The word evangelism evokes strong reactions among Christians. Conflict about what it is, whether to do it, how to go about it, and the desired results divides churches, demonstrating the need for new theologies and methods that address today's religiously pluralistic and secular contexts. This book offers a comprehensive treatment of evangelism, from biblical models to contemporary practice. Frances Adeney shows that understanding different contexts and approaches to evangelism and accepting the views of others on this crucial topic can help replace the "evangelism wars" (social action vs. proclamation) with a more graceful approach to sharing God's good news with the world.
What are Christian women thinking about mission? How do they do mission? What informs their knowledge and action as they address issues in a complex world where religious proselytizing has become suspect? This empirical study explores those questions, finding congruence among women from diverse backgrounds and cultural contexts. Women in mission face common identity issues, utilize art and beauty in their work, and develop character as they overcome obstacles in their cultural and denominational settings. Through nearly one hundred interviews of women in Europe, Asia, Brazil, and the United States, a study of women's theologies of mission, lectures, and countless conversations with women around the globe, this study finds common themes among contemporary women doing Christian mission. This book fills a lacuna in mission studies that professors, pastors, and church women and men will find informative and refreshing.
This important book offers an edifying narrative of Indonesian women who find a new and powerful voice in the course of preparing to become Christian pastors and theologians in their native land. By assuming roles of responsibility, these women stand ready to transform understandings of gender differences that have traditionally governed Indonesian culture, like the notion that women are an inferior sex and not suited to leadership. In a broader sense, they join a growing global course toward gender equality and the evolution of women’s spirituality. Frances S. Adeney clearly shows how religious-inspired resistance led these women to create new practices and theologies designed to foster parity. Realizing that Western ideas are inapplicable to foreign issues of gender and religion, the author sheds light on the twin questions of cultural isolation and the complexities of doing research in the postmodern era.
Protestantism, at its best, grounds both its religious and its social critique in the faith of the prophets and the life and teachings of Jesus Christ as understood and lived by the church. Its teachings and desired practice stand in start contrast to complacent religion that seems to be at ease with imperial greed, domination, and violence. Resistance and Theological Ethics collects the edited and updated essays that emerged from the meeting of the Theological Educators for Presbyterian Social Witness in Geneva, Switzerland and southern France in 1999. Inspired there by the sixteenth century forces of renewal unleashed through resistance to an imperial church and society, the writings of these educators and ethicists combine to sound a clarion call for the church to stand in resistance to social, economic and political forces that threaten—while embracing those that foster—social justice, peace and human welfare. Each author emphasizes a specific call to nonviolent resistance against powers grounded in particular forms of sin: religious pride, greed, violence and domination. Divided into three parts, the book details social forces to be resisted, presents historical and biblical examples of resistance, and concludes with theological analysis and advocacy for action in contemporary American society.
The current religious climate poses unique challenges to those engaged in mission. Thus the authors of this book propose a new, yet very biblical, model for interacting with people of other faiths. They term this model giftive mission, as it is based on the metaphor of free gift. We bear the greatest gift possible--the gospel message. Adopting this perspective not only has the potential for greater missionary success but also enables us to more closely imitate God's gracious activity in the world. The core of the book explores eleven practices that characterize giftive mission. Each practice is illustrated through the story of a figure from mission history who embodied that practice. Further discussion shows how to incorporate these practices in specific mission settings.
This important book offers an edifying narrative of Indonesian women who find a new and powerful voice in the course of preparing to become Christian pastors and theologians in their native land. By assuming roles of responsibility, these women stand ready to transform understandings of gender differences that have traditionally governed Indonesian culture, like the notion that women are an inferior sex and not suited to leadership. In a broader sense, they join a growing global course toward gender equality and the evolution of women’s spirituality. Frances S. Adeney clearly shows how religious-inspired resistance led these women to create new practices and theologies designed to foster parity. Realizing that Western ideas are inapplicable to foreign issues of gender and religion, the author sheds light on the twin questions of cultural isolation and the complexities of doing research in the postmodern era.
The word evangelism evokes strong reactions among Christians. Conflict about what it is, whether to do it, how to go about it, and the desired results divides churches, demonstrating the need for new theologies and methods that address today's religiously pluralistic and secular contexts. This book offers a comprehensive treatment of evangelism, from biblical models to contemporary practice. Frances Adeney shows that understanding different contexts and approaches to evangelism and accepting the views of others on this crucial topic can help replace the "evangelism wars" (social action vs. proclamation) with a more graceful approach to sharing God's good news with the world.
