This engaging book presents the essential mathematics needed to describe, simulate, and render a 3D world. Reflecting both academic and in-the-trenches practical experience, the authors teach you how to describe objects and their positions, orientations, and trajectories in 3D using mathematics. The text provides an introduction to mathematics for
The fruit of a decade’s research, this volume offers a new interpretation of the dense Christological narrative in Philippians 2:6–11, taking inspiration from recent advances in our understanding of the letter’s Greek and Roman setting and from insights made possible by recently created linguistic databases (such as TLG and PHI). The passage’s praise of Christ engages the language of Hellenistic ruler cults, Platonic metaphysics and moral philosophy, popular (Homeric) beliefs about the gods, and Greek love (eros), to articulate a scripturally grounded theology in which God is revealed to be one in two persons (God the Father and LORD Jesus Christ). The volume also explores hitherto unseen ways in which the central Christ Hymn is tightly connected to the rest of Paul’s argument. The hymn presents Christ as an epitome of the ideals of Greek (and Roman) virtue, to support Paul’s summoning his readers to a life of praiseworthy and exemplary civic conduct (in 1:27). New or recently proposed translations are advanced for numerous words and phrases (in, e.g., 1:8, 11, 27; 2:3, 4, 6, 11; 3:2, 4) and a new (non-Stendahlian) approach to Paul’s boasting in 3:4–6, that is Christological rather than biographical, is put forward.
During the nineteenth century, the American temperance movement underwent a visible, gendered shift in its leadership as it evolved from a male-led movement to one dominated by the women. However, this transition of leadership masked the complexity and diversity of the temperance movement. Through an examination of the two icons of the movement -- the self-made man and the crusading woman -- Fletcher demonstrates the evolving meaning and context of temperance and gender. Temperance becomes a story of how the debate on racial and gender equality became submerged in service to a corporate, political enterprise and how men’s and women’s identities and functions were reconfigured in relationship to each other and within this shifting political and cultural landscape.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
Five years. That’s how long I’ve been gone. Since I left my best friend—the girl I loved—behind. Five seconds. That’s how long it takes to realize I am completely, utterly, screwed. Because now that I’m back, my childhood crush has turned into so much more. Rylee has changed. We both have. And now I’m drawn to her in a completely different way. To her smile. Her touch. To reliving old memories and making new ones. To the happiness she’s always given me that I haven’t felt since I left. But her friends are hell-bent on keeping us apart. My dad is one drink away from destroying both of our lives, and maybe I am, too. It’s only a matter of time before I have to leave again, and there’s nothing I can do to stop it. I never get a choice. The one choice I can make? Stay away from Rylee. Because if I don’t, I’ll break her heart—and mine—all over again. Disclaimer: This Entangled Teen Crush book contains references to drinking, addiction, and just the right amount of angst. You’ll want to save this tortured hero, while at the same time, not want to change a single thing about him!
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
This is the first of a four-volume groundbreaking study of Christological origins. The fruit of twenty years research, Jesus Monotheism lays out a new paradigm that goes beyond the now widely held view that Paul and others held to an unprecedented "Christological monotheism." There was already, in Second Temple Judaism and in the Bible, a kind of "christological monotheism." But it is first with Jesus and his followers that a human figure is included in the identity of the one God as a fully divine person. Volume 1 lays out the arguments of an emerging consensus, championed by Larry Hurtado and Richard Bauckham, that from its Jewish beginnings the Christian community had a high Christology and worshipped Jesus as a divine figure. New data is adduced to support that case. But there are weaknesses in the emerging consensus. For example, it underplays the incarnation and does not convincingly explain what caused the earliest Christology. The recent study of Adam traditions, the findings of Enoch literature specialists, and of those who have explored a Jewish and Christian debt to Greco-Roman Ruler Cult traditions, all point towards a fresh approach to both the origins and shape of the earliest divine Christology.
