How different are we from those in the past? Or, how different do we think we are from those in the past? Medieval people were more dirty and unhygienic than us – as novels, TV, and film would have us believe – but how much truth is there in this notion? This book seeks to challenge some of these preconceptions by examining medieval society through rules of conduct, and specifically through the lens of a medieval Latin text entitled The Book of the Civilised Man – or Urbanus magnus – which is attributed to Daniel of Beccles. Urbanus magnus is a twelfth-century poem of almost 3,000 lines which comprehensively surveys the day-to-day life of medieval society, including issues such as moral behaviour, friendship, marriage, hospitality, table manners, and diet. Currently, it is a neglected source for the social and cultural history of daily life in medieval England, but by incorporating modern ideas of disgust and taboo, and merging anthropology, sociology, and archaeology with history, this book aims to bring it to the fore, and to show that medieval people did have standards of behaviour. Although they may seem remote to modern ‘civilised’ people, there is both continuity and change in human behaviour throughout the centuries.
A translation of The Book of the Civilised Man by Daniel of Beccles brings to light the social and cultural life of medieval people in the twelfth and thirteenth centuries through a previously little-known text. Known in Latin as Urbanus magnus, it is a complex and illuminating text which covers an array of topics related to social mores in the Middle Ages, including: how to be a good and moral citizen, how to dine courteously, how to maintain standards of hygiene, how to regulate your diet, and how to run your household. Often described as one of the earliest 'courtesy texts', this translation will reveal a text which cannot be easily categorised in any genre but is relevant widely for anyone with an interest in medieval life. An expansive text of enormous breadth, this translation will provide scholars new insight in areas such as social hierarchy, citizenship, morality, friendship, family ties, household administration, food consumption, standards of etiquette, and much more.
As a figure of thought, the concept of freedom tends to shuttle between abstraction and ideal -- the first exemplified by Isaiah Berlin's contrast between negative and positive liberty, and the second by Philip Pettit's neo-republican conception of freedom as non-domination. Located within the realm of lived experience however, freedom is invariably forged from context-specific constraints, hence the title of the proposed pamphlet: degrees of freedom. The point of departure is to approach freedom as a practice which is 'conditioned' by enclosures of power/knowledge which are also enclosures of the imagination. In terms of destination, the objective is to explore the question of how to breach such enclosures, thereby opening out spaces for alternative ways of practising freedom to emerge. The analysis will encompass three fields of practice and examine how freedom is drawing inwards around the freedom to compete in a zero-sum game among winners and losers. To get to grips with the 'how' of this requires dispensing with analytical tools that operate on the basis of dichotomy (such as power/resistance, freedom/domination, top-down/bottom-up) while also stretching the analysis across distinct-yet-related fields of action. The book will thus begin with a brief discussion that sets out key concepts and ideas before putting these to work through an analysis of 1. Sport & Academia, and 2. Art.
An evocative novel about secrets, disillusion and a unique place. Luke Freeman returns from the Second World War keen to start a new life with his wife, Constance, and eleven-year-old daughter, Emily. However, after arriving in Northland, it is clear the patch of land he has bought from Brigadier Barnsley is useless. During the drought-stricken summer that follows, the Freeman's lives become interwoven with the demanding Barnsleys. Like the elusive springs of water, secrets are bubbling just under the surface - will they be discovered?
A fabulous multi-levelled novel, shortlisted for the Montana NZ Book Awards. Clare Lacey is on a quest. In Ireland to attend an art history conference, she sets out to find her father who walked out one day to buy a packet of cigarettes when she was a child, and disappeared. She is urged on her way by chance encounters: with a woman in a high tower, a blind man at a crossroads, a singer whose song she does not understand . . . Clues lie all around on a labyrinth of walls - but the final clue lies deep within. With Irish roots and a nod to the Irish classic, The Year of the Hiker by John B. Keane, this is a contemporary novel about inheritance, belief, art, love . . . and limestone.
C’est en octobre 1955 que commence le procès d'Albert Black : ce jeune Irlandais de vingt ans, arrivé à Wellington deux ans auparavant, est accusé du meurtre d'un garçon lui aussi tout juste immigré, à l'occasion d'une rixe dans un bar. Fiona Kidman ne se contente pas ici d’ouvrir à nouveau l’enquête sur les circonstances du drame – crime passionnel ? légitime défense ? – et sur la personnalité de ce gentil gamin de Sandy Row que la pauvreté a chassé de Belfast dans l'espoir d'une vie meilleure. Elle met également en lumière le contexte de l’époque : la peine de mort venait d’être rétablie en Nouvelle-Zélande, et le Premier ministre de publier un rapport accusant les immigrés de fraîche date de répandre le vice. Ce passionnant roman donne bien le sentiment, poignant, et ce dès les premiers chapitres, que le sort de l’inculpé est déjà scellé : le procureur général, comme la plupart des jurés, semble l’avoir condamné avant même que tombe le verdict, rendant impossible toute tentative de défense. Sa propre mère, qui avait pourtant désespérément entrepris de réunir l’argent du voyage, s’était vu signifier que ce serait en vain. Même si le directeur de la prison lui montre un peu de compassion, Albert comprend au fil des jours l’étendue de sa solitude dans ce pays où il s’était rêvé un avenir. Sa bonté, son calme et son humour face à l’adversité n’y font rien. Mais le puissant plaidoyer de Fiona Kidman, déjouant implacablement les mécanismes à l'œuvre dans le rejet de l’autre, a déjà ébranlé plus d’un lecteur : une équipe de juristes est en passe d’obtenir la révision de la condamnation.
Goodbye Mrs. Robinson is an Irish, very black comedy about a brother and sister who find themselves in a very complex plot to claim money from their foster mother's insurance. Set in Galway, West Ireland this novella is about two orphaned children Aoife and Conor trying to break free from their contrary foster mother, Helen Robinson. If you liked In Bruges and The Guard you'll enjoy this latest book from Fiona O'Malley. Half of the money raised from book sales will go to one of Fiona's favourite charities - GOAL.
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