Her Scottish father put her in an institution in Calcutta when she was small. Guilt made her Highland gentry grandfather send for her, but he considered her an encumbrance and boarded her in Elgin. When she was an adolescent, her grandmother enrolled her in an Edinburgh boarding school where she developed a crush on one teacher and received harsh rebukes from the other. Brushed off by the former and chastised by the latter, she retaliated by alleging that they were sexually intimate. The teachers sued for libel; in the case that ensued, she was seen through sexist and racist lenses, constructed as an Other. While the case was still going on, she was married to a Presbyterian minister. If the idea was that he would tame her and make her conformable as other household Janes, the plan failed. He turned out to be a womanizer and Jane took revenge on him by reporting his unchaste behavior to his fellow ministers. Later she made a laughingstock of him by joining another church. Posthumously, she became a mean show-stopping character in a play by Lillian Hellman. Such was the life of Jane Cumming, the biracial woman whose recovered story is the subject of this biography. Spanning three continents and more than two centuries and based on archival research, this offers a sympathetic portrait of the protagonist, seeing her as a resilient figure who, when threatened by figures of authority, took arms against her sea of troubles so as to oppose and end them"--
Her Scottish father put her in an institution in Calcutta when she was small. Guilt made her Highland gentry grandfather send for her, but he considered her an encumbrance and boarded her in Elgin. When she was an adolescent, her grandmother enrolled her in an Edinburgh boarding school where she developed a crush on one teacher and received harsh rebukes from the other. Brushed off by the former and chastised by the latter, she retaliated by alleging that they were sexually intimate. The teachers sued for libel; in the case that ensued, she was seen through sexist and racist lenses, constructed as an Other. While the case was still going on, she was married to a Presbyterian minister. If the idea was that he would tame her and make her conformable as other household Janes, the plan failed. He turned out to be a womanizer and Jane took revenge on him by reporting his unchaste behavior to his fellow ministers. Later she made a laughingstock of him by joining another church. Posthumously, she became a mean show-stopping character in a play by Lillian Hellman. Such was the life of Jane Cumming, the biracial woman whose recovered story is the subject of this biography. Spanning three continents and more than two centuries and based on archival research, this offers a sympathetic portrait of the protagonist, seeing her as a resilient figure who, when threatened by figures of authority, took arms against her sea of troubles so as to oppose and end them"--
Applying critical discourse analysis as their principal methodology, Frances Henry and Carol Tator investigate the way in which the media produce, reproduce, and disseminate racist thinking through language and discourse.
Informed by a wealth of research and theoretical approaches from a wide range of disciplines, Racial Profiling in Canada makes a major contribution to the literature and debates on a topic of growing concern.
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