In the 1970s and 1980s, Sally Wolff and Floyd C. Watkins, both of Emory University, took students of southern literature to Lafayette County, Mississippi, to explore the region where William Faulkner lived. They visited Faulkner’s home, Rowan Oak, in Oxford, Mississippi; trekked around the countryside; and met people who were the prototypes for some of his characters. During these excursions, they discovered firsthand how profoundly Faulkner’s family, community, and region imprinted themselves on his imagination and then both shaped and enriched his work. Their primary guide was Jimmy Faulkner, who was once described by his famous uncle as “the only person who likes me for what I am.” Like his uncle, Jimmy is a born storyteller, and his recollections provide profound as well as intimate details about Faulkner as author, father, member of the unusual Faulkner clan, and resident of the model for what may be the most famous county in American literature. In these interviews, and in the forty-three splendid black-and-white photographs that accompany them, we move through Faulkner’s home territory and encounter the sources of his sense of place and its past: antebellum Rowan Oak, with its scuppernong vines and outside kitchen; old plantation homes and dogtrot houses; narrow one-lane bridges and creeks with Indian names; country churches and cemeteries. Jimmy’s comments often link specific sites with particular episodes or settings in Faulkner’s works, and his humorous stories sometimes mingle fact with fiction. Two colorful local personalities who knew Faulkner—Pearle Galloway, proprietor of a general store near Oxford for over thirty years, and Motee Daniel, owner of various enterprises, including a roadhouse, a general store, and a bootlegging operation—also tell tales about him. Galloway and Daniel provide, in turn, fascinating glimpses of the kind of people who intrigued Faulkner and about whom he wrote. While his work was most certainly influenced by his surroundings, Faulkner, through his stories and novels, likewise transformed the memories, perceptions, and interpretations of his family, his community, and his readers. Talking About William Faulkner deepens our knowledge of Faulkner’s everyday life and our understanding of the world in which he lived and of which he wrote.
Yesterday in the Hills recalls life in North Georgia from the 1890s until World War II and records vanished and vanishing folkways of the region. Here is folklore at its best—seen from the inside and mediated through the heart. Yesterday in the Hills is built upon the bedrock of experience and memory, but its sharply drawn characters and beautifully proportioned narrative transcend reminiscence and realistically depict hill-country life as it once was. “Authentic, flavorful chapters about old-time hill people of North Georgia, their backbreaking field work, their song and play, their courtship, their neighborly exchange of help with the chores, their homemade remedies for illness and homemade practically everything else, their humor and their individuality.”—Publishers Weekly “A gentle, humorous personal recollection of real people and the way they lived and worked.”—Celestine Sibley
Taking a new approach to the study of Robert Penn Warren's imposing and still growing poetic canon, Floyd C. Watkins has found in the poems what he describes as a "poetic autobiography" unparalleled in American letters. Drawing on interviews with Warren, members of his family, and contemporaries from his hometown, but keeping the poetry itself constantly at the center of his vision, Watkins shows how the poetry has grown from the experience of the boy and man and from his contemplation of his family's and his country's history. He traces through the poems a family chronicle, moving from the frontier to the late twentieth century, and set in a landscape that is clearly derived from the Kentucky of Warren's boyhood. The little town of Guthrie, divided by railroad tracks, with its two burial grounds for whites and blacks, becomes in the poems a town of both memory and imagination, peopled by characters many of whom are recognizable to Warren's contemporaries. The images of a black man fleeing through swampy woods outside the town, of a grayfaced man who led a lynch mob, of a mad druggist making a list of people to poison, all have counterparts in Guthrie's history. Then and Now is a revealing and provocative study of the poetic process in a poet who is thought of as the originator of the biographical fallacy.
The Practical English Handbook includes concise explanations, abundant examples and models, ample practice opportunity, and help with all stages of the writing process. A coding system breaks down topics and facilitates student use. The book's compact size allows it to fit comfortably in the hand, while the durable sewn binding will withstand constant use. The MLA and APA documentation guidelines thoroughly reflect the most recent changes.
In the 1970s and 1980s, Sally Wolff and Floyd C. Watkins, both of Emory University, took students of southern literature to Lafayette County, Mississippi, to explore the region where William Faulkner lived. They visited Faulkner’s home, Rowan Oak, in Oxford, Mississippi; trekked around the countryside; and met people who were the prototypes for some of his characters. During these excursions, they discovered firsthand how profoundly Faulkner’s family, community, and region imprinted themselves on his imagination and then both shaped and enriched his work. Their primary guide was Jimmy Faulkner, who was once described by his famous uncle as “the only person who likes me for what I am.” Like his uncle, Jimmy is a born storyteller, and his recollections provide profound as well as intimate details about Faulkner as author, father, member of the unusual Faulkner clan, and resident of the model for what may be the most famous county in American literature. In these interviews, and in the forty-three splendid black-and-white photographs that accompany them, we move through Faulkner’s home territory and encounter the sources of his sense of place and its past: antebellum Rowan Oak, with its scuppernong vines and outside kitchen; old plantation homes and dogtrot houses; narrow one-lane bridges and creeks with Indian names; country churches and cemeteries. Jimmy’s comments often link specific sites with particular episodes or settings in Faulkner’s works, and his humorous stories sometimes mingle fact with fiction. Two colorful local personalities who knew Faulkner—Pearle Galloway, proprietor of a general store near Oxford for over thirty years, and Motee Daniel, owner of various enterprises, including a roadhouse, a general store, and a bootlegging operation—also tell tales about him. Galloway and Daniel provide, in turn, fascinating glimpses of the kind of people who intrigued Faulkner and about whom he wrote. While his work was most certainly influenced by his surroundings, Faulkner, through his stories and novels, likewise transformed the memories, perceptions, and interpretations of his family, his community, and his readers. Talking About William Faulkner deepens our knowledge of Faulkner’s everyday life and our understanding of the world in which he lived and of which he wrote.
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