Murder on the bayou …forcing rivals to unite. When a young woman is found in a Louisiana swamp, police detective King Randolph finds his investigation hindered by private investigator Lenore Martin. He’s loath to share this murder investigation with such a problematic person. But despite mutual distrust, they forge a combative alliance. Soon, as more bodies drop, heat rises between the partners. And grave danger threatens from every corner of New Orleans. From Harlequin Romantic Suspense: Danger. Passion. Drama. Feel the excitement in these uplifting romances, part of The Sorority Detectives series: Book 1: Playing with Danger
The past decade has brought important advances in our understanding of the brain, particularly its influence on the behavior, emotions, and personality of children and adolescents. In the tradition of its predecessors, the third edition of the Handbook of Clinical Child Neuropsychology enhances this understanding by emphasizing current best practice, up-to-date science, and emerging theoretical trends for a comprehensive review of the field. Along with the Handbook’s impressive coverage of normal development, pathology, and professional issues, brand-new chapters highlight critical topics in assessment, diagnostic, and treatment, including, The role and prevalence of brain dysfunction in ADHD, conduct disorder, the autistic spectrum, and other childhood disorders; The neuropsychology of learning disabilities; Assessment of Spanish-speaking children and youth; Using the PASS (planning, attention, simultaneous, successive) theory in neurological assessment; Forensic child neuropsychology; Interventions for pediatric coma. With singular range, timeliness, and clarity, the newly updated Handbook of Clinical Child Neuropsychology reflects and addresses the ongoing concerns of practitioners as diverse as neuropsychologists, neurologists, clinical psychologists, pediatricians, and physical and speech-language therapists.
This important work on early Virginia history and genealogy is composed chiefly of records pertaining to the French and Indian War and the Revolutionary War, though other records of value are included. Part I contains a 90-page list of officers, soldiers, and civilians entitled to compensation for services rendered during the French and Indian War, as well as poll lists for Prince William County (1741) and Fairfax County (1744). Part II contains records of the Revolutionary War, including muster and payrolls in the personal possession of the compiler. Part III is devoted principally to genealogies of the families of Anderson, Brown, Craig, Cravens, Custis, Davis, Harrison, Newman, Smith, Thomas, and Thompkins. Considerable space is also given to the marriage records of Orange and Albemarle counties. An extensive 45-page index of names neatly coordinates reading and research.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
Fletcher's account draws from a vast range of sources - literary, medical, religious and historical - to investigate the mechanisms through which men and women interpreted and understood their social worlds. He explores the early modern view of the body, of sexual desire and appetites, and of gender difference. He looks at the nature of marital relationships, and shows how subordination was implemented and consolidated through church, school, home and community. And he exposes patriarchy's tragic consequences: smothered opportunity, crushed sexuality, and a pall across many women's lives.
Classical Greek Tragedy offers a comprehensive survey of the development of classical Greek tragedy combined with close readings of exemplary texts. Reconstructing how audiences in fifth-century BCE Athens created meaning from the performance of tragedy at the dramatic festivals sponsored by the city-state and its wealthiest citizens, it considers the context of Athenian political and legal structures, gender ideology, religious beliefs, and other social forces that contributed to spectators' reception of the drama. In doing so it focuses on the relationship between performers and watchers, not only Athenian male citizens, but also women and audiences throughout the ancient Mediterranean world. This book traces the historical development of these dynamics through three representative tragedies that span a 50 year period: Aeschylus' Seven Against Thebes, Sophocles' Oedipus Tyrannus, and Euripides' Helen. Topics include the role of the chorus; the tragic hero; recurring mythical characters and subject matter; Aristotelian assessments of the components of tragedy; developments in the architecture of the theater and their impact on the interactions of characters, and the spaces they occupy. Unifying these discussions is the observation that the genre articulates a reality beyond the visible stage action that intersects with the characters' existence in the present moment and resonates with the audience's religious beliefs and collective psychology. Human voices within the performance space articulate powerful forces from an invisible dimension that are activated by oaths, hymns, curses and prayers, and respond in the form of oracles and prophecies, forms of discourse which were profoundly meaningful to those who watched the original productions of tragedy.
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