outside her home but was able to gather a remarkable amount of information from friends, neighbors, and newspapers. Peter's candid diary chronicles Kentucky's invasion by Confederates under Gen. Braxton Bragg in 1862, Lexington's month-long occupation by Gen. Edmund Kirby Smith, and changes in attitude among the slave population following the Emancipation Proclamation. As troops from both North and South took turns holding the city, she repeatedly emphasized the rightness of the Union cause and minced no words in expressing her disdain for the hated "secesh." Her writings articulate many concerns common to Kentucky Unionists. Though she was an ardent supporter of the war against the Confederacy, Peter also worried that Lincoln's use of authority exceeded his constitutional rights. Her own attitudes towards blacks were ambiguous, as was the case with many people in that time. Peter's descriptions of daily events in an occupied city provide valuable insights and a unique feminine perspective on an underappreciated aspect of the war. Until her death by epileptic seizure in August 1864, Peter conscientiously recorded the position and deportment of both Union and Confederate soldiers, incidents at the military hospitals, and stories from the countryside. Her account of a torn and divided region is a window to the war through the gaze of a young woman of intelligence and substance.
A witty take on feminism for every woman who wants equality but sometimes wants a day off from fighting for it Sometimes we feel a bit like "I'm a feminist, but..." As in, "I'm a feminist, but I skipped the Women's March to buy face cream." As in, "I'm a feminist, but I've never found time to read Sylvia Plath (but I have watched fifteen seasons of Keeping Up with the Kardashians)." In The Guilty Feminist, Deborah Frances-White reassures us that we don't have to be perfect to be a force for meaningful change. Exploring big issues of identity, equality, intersectionality, and the current feminist agenda, she explodes the myth of the model activist and offers a realistic path toward changing the world.
Building on proven methods of effective supervision, this book offers academic librarians a practical guide for the day-to-day challenges that arise in supervising student employees. The authors describe the roles of employees and supervisors and review general management principles. They then explain how to organize for student employment. Hiring, compensation, orientation and training, and supervision strategies are covered in addition to common problem areas, performance appraisal, employee/employer rights, corrective discipline, and termination procedures. A revision of Baldwin's Supervising Student Employees in Academic Libraries (Libraries Unlimited, 1991), this new work has been thoroughly updated. It contains a complete list of job descriptions and detailed information on funding. Answers to frequently asked questions and a glossary of financial aid terms conclude the book.
Career options have never been more complex or diverse. Students, staff nurses, nurse administrators, managers, entrepreneurs and career counselors need expert career management to survive in the rapidly changing health care marketplace. Here is a hands-on workbook and a complete overview of current management strategies. This practical resource provides nurses at all levels a solid base from which to direct their personal and professional growth.
The Royal Opera House, Covent Garden is home of two of the most famous opera and ballet companies in the world. In this official history, Frances Donaldson discusses Covent Garden's many legendary achievements - Der Rosenkavalier with Lotte Lehmann, the unparalleled partnership of Fonteyn and Nureyev, the recent Otello with Domingo. She follows the attitude of the English to opera and their Opera House, and the crusade for opera to be sung in English. She looks at the internal politics and at the often charismatic personalities who have worked at the Opera House: Thomas Beecham, George Solti, Maria Callas, Tito Gobbi, Ninette de Valois and Frederick Ashton. Underlying the story, despite the many successful seasons, are the ever-present problems of financial support and uncertainty of the future. The history is superbly well-documented from the Royal Opera House archives. Comments from journalists of the time -whose critical reviews sometimes led to singers of international acclaim refusing to return to Covent Garden - lend spice to this fine analysis of administrative and artistic management at the Garden.
Twenty Kids. Twenty points of view. One rambunctious, brilliantly conceived novel that corrals the seeming chaos (c’mon, TWENTY points of view!) into one effervescent story. Sixth grade is a MOST confusing time. Best friends aren’t friends anymore. Worst enemies suddenly want to be partners in crime. And classmates you thought you knew have all sorts of surprising stuff going on. The kids in Mrs. Herrera’s class are dealing with all these things and more—specifically, three more: 1. There’s a new girl who just seems to be spying on them all and scribbling things in a notebook. Maybe she IS a spy? 2. Someone is stealing all of Mrs. Herrera’s most treasured items. 3. Their old classmate, Sam, keeps showing up and no one knows why…until they do. Which leads to a fourth problem. But we can’t tell you about that yet. The twenty kids in Mrs. Herrera’s classroom can, though, and they do. Every. Single. One. Of. Them.
First published in 1992, this is the story of Frances Donaldson and a wonderfully multi-faceted life. As the daughter of the playwright Frederick Lonsdale, she grew up in the frivolous world of 1920s cafe society, yet she became a committed socialist. As the wife of Lord Donaldson, who was on the board of both London opera houses and was subsequently Minister for the Arts, she was at the centre of cultural life in Britain. Yet for many years she had been a farmer, since, during the Second World War, alone and with no experience, she was determined to make a go of it. Her first two books, both highly successful, were about farming; they were followed by a portrait of Evelyn Waugh, a biography of her father, and biographies of Edward VIII and P.O. Wodehouse, whom she knew as a child. Populated by characters as diverse as Waugh and Frederick Ashton, Tony Crosland and Ann Fleming, this delightful, highly personal memoir reflects the dramatically changing times which have shaped Frances Donaldson's fascinating life.
Whatever his ratings, Obama remains personally popular, widely acknowledged for his soaring oratory. His words were one of the lasting legacies of his presidential campaign and are proving to be among his most effective governing weapons. In Power in Words, distinguished historian and civil rights activist Mary Frances Berry and former presidential speechwriter Josh Gottheimer introduce Obama’s most memorable speeches, from his October 2002 speech against the war in Iraq and his November 2008 election-night victory speech to “A More Perfect Union,” his March 2008 response to the Reverend Wright controversy, and lesser-known but revealing speeches, such as one given in Nairobi, Kenya, in August 2006. For each speech, Berry and Gottheimer add a rich introduction that includes political analysis, provides insight and historical context, and features commentary straight from the speechwriters themselves—including Jon Favreau, Obama’s chief speechwriter, and several other Obama campaign writers. Compelling and enduring,Power in Words delivers the behind-the-scenes account of Obama’s rhetorical legacy and is a collection to relish for years to come.
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