“It’s good to see Si Siman and the Ozark Jubilee get their due in Broadcasting the Ozarks.” —Willie Nelson Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955–60), the first regularly broadcast live country music show on network television. Dubbed the “king of the televised barn dances,” the show introduced the Ozarks to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry—with the Jubilee’s producer, Si Siman, at the helm. Siman’s life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee’s five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee’s signature hit, “I’m Sorry,” and Wayne Carson, who wrote Willie Nelson’s “Always on My Mind.” Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his hometown in the Ozarks.
Aliens are on earth, buried in the southwest of England for many hundreds of years, waiting for mankind to reach a sufficiently advanced level of technology; then when conditions suit, they will emerge. In 1991, two girls, Harriet and Emily, on a school trip to the cathedral discover the activity of the aliens. However, they are warned of the dangers by the ghost of the first bishop. The girls, using the Internet, uncover several accounts in the cathedral archives, where bones have come alive. Matters become serious when several aliens take over a policeman and army major sent to control the situation. Excavations take place as the aliens search for the craft in which they arrived to enable them to conquer the whole planet. Together with information from the diary of an eighteenth-century milliner, Mrs. Pendlebury, the two girls direct humanity's fight back.
Geotechnical Engineering of Dams, 2nd edition provides a comprehensive text on the geotechnical and geological aspects of the investigations for and the design and construction of new dams and the review and assessment of existing dams. The main emphasis of this work is on embankment dams, but much of the text, particularly those parts related to geology, can be used for concrete gravity and arch dams. All phases of investigation, design and construction are covered. Detailed descriptions are given from the initial site assessment and site investigation program through to the preliminary and detailed design phases and, ultimately, the construction phase. The assessment of existing dams, including the analysis of risks posed by those dams, is also discussed. This wholly revised and significantly expanded 2nd edition includes a lengthy new appendix on the assessment of the likelihood of failure of dams by internal erosion and piping. This valuable source on dam engineering incorporates the 200+ years of collective experience of the authors in the subject area. Design methods are presented in combination with their theoretical basis, to enable the reader to develop a proper understanding of the possibilities and limitations of a method. For its practical, well-founded approach, this work can serve as a useful guide for professional dam engineers and engineering geologists and as a textbook for university students.
Ever since his classic debut, The Tar-Aiym Krang, the first of the wildly successful Pip and Flinx adventures, New York Times bestselling author Alan Dean Foster has captivated readers around the world. Now this writer of bold imagination and stunning originality has created an electrifying space epic set in a universe at once strangely familiar and starkly terrifying. Familiar because the universe is ours; terrifying because the human condition might soon be. . . . Not so long ago Marcus Walker was just another young commodities trader in Chicago, working hard and playing harder. But that’s all in the past, part of a life half forgotten—a reality that vanished when he was attacked while camping and tossed aboard a starship bound for deep space. Desperately, Walker searches for explanations, only to realize he’s trapped in a horrifying nightmare that is all too real. Instead of being a rich hotshot at the top of the food chain, Walker discovers he’s just another amusing novelty, part of a cargo of “cute” aliens from primitive planets—destined to be sold as pets to highly advanced populations in “civilized” regions of the galaxy. Even if he weren’t constantly watched by his captors, Walker has few options. After all, there is no escape from a speeding starship. Another man might resign himself to the inevitable and hope to be sold to a kindly owner, but not Walker. This former college football star has plenty of American ingenuity and no intention of admitting defeat, now or ever. In fact, he’s only just begun to fight. The adventure will continue with two more novels
“Foster is in top form here, entertainingly mixing politics, comedy, and intriguing alien anthropology.”—Booklist Abducted by aliens to be sold as pets in a more civilized part of the galaxy, earthlings Marcus Walker and a scruffy dog named George (speech-enhanced to increase his market value) have managed to escape their captors. Walker loves being humankind’s first galactic traveler—until he remembers he hasn’t a clue where home is or how to get there. So the erstwhile commodities broker becomes a chef, whipping up delicacies for demanding alien palates. Of course he never imagined that the way back to Chicago would involve swapping his easy-living adopted planet for an all-out, age-old war many parsecs away. But hey, it’s all for a good cause, he has George and their two fellow escapees for company, and what else is there to do, besides avoid nasty aliens? Plenty, as it turns out. “An enjoyable read . . . Foster’s writing is smooth and his characters engaging.”—SFReader “Sometimes humorous, sometimes serious, and always entertaining.”—Library Journal
Fresh from pulling off her latest heist, Cat Montgomery believes she’s ready to leave her thieving lifestyle behind. But old habits die hard. When she’s recruited to retrieve the Lionheart, a legendary medieval ring made from the finest gold and excavated from the grave of Robin Hood, Cat’s determined to end her career with a bang. Or so she thinks...until the Caliga Rapio, a mysterious brotherhood of thieves, beats her to the punch. Now she has to hightail it to Venice to swipe it back. With two old flames thrown into the mix and an Interpol agent hot on her tail, things are about to get a lot trickier. Cat’s troubles only worsen as she realizes the legend of the Lionheart runs deeper than she could have possibly imagined...
