She can't imagine a life without music… Even as a little girl, Miranda Nolan loved to sing and dance, especially for her reclusive neighbor, a woman who was more like a second mother. She never expected to inherit her mentor's estate and to have to put her career as a performer on hold. Even more confusing, she's found herself settling affairs with co-claimant Russ Gerik, an interpreter who lost his hearing in a tragic bombing and struggles to find his way in a now-silent world. Unimaginable. As the two work together to catalog the possessions of—and understand—a woman shrouded in mystery, they forge a powerful connection. But how long can their bond last when it's not built on trust?
1997. Autumn in Texarkana and the Harvest Moon is shinin' on. Boston native Sybil (Mac) MacKenzie, in town to choreograph a local theatre's production of 'South Pacific, ' is becoming moonstruck. Mac's falling in love with Johnny Chandler who plays Lt. Joe Cable, even though he's fifteen years younger, the pair are entering the annual fall swing dance contest and she's rethinking career plans when forced to take over the lead role in the show. Life gets twisted when Mac and Johnny begin reliving events that involve a pair of teen-age lovers and images of Texarkana in the grip of the Nineteen-Forties Phantom Moonlight Killer. As their past-life memories grow stronger and a copycat Phantom tries to outdo the original, Mac and Johnny learn their Forties counterparts met a violent death in 1947. Events seem destined to repeat themselves unless Mac and Johnny find a way way to confront the past and embrace the present.
Scouting for a “must be chilly/must be spooky” medieval castle in Prague to use as the background for a musical film based on a Gothic novel is, to quote Gershwin, “nice work if you can get it.”Dancer Abby Fouchet, acting as location scout for film company Headlights Productions has “got” it. She's also got her soap star fiancé playing wannabe burglar, a psychic with more costumes than a Broadway touring company, assorted film divas and grave-robbers popping up around Kouzlo Noc, Abby's choice for the atmospherically creepy castle.Then there's the ghost. Ignatz Jezek, flautist and craftsman (who died in 1792 ) is providing musical accompaniment primarily from Mozart's The Magic Flute, an opera dear to Jezek's departed heart. Abby is the only one being entertained by flute music because along with her gifts of second-sight Abby has the unique and often maddening ability to “hear” spirits.
Enter Laughing Six straight men in the cast plus free Tex-Mex food? My friend Lida sure knew how to persuade me. I signed on the dotted line and dusted off my dance shoes. I knew Bad Business on the Brazos would have them rolling in the aisles and standing up to cheer, whichever came first. But I didn't expect the ghost problem. As in the ghost of Don Mueller, the actor who was killed during the last performance of this show fifty years ago. He's flirting with me in a spectral kind of way. . .and a ghost can make interesting things happen to a girl. Like the gorgeous man on stage with me: Rafe Montez, my secret crush--also known as He Whose Perfect Profile Should Be On A Coin. I'm talking six feet of chiseled yumminess here. Lida thinks Rafe is only acting, but that kiss we share in Act II sure feels real to me. As in earth-shaking, can't-breathe real. . . Flo Fitzpatrick is a performer, teacher, and choreographer, with a BFA in dance and a masters degree in Drama. She first attempted to write a novel at the age of eight, but she was persuaded not to submit the piece by her brothers, who were skeptical that her characters could travel across the Atlantic from New York to London--by train. A transplanted Texan, Flow currently lives in New Jersey with her husband Ed and their two Border Collie wannabes, Lucy and Hawk.
A winter storm strikes Abby, her fiance and several others in a creepy castle just outside of Prague. As a location scout, Abby is thrilled by the castle's atmosphere -- until murder strikes a sinister note.
She Said Yes Tempe Walsh is fluent in ten languages--and she can't say no to adventure. Next stop: India! Her mission: find the priceless--and mysterious--statue known as Shiva's Diva. Her man: Briggan O'Brian, a sexy Irishman on the run from the Mumbai Mob. Brig has a strange way of doing business, whatever that business may be. And she's still not sure how she ended up in his arms when the shooting started--but what if her bullet-deflecting earrings don't work the next time? Brig's too busy to explain why everyone's after the fabulous figurine--he's having a devil of time just keeping one gorgeous American girl out of danger. And there's only one place left to hide: a Bollywood movie complete with villains, lovers, and a mother-in-law from hell. Hey, there's a happy ending--if anyone can find the script. . .
Two out-of-work actresses could make a killing with their new business idea—if only people didn’t start dying first . . . The plot hatches during a margarita fest at a Manhattan cafe. Create a contract-killing business. Get rid of pesky ex-husbands and professional rivals—and get off unemployment as well. But when an intoxicated Babs Harrison announces to the patrons of that diner that she and buddy Bootsie Kittredge are becoming hit-women, Bootsie wonders if the sanity train has left the station. Then the top three intended victims on the ladies’ list are murdered. Bootsie and Babs must deal with skeptical detectives, mob bosses, auditions, agents, a fake psychic and a magician with the uncanny ability to know where the ladies are at any given moment—all while trying to prove they are innocent. The question is—are they? “Sweet Cream Ladies, Limited. You call—we kill!” “A fun read.”—The Meandering Reader
Humor, romance, and a ghost gone wild highlight this hilarious debut romance about a choreographer who signs on for a musical production and lands her own leading man. Original.
Even as a little girl, Miranda Nolan loved to sing and dance, especially for her reclusive neighbor, a woman who was more like a second mother. She never expected to inherit her mentor's estate and to have to put her career as a performer on hold. Even more confusing, she's found herself settling affairs with co-claimant Russ Gerik, an interpreter who lost his hearing in a tragic bombing and struggles to find his way in a now-silent world. Unimaginable. As the two work together to catalog the possessions of--and understand--a woman shrouded in mystery, they forge a powerful connection. But how long can their bond last when it's not built on trust?"--Provided by publisher.
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