In the Variety Stage 8 books, Anne Adeney describes the adventures of Una the unicorn who helps the good Timberlins to avoid the mischief of the nasty Grumps, and Frances Usher tells the story of Moneypenny, the Yorkshire terrier, who is a small dog with very big ideas. Variety books provide a support and an extension of reading skills acquired from reading Duck Green School Stories. They are divided into consolidation stories (Una's Spelling Test, Grizzlegrump's Revenge, First Leaf Festival) and extension stories (Moneypenny Goes Camping, Moneypenny and the Pond, Moneypenny's Big Walk). They can be used for Shared or Guided Reading in the Literacy Hour.
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of the real was set against, and sometimes merged with, an inclination towards the romantic, as English artists sought to respond to their subjects and their times.
What are Christian women thinking about mission? How do they do mission? What informs their knowledge and action as they address issues in a complex world where religious proselytizing has become suspect? This empirical study explores those questions, finding congruence among women from diverse backgrounds and cultural contexts. Women in mission face common identity issues, utilize art and beauty in their work, and develop character as they overcome obstacles in their cultural and denominational settings. Through nearly one hundred interviews of women in Europe, Asia, Brazil, and the United States, a study of women's theologies of mission, lectures, and countless conversations with women around the globe, this study finds common themes among contemporary women doing Christian mission. This book fills a lacuna in mission studies that professors, pastors, and church women and men will find informative and refreshing.
The life of the painter and designer Duncan Grant spanned great changes in society and art, from Edwardian Britain to the 1970s, from Alma-Tadema to Gilbert and George. This authoritive biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art. 'Spalding's skill is to sketch out the intricate emotional web against the bright bold untouchable figure of the artist. . . Her achievement is to let that sense of a man living with his craft shine through on every page: the result is an exceptionally honest and warm portrait. ' Financial Times
When American evangelicals flocked to Latin America, Africa, Asia, and Eastern Europe in the late twentieth century to fulfill their Biblical mandate for global evangelism, their experiences abroad led them to engage more deeply in foreign policy activism at home. Lauren Frances Turek tracks these trends and illuminates the complex and significant ways in which religion shaped America's role in the late–Cold War world. In To Bring the Good News to All Nations, she examines the growth and influence of Christian foreign policy lobbying groups in the United States beginning in the 1970s, assesses the effectiveness of Christian efforts to attain foreign aid for favored regimes, and considers how those same groups promoted the imposition of economic and diplomatic sanctions on those nations that stifled evangelism. Using archival materials from both religious and government sources, To Bring the Good News to All Nations links the development of evangelical foreign policy lobbying to the overseas missionary agenda. Turek's case studies—Guatemala, South Africa, and the Soviet Union—reveal the extent of Christian influence on American foreign policy from the late 1970s through the 1990s. Evangelical policy work also reshaped the lives of Christians overseas and contributed to a reorientation of U.S. human rights policy. Efforts to promote global evangelism and support foreign brethren led activists to push Congress to grant aid to favored, yet repressive, regimes in countries such as Guatemala while imposing economic and diplomatic sanctions on nations that persecuted Christians, such as the Soviet Union. This advocacy shifted the definitions and priorities of U.S. human rights policies with lasting repercussions that can be traced into the twenty-first century.
This work provides a full and clear exposition of the fundamentals of intellectual property law in the UK. It combines excerpts from cases and a broad range of secondary works with insightful commentary from the authors which will situate the law within a wider international, comparative and political context.
This book provides a full and clear exposition of the fundamentals of intellectual property law in the UK. It combines excerpts from cases and a broad range of secondary works with insightful commentary from the authors which will situate the law within a wider international context.
The best of these Darwins is that they are cut out of rock - three taps is enough to convince one how immense is their solidarity.' So wrote Virginia Woolf affectionately of Gwen Raverat, the granddaughter of Charles Darwin. In this first full biography, Frances Spalding looks beyond the artist Gwen Raverat's childhood memoir; Period Piece, and creates a fascinating and moving portrait of Charles Darwin's granddaughter. She explores her Darwin inheritance; her conflicts when she moves beyond her home environment to enter the Slade School of Art; her encounter with post-Impressionism; and her friendships with Stanley Spencer, Rupert Brooke and members of the Bloomsbury set. At each stage, Gwen's artistic creativity is interwoven with her relationships and circumstances. She helps revive the medium of wood-engraving and with her husband, Jacques Raverat, celebrates the South of France in the art they produce while living in Venice. Drawing on a huge cache of unpublished papers, Spalding brings us a life lived with bravery, humour; realism and integrity, surrounded by a remarkable cast of relatives, friends and associates.
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