Descend to the depths of primal horror with this chilling collection of original stories drawn from H. P. Lovecraft’s shocking, terrifying, and eerily prescient Cthulhu Mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you’ll find: “Details” by China Miéville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details. “Visitation” by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted—and what he may eternally despise. “Meet Me on the Other Side” by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams—and into their nightmares. “A Fatal Exception Has Occured At . . .” by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil. AND SEVENTEEN MORE HARROWING TALES “The Invisible Empire” by James Van Pelt “A Victorian Pot Dresser” by L. H. Maynard and M. P. N. Sims “The Cabin in the Woods” by Richard Laymon “The Stuff of the Stars, Leaking” by Tim Lebbon “Sour Places” by Mark Chadbourn “That’s the Story of My Life” by John Pelan and Benjamin Adams “Long Meg and Her Daughters” by Paul Finch “Dark of the Moon” by James S. Dorr “Red Clay” by Michael Reaves “Principles and Parameters” by Meredith L. Patterson “Are You Loathsome Tonight?” by Poppy Z. Brite “The Serenade of Starlight” by W. H. Pugmire, Esq. “Outside” by Steve Rasnic Tem “Nor the Demons Down Under the Sea” by Caitlín R. Kiernan “A Spectacle of a Man” by Weston Ochse “The Firebrand Symphony” by Brian Hodge “Teeth” by Matt Cardin
This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
From science fiction legend and New York Times bestselling author Alan Dean Foster comes the climactic final novel in The Taken trilogy, his electrifying space epic about a man and his dog for whom the expression “out of this world” takes on a whole new meaning. Location is everything. In Chicago, Marcus Walker was a hotshot commodities broker. In the cargo hold of the alien Vilenjji spaceship, he and a laconic dog named George, who has been speech-enhanced to increase his value, are just two more primitive creatures being shipped to the civilized part of the universe, where the market for cuddly extraterrestrial “pets” is busting wide open. Though Walker and George manage to escape, man and dog are far from overjoyed, being even farther from Earth—billions of miles, in fact—and without a clue as to whether the direction home is up, down, or sideways. Possessing universe-level social skills, Walker becomes the leader of his own armada. Yet even a fleet commander is hard pressed to find a piece of space that no one’s ever heard of, much less cares to find. To make matters worse, it seems the Vilenjji are proving to be notoriously sore losers. Even if Walker does pull off the impossible and pinpoint his needle of a solar system in the universe haystack, there’s a good chance that the unrelenting Vilenjji will get to him before he ever gets to Wrigley Field. Yep, it’s a wide-open universe out there, bursting with possibilities—and Walker’s going to get hit with all of them.
The first critical biography of Alexander Campbell, one of the founders of the Stone-Campbell Movement A Life of Alexander Campbell examines the core identity of a gifted and determined reformer to whom millions of Christians around the globe today owe much of their identity—whether they know it or not. Douglas Foster assesses principal parts of Campbell’s life and thought to discover his significance for American Christianity and the worldwide movement that emerged from his work. He examines Campbell’s formation in Ireland, his creation and execution of a reform of Christianity beginning in America, and his despair at the destruction of his vision by the American Civil War. A Life of Alexander Campbell shows why this important but sometimes misunderstood and neglected figure belongs at the heart of the American religious story.
