This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.
Renjian cihua is a masterpiece of literary criticism written by Wang Guowei (1877–1927), a scholar of the Chinese classics who lived during the late Qing and early Republican periods. Since its publication in 1908 and 1909, it has been one of the most influential academic works in China. Elegantly written, Wang’s set of "remarks on ci poetry" (cihua) retains a traditional Chinese impressionistic critical approach, and can present difficulties to the common reader. This set of lectures by Florence Chia-ying Yeh explains the text to readers, making accessible Wang’s famous theory of jingjie ("aesthetic realm" or "artistic conception"), his views on how the ci differs from the shi genre of Chinese poetry, and his critical judgments of various famous ci poets from the Tang, Five Dynasties, and Song periods. The lectures are presented here in an English translation by Maija Bell Samei.
This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.
Renjian cihua is a masterpiece of literary criticism written by Wang Guowei (1877–1927), a scholar of the Chinese classics who lived during the late Qing and early Republican periods. Since its publication in 1908 and 1909, it has been one of the most influential academic works in China. Elegantly written, Wang’s set of "remarks on ci poetry" (cihua) retains a traditional Chinese impressionistic critical approach, and can present difficulties to the common reader. This set of lectures by Florence Chia-ying Yeh explains the text to readers, making accessible Wang’s famous theory of jingjie ("aesthetic realm" or "artistic conception"), his views on how the ci differs from the shi genre of Chinese poetry, and his critical judgments of various famous ci poets from the Tang, Five Dynasties, and Song periods. The lectures are presented here in an English translation by Maija Bell Samei.
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