Dymphna Cusack, Miles Franklin and Florence James come alive on these pages through their friendships, their aspirations, their passions and achievements, their disappointments, insecurities and triumphs. In Yarn Spinners Marilla North tells the tale of their personal and professional lives through their correspondence, meticulously curated, edited and woven together with subtle narrative links." ... from the Preface by Mary Kostakidis "Editing is too modest a word for what Marilla North has done in this trove of letters, artfully assembled from thousands she recovered in a labour extending over 12 years. She has topped and tailed and interwoven them, then filled the gaps with narrative and notes, and in the process created a unique literary form. As the story flows from one to the other, the effect is, as North hoped, like a novel with three unfailingly lively female characters." Barry Oakley
Love, life, writing and friendship are the intimate subjects of letters between three intelligent, witty women who shared a passionate commitment to Australian literature. These carefully selected letters tell a story that reads like a novel. Their correspondence - from the late 1920s to the mid-1950s - reveals their public battles as well as their private ones. Their personal conflicts are a microcosm of Australian society's struggles over the period.
This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.
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