The first human-alien contact. The last word in galactic warfare. The story you must read–before Transformers rockets to the big screen! A mammoth robotic being, clearly of alien origin, has been found beneath the Arctic ice. Its advanced engineering dwarfs known human technology, and unlocking its secrets will catapult American science eons into the future. In search of the mysterious artifact’s origin, a covert government agency sends the manned craft Ghost 1 on a perilous journey of discovery. When a mishap maroons Ghost 1 in the far reaches of unknown space, the ship’s distress beacon reaches the very alien race Ghost 1’s crew has been seeking: the Autobots. The gigantic mechanized beings are also on a quest: to find the Allspark, a device crucial to the salvation of their home world, Cybertron. But they’re not alone. The Decepticons, the Autobots’ brutal enemies, have their own sinister purposes in seeking the Allspark. As these adversaries are drawn together once more, the stage is set for a death-dealing new battle in which each is driven by a single-minded aim: total annihilation of the enemy.
Global regulatory standards are emerging from the environmental and health jurisprudence of the International Court of Justice, the World Trade Organization, under the United Nations Convention on the Law of the Sea, and investor-state dispute settlement. Most prominent are the three standards of regulatory coherence, due regard for the rights of others, and due diligence in the prevention of harm. These global regulatory standards are a phenomenon of our times, representing a new contribution to the ordering of the relationship between domestic and international law, and a revised conception of sovereignty in an increasingly pluralistic global legal era. However, the legitimacy of the resulting 'standards-enriched' international law remains open to question. International courts and tribunals should not be the only fora in which these standards are elaborated, and many challenges and opportunities lie ahead in the ongoing development of global regulatory standards. Debate over whether regulatory coherence should go beyond reasonableness and rationality requirements and require proportionality stricto sensu in the relationship between regulatory measures and their objectives is central. Due regard, the most novel of the emerging standards, may help protect international law's legitimacy claims in the interim. Meanwhile, all actors should attend to the integration rather than the fragmentation of international law, and to changes in the status of private actors.
The 2016 campaign ended with Donald J. Trump as president-elect of the United States, astounding just about everyone. More than two dozen candidates had vied for the two parties’ nominations, leaving Trump and former Secretary of State Hillary Clinton. Her flaws standing in rough proportion to her strengths, Clinton had been the presumed Democratic nominee, though Bernie Sanders had nearly upended her run. In contrast, Trump’s capturing the Republican nomination seemed preposterous before and after the fact. The campaign overall was far more than the result. It was a long, tumultuous, outrageous frolic of American politics. The Campaign Chronicles was written contemporaneously with events as they happened so as to capture the sense of each amazing if horrific moment. Even weeks after the election, the country remained stunned by the outcome, which as we learned foretold of a presidency unlike any before it. But, before the presidency, there was a campaign, about which many histories will be written. But before the histories must come the chronicling, history stripped of faded memories and coherent perspective. Herewith, such a chronicling written from a determinedly neutral posture, presenting the good with the bad for all concerned.
NEW YORK FOLKS narrates the saga of Sure-Lite Brands Corporation, a producer of matches founded in 1893 by Hiram Ryder, a blacksmith's apprentice. Sure-Lite evolves, after a public offering in 1965, into a Fortune 200 NYSE listed corporation with CARSON'S a high growth retailer in the Home Center industry developing into Sure-Lite's principal business. A major power struggle erupts between the Ryder brothers for control of the company. Their struggle attracts predators, ambitious operating executives, slippery investment bankers, and corporate knaves, along with easy and hard ladies sporting high heels and sharp elbows. The narrative is brim with board of directors meeting conflicts, and self minded men and women who occasionally find themselves in foreign bedrooms. They are New York folks. Dwight Foster is also the author of Shattered Covenants, a seven book cycle narrating the formation, rise, decline, and fall of a major management consulting firm.
EDetours and Lost HighwaysE begins with the Orson Welles film ETouch of EvilE (1958) which featured Welles both behind and in front of the camera. That movie is often cited as the end of the line noir's rococo tombstone...the film after which noir cou
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