Peasant and Nation offers a major new statement on the making of national politics. Comparing the popular political cultures and discourses of postcolonial Mexico and Peru, Florencia Mallon provides a groundbreaking analysis of their effect on the evolution of these nation states. As political history from a variety of subaltern perspectives, the book takes seriously the history of peasant thought and action and the complexity of community politics. It reveals the hierarchy and the heroism, the solidarity and the surveillance, the exploitation and the reciprocity, that coexist in popular political struggle. With this book Mallon not only forges a new path for Latin American history but challenges the very concept of nationalism. Placing it squarely within the struggles for power between colonized and colonizing peoples, she argues that nationalism must be seen not as an integrated ideology that puts the interest of the nation above all other loyalties, but as a project for collective identity over which many political groups and coalitions have struggled. Ambitious and bold, Peasant and Nation both draws on monumental archival research in two countries and enters into spirited dialogue with the literatures of post-colonial studies, gender studies, and peasant studies.
Visually appealing, conceptually startling, and intellectually engaging-these phrases aptly describe the art of Liliana Porter. Florencia Bazzano-Nelson's study focuses on the principal theme in the Argentine-born artist's work since the 1970s: her playful but subversive dismantling of the limits that separate everyday reality from the world of illusion and simulacra. Over the years, Porter's own evolving interest in perception lead the author to explore a series of interconnected and timely issues in her artistic production, such as the representative function of art, the structural links between art and language, and the witty re-signification of the art-historical images and mass-produced kitsch figurines she has so often featured in her art. Strongly founded in critical theory, Bazzano-Nelson's approach considers Porter's art as the site of conceptually exciting dialogues with Jorge Luis Borges, Ren?agritte, Michel Foucault, and Jean Baudrillard. Her carefully crafted interdisciplinary analysis not only combines art-historical, literary, and theoretical perspectives but also addresses the artist's work in different media, such as printmaking, conceptual art, photography, and film.
Florencia E. Mallon examines the development of capitalism in Peru's central highlands, depicting its impact on peasant village economy and society. She shows that the region's peasantry divided into an agrarian bourgeoisie and a rural proletariat during the period under discussion, although the surviving peasant ideology, village kinship networks, and the communality inspired by economic insecurity have sometimes obscured this division. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In the tradition of Isabel Allende, a family saga that explores the lives touched by the tragedies of Chile's vibrant history Imprisoned and tortured in the aftermath of the 1973 coup while her love, Manuel, is savagely murdered, Eugenia Aldunate is a rare survivor of the countless "disappeared" that would haunt Chile's collective memory for decades. While still in prison, Eugenia discovers she is pregnant and is exiled to Mexico, then the United States to raise her daughter alone, forbidden to return. She builds a quiet life for herself, but the scars on her arms to do not fade. Horrific nightmares plague Eugenia each night, while each morning she aches for her homeland. Nearly twenty years after her exile, Eugenia is called back to Chile to testify in Manuel's murder and seek justice for the others who disappeared. A rare living witness to these "camps," Eugenia must come to grips with the legacy of violence and trauma inflicted by Pinochet's dictatorship and find truth and solace in the stories of those she left behind. In the tradition of Kiran Desai's The Inheritance of Loss and Julia Alvarez's In the Time of Butterflies, Beyond the Ties of Blood is a tribute to the resilience of the human spirit and the transcendence of family.
The first volume to theorize and historicize contemporary artistic practices from Chile in the English language, Dismantling the Nation begins from a position of radical criticism against the nation-state of Chile and its capitalist, heteronormative, and extractivist rule. At a truly pivotal moment in the country’s history, when it is redefining what it wants to be, the works here propose a way of forging a feminist and decolonial future for Chile. The authors attend to practices from distinct locations in Chile, reconceptualizing geographical borders from a transnational and transdisciplinary perspective while engaging with ecocriticism and Indigenous epistemologies. This is an essential volume for anyone looking to understand the current social, political, and artistic movements in Chile.
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