A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever. The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence. Yet everywhere there is the premonition of ruin - the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes.
An ingeniously orchestrated popular history brings to life the most pivotal decade of the twentieth century As the Roaring Twenties wind down, Jean-Paul Sartre waits in a Paris café for a first date with Simone de Beauvoir, who never shows. Marlene Dietrich slips away from a loveless marriage to cruise the dive bars of Berlin. The fledgling writer Vladimir Nabokov places a freshly netted butterfly at the end of his wife’s bed. Hannah Arendt, Walter Benjamin, Zelda and Scott, Dalí and Gala, Picasso and his many muses, Henry and June and Anaïs Nin, the entire extended family of Thomas Mann, and a host of other fascinating and famous figures make art and love, write and row, bed and wed and betray. They do not yet know that they, along with millions of others, will soon be forced to contemplate flight—or fight—as the world careens from one global conflict to the next.
International Bestseller: This “absolute gem of a book” offers a month-by-month account of the year before World War I—one of the most exciting times in the 20th century (The Observer). “A sexy, comic and occasionally heartbreaking soap opera” for history buffs interested in 20th-century art, music, and literature (Washington Post). It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka’s love letters), Florian Illies ignores the conventions of the stodgy tome so common in “one year” histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology—even as ominous storm clouds began to gather.
An ingeniously orchestrated popular history brings to life the most pivotal decade of the twentieth century As the Roaring Twenties wind down, Jean-Paul Sartre waits in a Paris café for a first date with Simone de Beauvoir, who never shows. Marlene Dietrich slips away from a loveless marriage to cruise the dive bars of Berlin. The fledgling writer Vladimir Nabokov places a freshly netted butterfly at the end of his wife’s bed. Hannah Arendt, Walter Benjamin, Zelda and Scott, Dalí and Gala, Picasso and his many muses, Henry and June and Anaïs Nin, the entire extended family of Thomas Mann, and a host of other fascinating and famous figures make art and love, write and row, bed and wed and betray. They do not yet know that they, along with millions of others, will soon be forced to contemplate flight—or fight—as the world careens from one global conflict to the next.
In the years between 1980 and 2000, Stephan Erfurt published numerous photo spreads in various magazines, thus establishing his international reputation. He created an oeuvre full of story-telling and poetry, at times melancholic and tender, at other times as harsh depictions of reality. Erfurt often concentrates on the atmospherically dense detail; as a curious world observer, his work is akin to that of an essayist. One of his specialties is photographing in twilight, shortly before sunrise or after sunset. His private and professional move to Berlin in the mid-1990s leads to completely different images, such as the famous close-ups of the television tower on Alexanderplatz. In 1978, the then 20-year-old Erfurt fled from the confinement of his hometown of Wuppertal. In Paris, he discovered the medium of photography. He then studied photography in Essen and, beginning in the mid-1980s, worked primarily from his new residence in New York. When the FAZ Magazin, which had become Erfurt's most important medium of distribution, was discontinued in 1999, he simultaneously also more or less stopped shooting his own photographs. A short while later, he founded C/O Berlin together with two friends, which quickly became an internationally networked photo institution.
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