The success of the Galerie Beyeler, which led Ernst and Hildy Beyeler to found the Fondation Beyeler, began sixty years ago. Around sixteen thousand paintings, sculptures, and works on paper - not including prints and editions - passed through Baumleingasse 9, where the Beyelers took over an antiquarian bookstore in 1945. Its transformation into an art gallery was complete by 1947, and the address in Basel remains unchanged to this day." "An exemplary selection of me masterpieces that were handled by the gallery - and that have long since entered the great public and private collections of the world - can once again be seen in The Other Collection, making it possible to understand the distinctive beliefs, attitudes, and tastes of this remarkable couple. Among the highlights of this musee imaginaire are works by Bonnard, Braque, Cezanne, Dubuffet, Gauguin, Giacometti, Van Gogh, Gris, Kandinsky, Klee, Leger, Matisse, Miro, Mondrian, and Picasso." "This book contains 288 pages, 204 illustrations, 149 in color."--BOOK JACKET.
Since its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world's top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler's collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.On the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum's collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler's own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (English editionISBN-978-3-7757-1946-9; French edition ISBN 978-3-7757-1947-6)
Jean Bazaine ... ; Exhibition: 28 March - 4 August, 2002 ; [in Conjunction with the Exhibition: "Claude Monet ... Up to Digital Impressionism" Held at the Fondation Beyeler, Riehen/Basel]
Jean Bazaine ... ; Exhibition: 28 March - 4 August, 2002 ; [in Conjunction with the Exhibition: "Claude Monet ... Up to Digital Impressionism" Held at the Fondation Beyeler, Riehen/Basel]
Focusing on the close relationship between Monet's late works and the paintings of the post-war modernists. This publication analyses the re-discovery of monet's work and looks beyond the standard cliche's of the 'Monet revival' on both sides of the Atlantic. Texts focus on Monet's late work and provide the necessary basis for these observations. Jacket Inside Cover.
American artist Jean-Michel Basquiat (1960-1988) quickly became one of art history's most luminescent personalities; his friendships with Andy Warhol, Keith Haring, and Madonna, as well as his tragic death at the age of twenty-seven, are the stuff of legend. This retrospective publication traces the artist's unique career and pinpoints his important position in art history. Basquiat's works are marked by the kind of intensity and energy that also determined the course of his brief life. In just eight years--comparable to the career of Egon Schiele--Basquiat not only managed to create an extensive oeuvre, but also to establish new figurative and expressive elements alongside Conceptual and Minimal Art. At the age of twenty-one, he became the youngest artist ever to be invited to the documenta, while his work also anticipated that of Germany's Junge Wilde movement and the art of the nineties."--Publisher's website.
The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket.
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